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Friday, January 31, 2014

>> Download Ebook No Way to Treat a First Lady, by Christopher Buckley

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Christopher Buckley, the bestselling author of the comic classics The White House Mess and Thank You for Smoking, returns to the funniest place in America: Washington, D.C.

Elizabeth Tyler MacMann, the First Lady of the United States, has been charged with killing her philandering husband, the President of the United States. In the midst of a bedroom spat, she allegedly hurled a historic Paul Revere spittoon at him, with tragic results. The attorney general has no choice but to put the First Lady on trial for assassination.

The media has never warmed to Beth MacMann (her nickname in the tabloids is “Lady Bethmac”), and as America girds for a scandalous, sensational trial, Beth reaches out to the only defense attorney she trusts, Boyce “Shameless” Baylor, who charges $1,000 an hour and has represented a Who’s Who of scoundrels: murderous running backs, society wife-killers, Los Alamos spies, and national-security sellouts.

Why Boyce Baylor? Because Beth loved him once, when they were law students. Boyce wanted to marry her, but Beth chose the future President instead. Now, after all these years, Boyce has a second chance. To what lengths will a shameless lawyer go to win the Trial of the Millennium and regain the love of his life?

Buckley has been described by the Los Angeles Times Book Review as “one of the best and surest political humorists in America” and by Entertainment Weekly as “a superb writer of politically incorrect satire.” No Way to Treat a First Lady is flat-out hilarious. And furthermore, it’s a love story for our time.

Sales Rank: #719122 in Books
Brand: Random House
Published on: 2002-10-08
Released on: 2002-10-08
Original language: English
Number of items: 1
Dimensions: 9.51" h x 1.00" w x 6.39" l,
Binding: Hardcover
304 pages

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Great product!

Amazon.com Review
Christopher Buckley is not so much a novelist as a free-ranging satirist looking for targets. In Thank You for Smoking it was big tobacco and earnest reformers; in God Is My Broker it was business and religion; and in No Way to Treat a First Lady, it's the entire legal profession, not to mention the Washington establishment. The novel opens with the President of the United States returning to the conjugal bed after an illicit Lincoln Bedroom romp with the Streisandesque Babette Van Anka. His wife, the long-suffering Beth McMann, promptly clocks him with a Paul Revere spittoon. Several hours later he dies. "Lady Bethmac," as the First Lady is immediately dubbed by the media, is put on trial, and the resulting media circus gives Buckley lots of opportunity for nicely observed skewerings of legal culture. "Judge Dutch creaked forward in his chair. This is the source of the aura of judges: they have bigger chairs than anyone else. That and the fact that they can sentence people to sit in electrified ones. It's all about chairs." He gets in some neat neologisms--a lawyer performs a "credibilobotomy" on a witness--and sends up the pretensions of law TV: at a roundtable discussion, the guest from Harvard Law is invited "to provide gravitas and to shift uneasily in his seat when the other guests said something provocative." Buckley's Trial of the Millennium is so far-fetched that it seems entirely possible. --Claire Dederer

From Publishers Weekly
The lurid sexual excesses that dominated presidential politics in the late '90s provide plenty of comic fodder for Buckley's latest satire, which doubles as a legal thriller that begins when President Ken MacMann is found dead in bed next to his wife after a vigorous night in a White House guest room with his latest mistress, film star Babette Van Anka. First lady Elizabeth MacMann whose tabloid nickname is Lady Bethmac is first on the suspect list, largely because she bopped Ken with an antique spittoon after his latest infidelity, leaving a bruise that spelled out Paul Revere's name on the late presidential forehead. Beth quickly hires an expensive, successful legal gun named Boyce "Shameless" Baylor, who also happens to be an old flame, and Baylor wades into the sordid mess, using the well-established tactics of tabloid trials to steer his client toward reasonable doubt. But Beth gets cocky after his initial success and insists on taking the stand to clear her reputation, a tactic that backfires so badly that Baylor is forced to resort to jury tampering to try to force a mistrial. Buckley has to use some obvious narrative cliches to get Baylor and MacMann out of the mess after they rekindle their romance, but the good news is that this book is more plot driven than Buckley's earlier satires, making it more coherent and effective over the long haul. The political humor is first-rate as usual, as Buckley has plenty of fun with the slimy, silly mess that is Beltway politics. This is one of his better efforts, which should keep Buckley on the "A" list of American satirists.
Copyright 2002 Cahners Business Information, Inc.

From Library Journal
The first lady of Buckley's latest satire (after Little Green Men and Thank You for Smoking) is Elizabeth "Lady Beth Mac" MacMann, wife of President Kenneth Kemble MacMann. Kenneth, whose morals are as unreliable as a granny knot, meets an untimely death two and half years into his first term. Indicted for his murder, Elizabeth hires as her defender the one and only Boyce "Shameless" Baylor, to whom she had once been affianced. Elizabeth doesn't wear the widow's weeds long before she and her hotshot legal adviser get together for some unprotected fun in bed, with unintended but not unusual results. In strict story terms, the novel is a long tease-how many witnesses and how much testimony do we have to hear before finding out what really happened that fateful night in September? But it's worth the wait. The book is shot through with a particularly mordant vein of social satire and mocks the ludicrousness of modern life, something to which we've become numb. This should be on your list, near the top.
A.J. Anderson, GSLIS, Simmons Coll., Boston
Copyright 2002 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Laughter, Viagra, and Presidential Sex
By J. Phelps
A great Buckley novel that really has some interesting twists and turns. I can't say much without giving away the story - lets just say that I've learned some new tricks.

Funny. At times - so funny you will double over with laughter. The sort of surprising humor that pops up out of nowhere and just doesn't go away.

Warning - if you laugh continuously for more than six hours, seek immediate medical attention.

0 of 0 people found the following review helpful.
Flotus kills Potus, or did she?
By Karen G. Spisak
Really funny Washington satire by Christopher Buckley (whose father I wish were still alive to roll his eyes at instead of spinning in his grave over the current GOP) about a Flotus charged in the "assassination" of the overly randy, womanizing cheater of a Potus. The characterizations of the various Washington personae, legal vultures, and media mongrels are spot on. Very enjoyable summer read.

0 of 0 people found the following review helpful.
Didn't love it but was Bookclub selection and as with most ...
By julie aho
Didn't love it but was Bookclub selection and as with most Bookclub selections we had an interesting discussion
I always find something I hadn't considered when brought up by a fellow member
VIVA BOOKCLUBS!

See all 128 customer reviews...

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^ Ebook Download Building a Bridge to the 18th Century: How the Past Can Improve Our Future, by Neil Postman

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In Building a Bridge to the 18th Century, acclaimed cultural critic Neil Postman offers a cure for the hysteria and hazy values of the postmodern world.

Postman shows us how to reclaim that balance between mind and machine in a dazzling celebration of the accomplishments of the Enlightenment-from Jefferson's representative democracy to Locke's deductive reasoning to Rousseau's demand that the care and edification of children be considered an investment in our collective future. Here, too, is the bold assertion that Truth is invulnerable to fashion or the passing of time. Provocative and brilliantly argued, Building a Bridge to the 18th Century illuminates a navigable path through the Information Age-a byway whose signposts, it turns out, were there all along.

Sales Rank: #229418 in Books
Published on: 2000-10-10
Released on: 2000-10-10
Original language: English
Number of items: 1
Dimensions: 8.00" h x .50" w x 5.20" l, .45 pounds
Binding: Paperback
224 pages

Amazon.com Review
The problem with the world today, says Neil Postman, is that we've become so caught up in hurtling towards the future that we've lost our societal "narrative," a humane cultural tradition that creates "a sense of purpose and continuity"--in other words, something to believe in. "In order to have an agreeable encounter with the twenty-first century," he asserts, "we will have to take into it some good ideas. And in order to do that, we need to look back to take stock of the good ideas available to us." He finds rich source material in the Enlightenment, the salad days for philosophers such as Goethe, Voltaire, Diderot, Paine, and Jefferson, "the beginnings of much that is worthwhile about the modern world." Yet Building a Bridge to the Eighteenth Century is a call for cultural progress, not regression: "I am not suggesting that we become the eighteenth century," Postman notes, "only that we use it for what it is worth and all it is worth."

Chief among the values Postman cites is the development of the intellect; it plays a part in many of his recommendations, from the cultivation of a healthy skepticism towards overhyped technology to sweeping educational reforms that include replacing grammar instruction with logic and rhetoric and introducing courses on comparative religion and the history of science. He also lashes out at postmodernists who start with the premise that language "is a major factor in producing our perceptions, judgments, knowledge, and institutions" and conclude that language is therefore tenuously connected to reality at best. Enlightenment thinkers knew that language molded perception, he notes, but they also believed that "it is possible to use language to say things about the world that are true" and "to communicate ideas to oneself and to others." Postman is excessively curmudgeonly at times, as in his reference to philosopher Jean Baudrillard as "a Frenchman, of all things," or his remarks on the ancient Athenians: "I know they are the classic example of Dead White Males, but we should probably listen to them anyway." But for anybody with a stake in the culture wars, or who wants to apply the lessons of philosophy to the modern world, Building a Bridge to the Eighteenth Century will make for provocative reading.

From Publishers Weekly
"I am not suggesting that we become the eighteenth century, only that we use it for what it is worth and for all it is worth," Postman (Amusing Ourselves to Death; Technopoly) argues in this penetrating, extended essay. Though other periods are rich with learning and wisdom, Postman believes the 18th-century Enlightenment is uniquely valuable and relevant to today's world. It gave us the rationalist notion of human progressAexpressed and supported by science and technologyAand the romantic critique, with its idea of inward progress and its suspicion of the machine. It gave us discursive narrative prose as the prototypical model of thought, along with more subtle, less hysterical critiques of language than postmodernists offer today. It gave us floods of new information, yet ridiculed information as an end in itself, urging a healthy respect for context and purpose. It gave us the idea of childhood as a distinct life stage linked to education and nurturance, illuminated by two contrasting visionsALocke's blank slate to be written on and Rousseau's plant to be cultivated. And it gave us representative democracy. All these were expressions of a world in which the dominant media, unlike today, was the printed word. As that environment fades, the complex tensions Postman illuminates are replaced by shallow sloganeering by those who present themselves as the embodiment of novelty and daring. Postman forcefully argues that we can use the complex legacy of the past to resist being swept into a shiny, simpleminded new dark age. (Oct.)
Copyright 1999 Reed Business Information, Inc.

From Library Journal
In this wide-ranging call to action, Postman, author of such impassioned books as The Disappearance of Childhood and Amusing Ourselves to Death, offers us the chance to ground our discussions of the 21st century in the historical and philosophical bedrock of the 18th. Postman is certainly no victim of technolust--he has no e-mail, no PC, and writes his manuscripts in longhand. Those Luddite tendencies notwithstanding, Postman says he is not against technology but wants it viewed as merely a tool. He cautions that, in the words of Thoreau, "our inventions are but improved means to an unimproved end.'" The philosophers and scientists whose works and thoughts he invokes include Goethe, Voltaire, Rousseau, Kant, Smith, Paine, Franklin, and Jefferson. These worthies focused much attention on the technological developments of their times and all the resulting philosophical, social, political, and spiritual ripples. None of these thinkers "could possibly have embraced... the idea that technological innovation is synonymous with moral social and psychic progress." Yet today, too many e-mail postings and boardroom discussions--corporate, school, and library alike--begin with that certainty. Postman asks and tries to answer the core questions: "What is progress? How does it happen? How is it corrupted? What is the relationship between technological and moral progress?" And at center: "What is the problem to which technology is the solution?"
Copyright 1999 Reed Business Information, Inc.

Most helpful customer reviews

81 of 86 people found the following review helpful.
Neil Postman for Secretary of Education
By Arnold Kling
This book speculates about the advice we might receive about our current society from the great philosophers of The Enlightenment.
How could that possibly be interesting or relevant? When you read the book, you will find out.
It is difficult to do second-hand justice to the book, in part because the writing is so superb. Some examples of his curmudgeonly style:
"to insist that one's children learn the discipline of delayed gratification, or modesty in their sexuality, or self-restraint in manners, language, and style is to place onself in opposition to almost every social trend."
"question-asking is the most significant intellectual tool human beings have. Is it not curious, then, that the most significant intellectual skill available to human beings is not taught in school?"
[after suggesting that students be presented with both evolution and creation science] "'If we carried your logic through,' a science professor once said to me, 'we would be teaching post-Copernican astronomy alongside Ptolemaic astronomy.' Exactly." [Postman's point being that scientists have to learn to evaluate competing theories, not to accept the conventional scientific wisdom on faith]
Postman disdains the Internet. He seems to view it as not being much different from television in its effects. Here I disagree with him. This disagreement is explained more fully in "Building a Bridge to Neil Postman," an essay that is available from me via email.

0 of 0 people found the following review helpful.
For The Preacher Man, Humanists, Cultural Marxists, Feminists, and The Children. This is what we lost...
By XDel
This Book Has it All! I can hear Postman repeating himself on these pages, and within pages of his other books, though at the same time, no two books are alike, and no two books are devoid of their own unique content, and further more, what is repeated should be repeated so as to drive what he is trying to communicate into our brains. And in doing so, Postman lives forever.

If anyone has grown up feeling like everything is just a bit on the artificial side, ever felt that maybe much of what you know is a lie, or have you ever felt that everyone is crazy and that America has fallen from grace?

This book explores that and I believe holds the answers, along with his other works such as the End of Education and Technopoly. And if not that, then they serve as a great narrative and a great appendix through which to conduct your own research.

18 of 19 people found the following review helpful.
Another In A Long Line Of Excellent Postman Tomes!
By Barron Laycock
With the publication of "Building A Bridge To The Eighteenth Century", Neil Postman has produced another thoughtful, articulate, and informative tome describing the numbing effects of postmodern society on individual consciousness, moral values, and the disintegration of our culture. In previous books he cited the dangers associated with runaway technological innovation ("Technopoly") and the corrosive cumulative effect of the manipulation of what we see through electronic media, profoundly biasing the ways we come to view, interpret and understand the world at large ("Amusing Ourselves To Death"). Here he examines a multitude of problems associated with the obvious circumstances of our rapidly disintegrating sense of commonality with our fellows in local and regional communities.
Not surprisingly, Postman finds solace and hope in the values and ideas of the Enlightenment, and in particular with authors like Voltaire, Goethe, Jefferson, and Thomas Paine. He quite artfully broaches the problems we currently have and meaningfully connects them to the assault on traditional systems of meanings that former societies had a wealth of. Yet Postman also understands one cannot simply glue or graft old ideas and values onto contemporary situations and expect them to cohere and work. Although he never quite articulates the notion, one can certainly connect the dots among the lines of his argument to disocver a stunning indictment of our present culture, which he apparently sees as hollow, superficial, and cravenly focused on material acquisition. In this fashion he seems to be accepting the arguments of a number of other contemporary thinkers who see the hope for the future in terms of recognizing what our material progress has cost.
In saying that we have become so enamored of progress that we have lost our social narrative, he seems to be recognizing the degree to which our stated values and ideals no longer cohere or make adequate sense in terms of motivating or integrating the social community at large. In this he falls into a long tradition of social criticism that reaches back to classic sociologists like Karl Marx, Max Weber, and Emile Durkheim, each of whom argued that rapid scientific and technological progress and the eclipse of the traditional values associated with Christian communities posed enormous dangers for continuation of western culture, since, unlike religion, science had no core values which could act to integrate the community by reference to common values and ideals. In this sense, one can draw a line between these 19th century thinkers and others like C. Wright Mills, John Maynard Keynes, the early Alvin Toffler (before he became an apologist and fellow-traveler of the rich and famous), and contemporary authors such as Noam Chomsky, Wendell Beery, and Theodore Roszak.
This is a thoughtful and wide-ranging book written by someone who understands just how complex our current dilemma is, and who also appreciates that correcting it takes more than the kinds of superficial corrections in course being bandied about in this year of political promises and presidential campaigns. It also shows Postman's powerful intellect at work. He understands that progress in and of itself is meaningless unless it is informed by a meaningful direction in which to grow toward some greater fulfillment of real human possibilities. What we have now is hardly anything like meaningful progress; it is much more like a blind thirst for egregious acquisitions of more and more material wealth at the cost of everything we once treasured. This is an informed excursion into the past in order to better appreciate how we can use our traditional values more meaningfully to avoid the pitfalls of runaway technological innovation and the cultural detritus it has left in its wake. I highly recommend this book. Enjoy!

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Monday, January 27, 2014

## Download PDF The Brother: The Untold Story of Atomic Spy David Greenglass and How He Sent His Sister, Ethel Rosenberg, to the Electric Chair, by Sam Ro

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In 1951, Julius and Ethel Rosenberg were tried for and convicted of conspiring to steal atomic secrets. In 1953, their execution tore American apart. Fifty years later, the acrimonious debate over the Rosenbergs' guilt, and the raw emotions unleashed by a case that fueled McCarthyism and the cold war, still reverberate.

One man doomed the Rosenbergs: David Greenglass, Ethel Rosenberg's brother, the young army sergeant who spied for the Soviets at Los Alamos during World War II and whose testimony later sealed his sister and brother-in-law's fate. After serving ten years in prison, he was released in 1960 and vanished.

But Sam Roberts, a New York Times editor, found David Greenglass and, after fourteen years, finally persuaded him to talk. Drawn from the first unrestricted-access interviews ever granted by Greenglass and supplemented by revelations from dozens of other key players in the case--including the Russian agent who controlled Julius Rosenberg; by newly declassified American and Soviet government documents; and by personal letters never before publishes, among them on from Albert Einstein; The Brother is the mesmerizing inside story of misplaced idealism, love and betrayal behind the atomic-espionage case that J. Edgar Hoover condemned as the Crime of the Century.

In more than fifty hours of tape-recorded conversations with the author, Greenglass intimately detailed his recruitment into espionage on Manhattan's Lower East Side, how he spied for the Russians at American's most secret military installation, and how the plot unraveled and led to the arrests of David, Julius, and Ethel.

But even beyond that, this book reveals how Greenglass perjured himself during his riveting courtroom testimony--testimony that virtually strapped his sister and brother-in-law into Sing Sing's electric chair.

Delivering a narrative punch on every page, The Brother is the story of a family. It is a story of atomic espionage. It is the story of the trial that turned a nation upside down and that even now divides the American left. Convincingly and with authority, The Brother tells a tale driven by secrets, suspense, and intense human intrigue.

Sales Rank: #1208056 in Books
Published on: 2001-09-18
Released on: 2001-09-18
Format: Deckle Edge
Original language: English
Number of items: 1
Dimensions: 9.54" h x 1.65" w x 6.56" l,
Binding: Hardcover
560 pages

Review
"Sam Roberts–aided by new documentation from the Soviets and unique access to David Greenglass, Ethel Rosenberg's brother–has written the definitive account of one of the most bitterly debated episodes of the postwar era. The Brother is a remarkable achievement: lucid, amazingly fair-minded, unsparing in its description of all the players in the case. Roberts has at once given us a marvelous read--a real-life spy thriller–and rendered a rare public service."
-David Halberstam

From the Inside Flap
In 1951, Julius and Ethel Rosenberg were tried for and convicted of conspiring to steal atomic secrets. In 1953, their execution tore American apart. Fifty years later, the acrimonious debate over the Rosenbergs' guilt, and the raw emotions unleashed by a case that fueled McCarthyism and the cold war, still reverberate.

One man doomed the Rosenbergs: David Greenglass, Ethel Rosenberg's brother, the young army sergeant who spied for the Soviets at Los Alamos during World War II and whose testimony later sealed his sister and brother-in-law's fate. After serving ten years in prison, he was released in 1960 and vanished.

But Sam Roberts, a New York Times editor, found David Greenglass and, after fourteen years, finally persuaded him to talk. Drawn from the first unrestricted-access interviews ever granted by Greenglass and supplemented by revelations from dozens of other key players in the case--including the Russian agent who controlled Julius Rosenberg; by newly declassified American and Soviet government documents; and by personal letters never before publishes, among them on from Albert Einstein; The Brother is the mesmerizing inside story of misplaced idealism, love and betrayal behind the atomic-espionage case that J. Edgar Hoover condemned as the Crime of the Century.

In more than fifty hours of tape-recorded conversations with the author, Greenglass intimately detailed his recruitment into espionage on Manhattan's Lower East Side, how he spied for the Russians at American's most secret military installation, and how the plot unraveled and led to the arrests of David, Julius, and Ethel.

But even beyond that, this book reveals how Greenglass perjured himself during his riveting courtroom testimony--testimony that virtually strapped his sister and brother-in-law into Sing Sing's electric chair.

Delivering a narrative punch on every page, The Brother is the story of a family. It is a story of atomic espionage. It is the story of the trial that turned a nation upside down and that even now divides the American left. Convincingly and with authority, The Brother tells a tale driven by secrets, suspense, and intense human intrigue.

About the Author
Sam Roberts is a New York Times reporter and host of NY-1's cable talk show New York Close-Up. He is the author of Who We Are: A Portrait of America Based on the Latest U.S. Census. He lives in Manhattan with his family.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Reserve A Space for This Book in Your Library
By Bill Emblom
Although I was only nine years old when the Rosenberg's were executed on June 19, 1953, I do have vague recollections of their execution. The book is over 500 pages long but worth its length. Without going into lengthy details, as I understand the story, in 1945 Julius Rosenberg asked his sister-in-law, Ruth Greenglass, to suggest to her husband David, who was working on the Manhattan Project at Los Alamos, New Mexico, to provide details about the makings of the atomic bomb to be passed on to the Soviets. This David agreed to do since Russia had been an American ally during World War II. There appears to be some doubt as to what Ethel Rosenberg's role in this scheme was. Ethel apparently knew what her husband Julius was up to and was even agreeable to it. When her brother David was arrested, he agreed to cooperate with the government providing his wife would not be implicated. Instead David claimed that Ethel did the typing of his (David's) notes from Los Alamos. When author Sam Roberts interviewed David for the book David wavers as to who actually did the typing of his notes. He now states that it most likely was his wife Ruth. This apparently is where he is said to have sent his sister to the electric chair to save his wife Ruth. Would David have done this had he known a death sentence was facing his sister? From his interview with author Roberts I would have to say yes he would have although even though they were guilty they didn't deserve to die. One of the Rosenberg's two sons, Michael, is quoted as saying, "My mother went to the death house and Aunt Ruth goes home to make dinner." If you enjoy American history this is a book that you will want to make sure you have in your library. This is riveting American history.

3 of 5 people found the following review helpful.
Ronald Radosh's book is better than this one, but read both.
By A Customer
This is a very interesting history of the Rosenberg case from the point of view of David Greenglass, Ethel Rosenberg's brother... I would recommend it to all Rosenberg case buffs for its portrait of Ethel's family relationships and background... Greenglass comes off as one strange and unlikeable guy...
I do have a couple of criticisms of the book. For a NY Times editor, Sam Roberts, the author doesn't write all that well. Some of his sentences are confusing with pronouns that refer back to previous sentences, only the reader doesn't know to which person previously mentioned. There are a also number of passages which seem to me to contain confusing non-sequitors... reading The Brother is a bit like coming in in the middle of a movie.

4 of 5 people found the following review helpful.
You must read this book
By Patricia Horton
If you are at all intersted in the Rosenbergs, this book is for you. David Greenglass' testimony sent Ethel to the electric chair. Now, without remorse, he pretty much says he lied. Sam Roberts is a fine writer and this is one great history book.

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Friday, January 24, 2014

@ Ebook Reef Madness: Charles Darwin, Alexander Agassiz, and the Meaning of Coral, by David Dobbs

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Reef Madness opens up the world of nineteenth-century science and philosophy at a moment when the nature of scientific thought was changing, when what we call “science” (the word did not even exist) was spoken of as “natural philosophy” and was a part of theology, the study of “God’s natural works.”

This is how what is now called science, until then based on the presence and hence the authority of God, moved toward reliance on observable phenomena as evidence of truth. At the book’s center, two of that century’s most bitter debates: one about the theory of natural selection, the other about the origin of coral.

Caught in the grip of these controversies were two men considered to be the gods of the nineteenth-century scientific world: Charles Darwin, the most controversial and ultimately the most influential; and the Swiss-born zoologist Louis Agassiz, almost forgotten today but at the time even more lionized than Darwin.

Agassiz was a paleontologist, the first to classify the fossil fish of the planet, and the first to conceive the idea of the ice age that altered our view of the Earth. He taught at Harvard, founded the Museum of Comparative Zoology, was one of the founders of the Smithsonian and of the National Academy of Sciences, and was considered the greatest lecturer of his time—eloquent, charming, spellbinding. Among his admirers: Emerson, Theodore Roosevelt, William James, and Thoreau. Agassiz believed that nature was so vast, complicated, and elegantly ordered that it could only be the work of God.

We see how this central principle of Agassiz’s was threatened by Darwin’s most central theory—that species change through natural causes, that we exist not because we’re meant to but because we happen to. Agassiz, forced either to disprove Darwin’s principle or give up his own, went to war full tilt against the theory of natural selection. It was a war that, beyond its own drama, had a second important effect on the new world of science.

David Dobbs tells how Agassiz’s son, Alexander, one of the most respected naturalists of his time, who witnessed his father’s rise and tragic defeat yet supported the theory of natural selection over his father’s objections, himself became locked in combat with Darwin.

The subject of contention was the “coral reef problem.” As a young man of twenty-six, Darwin, with only a small amount of data, put forth a theory about the formation of these huge beautiful forms composed of the skeletons of tiny animals that survive in shallow water. It explained how the reefs could rise on foundations that emerged from the Pacific’s greatest depths. This became the subject of Darwin’s first long paper, and it propelled him to the highest circles of British science.

The obsessed younger Agassiz spent the next thirty years in a vain effort to disprove Darwin’s coral theory, traveling 300,000 miles of ocean and looking at every coral mass. In so doing, he laid the groundwork for oceanography, through which, in 1950, the question of the origin of coral was finally resolved.

In Reef Madness, Dobbs looks at the nature of scientific theory. He shows how Darwin was crucially influenced by his encounters with the Agassiz father and son, and how the coral problem prefigured the fierce battle about evolution.

Original, illuminating, and fascinating, Reef Madness uses these large human struggles, which devastated two lives and shaped the thinking of another, to make real the Victorian world of science and to show how it affected the century that followed and continues to this day to affect our own.

Sales Rank: #1532755 in Books
Published on: 2005-01-04
Released on: 2005-01-04
Format: Deckle Edge
Original language: English
Number of items: 1
Dimensions: 9.25" h x 1.10" w x 5.86" l, 1.24 pounds
Binding: Hardcover
320 pages

From Publishers Weekly
Few questions in 19th-century science aroused more controversy than the origin of coral reefs. Charles Darwin posited that the corals grew upon sinking land forms, a theory widely accepted despite its lack of empirical evidence. Enter Alexander Agassiz (1835–1910), son of the renowned naturalist Louis, whose earlier dispute with Darwin over evolution tarnished his reputation as a scientist. A meticulous researcher, Alexander disapproved of Darwin's "intuitive leaps"; he believed that proper science must work "through eyes-on observation and the tireless accumulation of reliable information." To this end, he spent the last 25 years of his life visiting every major reef formation on the planet. But though he gathered a wealth of evidence that seemed to refute Darwin, he never published his findings. By the 1950s, when technology enabled researchers to drill for deep coral samples, data proved that Darwin had guessed right after all. Dobbs (The Great Gulf, etc.) clearly sides with Agassiz in this story of clashing intellects and egos, arguing that Alexander's aversion to confrontation and his emphasis on methodology sprang from the embarrassment caused by his father's stubborn creationism, as well as from annoyance at Darwin's stoking of his own reputation. That Alexander's failure shows Darwin's theory to be all the more brilliant may be an unintended irony of this engrossing chapter in the history of modern science.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Charles Darwin's first scientific splash, a theory on the formation of coral atolls, is now accepted; but it had a rival in a theory advanced by naturalist Alexander Agassiz. Dobbs approaches this chapter in scientific history from a number of perspectives, including Alexander's personality as formed in the shadow of his father, Louis, one of the most famous naturalists of the Victorian era. On a more abstract level, Dobbs discusses the balance between induction and deduction in scientific reasoning. The biography is inherently more interesting, and Dobbs highlights the contrast between Alexander's introspection and his father's charisma and self-centeredness. By the 1870s, Louis Agassiz rigidly resisted Darwinism; Alexander accepted evolution but not, when he learned of data collected on the seminal expedition of the Challenger, Darwin's idea about atolls. Darwin contended they formed around subsiding mountains; Alexander maintained the coral accreted upward. Describing Agassiz's voyages to atolls, Dobbs skillfully relates a story that, if lacking a triumphant ending, yet depicts Agassiz's quiet drama in constructing a theory, wrong though it was. Gilbert Taylor
Copyright © American Library Association. All rights reserved

Review
“Brilliantly written, sometimes almost unbearably poignant, Reef Madness provides an enthralling picture of three grand scientific minds: the stormy relationship of Louis and Alexander Agassiz and their fateful enmeshment with Charles Darwin. The coral reef story becomes a microcosm of the conflicts—between idealism and empiricism, God and evolution—which were to split science and culture in the nineteenth century and which still split them today.”
—Oliver Sacks, author of Uncle Tungsten

“Reef Madness eloquently demonstrates the importance of ideas. David Dobbs gives life to a debate that should simply have given insights into our past. But, surprisingly, the debate has remained very much with us, giving this book enormous contemporary relevance.”
—Mark Kurlansky, author of Salt: A World History

“Engaging, tantalizing, and well written. The best kind of intellectual history. Like Louis Menand’s The Metaphysical Club, Reef Madness brilliantly sets a small group of passionate thinkers into a living context, deftly illuminating the people, their place and time, and their vigorous, world changing arguments.”
—Andrea Barrett, author of The Voyage of the Narwhal

“A wonderful book! A masterful and thrilling account of the origin of coral reefs and the men who debated those origins. David Dobbs tells the complex tale of how brilliant scientists, such as Alexander Agassiz and Charles Darwin, often bitterly disagree in the search for truth and the remarkable power of scientific inquiry as it unfolds over time.”
—Howard Markel, author of When Germs Travel

Most helpful customer reviews

3 of 3 people found the following review helpful.
The Mystery of Reef Formation
By Charles Bradley
"Reef Madness" is multiple biographies packaged with a mystery
and a description of how science is done and scientific societies
and institutions are run. I recommend it highly. There are
important lessons for those who have made up their mind, pro or
con, about an analogous current controversy, the impact of CO2
on climate.

I have only two minor complaints. As a mystery, the clue to the
solution is not available to the reader until the solution is
revealed. As a biography, there are frequent incidents of the
mind reading sin.

4 of 6 people found the following review helpful.
Atoll times
By Charles Miller
This book is fascinating on many fronts. First, it is a quite readable and informative biography of Louis Agassiz and his son Alexander. Second, it is an account of one of the longest-running controversies in the history of science. And, finally, it gives great insights to the current debate in the US over the teaching of "intelligent design."

Louis Agassiz was considered one of the world's greatest scientists (or natural philosophers as they were called at the time), and, after his migration to the United States from his native Switzerland, was viewed as America's greatest naturalist. He was a shrewd self-promoter who parlayed his explanation of glaciation and ice ages, and his encyclopedic knowledge of animal taxonomy, into a position of power and influence. However, he was a follower of Cuvier, and believed that species were created immutably by God. The fossil record was explained by a series of catastrophic annihilations (floods, ice ages) followed by divine creation of completely new species. Needless to say, he did not accept the theory of the origin of species by natural selection as propounded by Darwin. He and Darwin's followers engaged in heated, personal exchanges and attacks. In the end, however, Agassiz was nearly destroyed by the ensuing controversy, and his reputation and influence suffered severely.

Alexander, on the other hand was more mild-mannered and consciously avoided being drawn into his father's fights. He was a widely respected naturalist and an expert on marine zoology, and privately accepted the truth of evolution. He had his own disagreement with Darwin, however, over Darwin's widely-accepted theory of the formation of coral reefs. While not nearly as destructive as his father's evolution dispute, the disagreement involved much publishing, many attacks, and the accumulation of reams of data supporting each side. The fact that this controversy was not settled authoritatively until core samples were taken on Eniwetok atoll before the nuclear tests of the 1950's, long after the protagonists were dead and buried, makes for an almost mystery novel-like tale.

At times, the book reads like today's newspaper accounts of groups trying promote the teaching of creationism and intelligent design in our children's classrooms. Even though this debate was seemingly settled nearly 150 years ago, some ideas die hard.

This is quite an enjoyable read.

5 of 8 people found the following review helpful.
Historical Science at its Best...
By John D. Wagner
This is a superb work of historical science, a gripping story, well-told. And it has everything... Father-son dynamics, the history of science, and the rise of Darwinism, as the story is played out through a profile of Alexander Agassiz and his dad, Louis, one of the last Lamarckians. The main reason I liked the book was the quality, drive, and consistent voice of the insightful prose. The writing is simply lyric! If you liked books like Dava Sobel's book "Longitude" or Mark Kurlansky's "Cod: A Biography of the Fish That Changed the World" -- you'll LOVE this book.

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Wednesday, January 22, 2014

** Free PDF River : One Man's Journey Down the Colorado, Source to Sea, by Colin Fletcher

Free PDF River : One Man's Journey Down the Colorado, Source to Sea, by Colin Fletcher

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At age sixty-seven, Colin Fletcher, the guru of backpacking in America, undertook a rigorous six-month raft expedition down the full length of the Colorado River--alone. He needed "something to pare the fat off my soul...to make me grateful, again, for being alive." The 1,700 miles between the Colorado's source in Wyoming and its conclusion at Mexico's Gulf of California contain some of the most spectacular vistas on earth, and Fletcher is the ideal guide for the terrain. As his privileged companions, we travel to places like Disaster Falls and Desolation Canyon, observe beaver and elk, experience sandstorms and whitewater rapids, and share Fletcher's thoughts on the human race, the environment, and the joys of solitude.

Sales Rank: #129117 in Books
Published on: 1998-05-05
Released on: 1998-05-05
Original language: English
Number of items: 1
Dimensions: 8.00" h x .90" w x 5.20" l, .84 pounds
Binding: Paperback
416 pages

Amazon.com Review
Colin Fletcher, the author of the Grand Canyon classic The Man Who Walked Through Time, adds to his life list of desert voyages with a trip down the 1,700-mile-long Colorado River. From its sources in the Wind River Mountains of Wyoming to its union with the Gulf of California, Fletcher traces the Colorado in an entertaining and often quite funny travelogue. More seriously, he ponders his own life's passage, musing on lost loves, the experience of war, the onset of old age, and impending mortality. Despite the title, other travelers have made this journey--devotees of the Colorado will know the writings of John Wesley Powell and the Kolb brothers, among others. That notwithstanding, Fletcher makes keen observations of the area's geology and wildlife, and of human behavior.

From Library Journal
Solo backpacking legend Fletcher's newest book will likely strike a chord with his many fans, including a generation who grew up reading his classics?The Complete Walker (LJ 10/15/68), The Man Who Walked Through Time (LJ 2/15/68), and The Thousand-Mile Summer (Random, 1989). Here, the aging-yet-spry Fletcher recounts his attempt to traverse the Colorado River from its source in the mountains of Wyoming to the Gulf of California. Traveling by raft when possible and backpacking the nonnavigable stretches, he embraced six months of solitude in spectacular scenery and gained an appreciation of the river. The reclusive author also offers some personal history and reflections on topics ranging from religion to evironmentalism. Expect strong demand, especially among public and environmental collections. [A BOMC selection.]?Tim J. Markus, Evergreen State Coll. Lib., Olympia, Wash.
-?Tim J. Markus, Evergreen State Coll. Lib., Olympia, Wash.
Copyright 1997 Reed Business Information, Inc.

From Booklist
In 1989, at the age of 68, the author set afloat solo down the fabled Colorado River. Along with his raft, camera, and bourbon, Fletcher brought an exquisitely observant sensibility that evokes the abrasions between nature and people, though the river is natural only episodically. It has been so dammed and drained that it no longer reaches the sea. Yet it is still magnificent at its headwaters and in undammed canyons, which Fletcher extols in descriptions of vistas and wildlife over the six-month journey downriver. Added to his finely wrought travelogue are digressions and meditations on memory, aging, preconceptions, risk, religion. And sound: are there any other nature writers with Fletcher's auditory attentiveness? The reader acutely hears birds, rapids, and machines through this traveling, which by themselves reflect the river's phase change from free stream to enchained water sow. With his companionable tone and quirky locutions, Fletcher freshly makes over the river-as-journey-of-life metaphor and charms his reader from beginning to end. Gilbert Taylor

Most helpful customer reviews

0 of 0 people found the following review helpful.
ETC
By John Oliver,
I have read and enjoyed all his books. Havent finished this one yet

4 of 6 people found the following review helpful.
Well worth the read!!
By Hiker Girl
I did a whitewater rafting trip last year through Canyonlands NP and this book brought the wonderful memories of that trip - the beauty of the scenery and excitement of the rapids - back to me full force. I LOVED this book. Colin Fletcher's descriptions really bring you to the river and its surrounding beauty. I love how he describes everything, and how he goes off on tangents back to memories of his own life. This book is well worth the read!

1 of 9 people found the following review helpful.
Why the long wait to publish?
By Amazon Customer
I agree that the book is uneven. What's the story behind the story? Why, if he made the trip in 1989 (and the river has changed quite a bit since then) did he and/or his publishers wait so long to publish it?

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Winner of the the 1998 Ralph Waldo Emerson Award of the Phi Beta Kappa Society

King Philip's War, the excruciating racial war--colonists against Indians--that erupted in New England in 1675, was, in proportion to population, the bloodiest in American history. Some even argued that the massacres and outrages on both sides were too horrific to "deserve the name of a war."

It all began when Philip (called Metacom by his own people), the leader of the Wampanoag Indians, led attacks against English towns in the colony of Plymouth. The war spread quickly, pitting a loose confederation of southeastern Algonquians against a coalition of English colonists. While it raged, colonial armies pursued enemy Indians through the swamps and woods of New England, and Indians attacked English farms and towns from Narragansett Bay to the Connecticut River Valley. Both sides, in fact, had pursued the war seemingly without restraint, killing women and children, torturing captives, and mutilating the dead. The fighting ended after Philip was shot, quartered, and beheaded in August 1676.

The war's brutality compelled the colonists to defend themselves against accusations that they had become savages. But Jill Lepore makes clear that it was after the war--and because of it--that the boundaries between cultures, hitherto blurred, turned into rigid ones. King Philip's War became one of the most written-about wars in our history, and Lepore argues that the words strengthened and hardened feelings that, in turn, strengthened and hardened the enmity between Indians and Anglos. She shows how, as late as the nineteenth century, memories of the war were instrumental in justifying Indian removals--and how in our own century that same war has inspired Indian attempts to preserve "Indianness" as fiercely as the early settlers once struggled to preserve their Englishness.

Telling the story of what may have been the bitterest of American conflicts, and its reverberations over the centuries, Lepore has enabled us to see how the ways in which we remember past events are as important in their effect on our history as were the events themselves.

From the Hardcover edition.

Sales Rank: #24279 in Books
Color: Multicolor
Brand: Lepore, Jill
Published on: 1999-04-27
Released on: 1999-04-27
Original language: English
Number of items: 1
Dimensions: 8.00" h x .80" w x 5.20" l, .81 pounds
Binding: Paperback
368 pages

Amazon.com Review
In 1675, tensions between Native Americans and colonists residing in New England erupted into the brutal conflict that has come to be known as King Philip's War, named after Philip, the leader of the Wampanoag Indians. Jill Lepore's book is an evocative and insightful study of America's recollection and understanding of one of the bloodiest wars to take place on its soil.

Lepore, an assistant professor of history at Boston University, depicts the horrors of this conflict, from gruesome tortures to the massacre of women and children, so explicitly barbaric that the term "war" barely applies. An underlying theme of her narrative is that this unfortunate battle only served to strengthen the boundaries of cultural difference between the Native Americans and colonists, setting a rigid foundation for the many years of enmity between Indians and Anglos that would ensue.

Skillfully drawing on accounts of substance from participants on both sides, Lepore presents a balanced overview of the causes and effects of this conflict and the reverberations it would have over the centuries to follow, ultimately revealing that how a past event is interpreted is often just as important as the event itself.

From Library Journal
Shortly before his death in 1675, John Sassamon warned the governor of Plymouth Colony that Philip, a Wampanoag Indian leader, was about to attack English settlers. When Sassamon was found dead, indications pointed to murder. Three Wampanoag Indians were tried, convicted, and executed. Days later, Philip and his followers began attacking and destroying one English settlement after another. Colonial armies retaliated, killing Indian warriors on the battlefield and their families in the villages. Rather than providing a battle-by-battle description, Lepore (history, Boston Univ.) presents the war through the diaries, books, articles, and dramas written about it. Her major theme is that wars and their histories cannot be separated. Wars generate their own narratives, serving to define the geographical, political, cultural, and national boundaries between warring peoples. A unique approach to historical interpretation, this book will appeal to academic libraries and those that specialize in early American history. (Illustrations not seen.)?Grant A. Fredericksen, Illinois Prairie Dist. P.L., Metamora
Copyright 1998 Reed Business Information, Inc.

From Booklist
King Philip's War erupted in Massachusetts in 1675. When it ended in 1678, vast numbers of homes and entire villages, both English and Native American, had been burned. In proportion, the loss of life was greater than in the Civil War. Both sides participated in the war with barbarity, slaughtering women and children and inflicting hideous torture upon captives. Lepore, an assistant professor of history, has conveyed the horror and stark brutality of the war in eloquent prose, often relying on selected testimony of participants from both sides. In addition, she has extracted a deeper meaning from the conflict. In her view, the savagery of the war shaped later American attitudes toward Native Americans and convinced many of the impossibility of whites and even "civilized" Native Americans living together. Inevitably, Native American attitudes toward whites and the possibilities of coexistence were also negatively influenced. This is a powerful book that doesn't shy away from depicting the sheer horror of what must be termed a race war. Jay Freeman

Most helpful customer reviews

120 of 135 people found the following review helpful.
Warning-Not really about King Philip's War
By A Customer
Be warned, if you're looking for a history of King Philip's War then this is not the book for you. Instead what Lepore is investigating is the ways that colonial New Englanders conceived of the war and, by extension their identity. As part of the new wave of cultural history that is coming out of the universities this book represents what is great and frustrating about that movement. On one level the book is, at times, a great look at how early white New Englanders conceived of their identity, the lengths to which they would go to defend this identity, and the ways in which they would justify this defense. Like great cultural history it gives us a vivid peak into the minds of the people it studies, thereby giving us a better understanding of how they thought and lived. On the other hand the book is, at times, frustrating in that it contains elements of the worst aspects of post modern history. Lepore gets carried away sometimes and lets her study drift too far into the realms of philosophy or literary criticism. Two examples I think illustrate this trend. At one point Lepore spends several pages in a great examination of the contradiction that the colonists felt: on one hand they feared that proximity to the native Americans would turn them into savages, on the other hand if they moved to exterminate the natives then they would lose that quality of justice and mercy that defined them as Englishmen. After laying out this excurtiating argument Lepore tritely concludes that the solution to the problem was that the Colonists would wage a war against the natives and then write histories of it that would justify their actions. While this is undoubtedly what happened it doesn't pass muster as a historical solution to the colonists dillema. While it makes literary and, to some degree logical, sense to us the solution Lepore provides isn't one that a colonist genuinely in a moral quandry would use. The very cynicism of the strategem makes it a violation of the moral guidelines that the colonists saw themselves as possesing. Another example is in a description of a New Englander who visits the bones of King Philip on display and steals Philips jawbone. Lepore asks why he did that instead of some other act of defilement such as breaking the skull or spitting on it. Her conclusion is that the man stole the jaw in order to shut Philip up. Again, while this is an apt literary analysis, it seems dubious that the thief was motivated by a desire to symbolicly shut up the skull. It could just as easily be true that the man wanted a souvenir and that the jawbone was the most easily removed piece of the skull. History is not literature and while the new trend of postmodernism and cultural history can provide us with a lot of insight into the past authors must be careful to avoid the mistakes that Lepore makes in treating historical documents as PURELY literary works without any connection to real people or events. Still for these few flaws Lepore has produced an interesting and useful book. As a stand alone about King Philips war it is limited in it's usefullness but in conjunction with another book about the war or a history of early New England it provides us with an informative glimpse into the mind of early Americans.

11 of 11 people found the following review helpful.
NEVER-ENDING CONFLICT
By Jeremy A. Perron
In my last post I described how a short while ago, I decided to do a straight reading up on the history of my country. Not by a series of biographies or of any particular event; but a simple march through the ages exploring all the eras of the United States of America. The first challenge is to find books that try their best to explore from multiple perspectives avoiding just one narrow view, without at the same time surrendering a general narrative that is both readable and enjoyable. The second challenge is determining where to start. I suppose I could start at the American Revolution or all the way back to Mesopotamia. I finally decided to start with A History of England by Clayton and David Roberts. After getting done with the mother county I moved on to this book by Jill Leopre, generally because of Leopre's reputation of exploring history with memory. Her book deals with early English colonists and how they related to and fought with Native American tribes. Lepore's dealing with both points of view (colonist and Native) during the colonial era surrounding the events leading up to, during, and aftermath of King Phillip's War.

Jill Lepore's book is about one of earliest wars in American history and how the conflict would shape the identity of both sides involved. Lepore writes of colonists that left England for the purpose of religious separatism yet are always concerned about losing their Englishness due to the Natives' presence, and also the Native tribes willingness to explore this relationship while it benefited them balanced with their concern about losing their tribal and cultural identity due to the presence of the English. This fear of loss of identity would be one of the primary reasons for the conflict that ironically would change the culture of both dramatically, making the English 'Americans' and the various tribes 'Indians'.

Lepore's work is very academic in tone and a very difficult narrative to at times follow. Each chapter has about a page and a half of narrative and the rest is analysis. I found the most interesting parts of the book to be the introduction, preface, and final chapter. Those sections contained fascinating insights to how war is interpreted down the generations.

"Clearly, literacy is not an uncomplicated tool, like a pen or a printing press. Instead literacy is bound, as it was for New England's Indians, by the conditions under which it is acquired; in this case at great cost. To become literate, seventeenth-century Indians had first to make a graduated succession of cultural concessions--adopting English ways and English dress, living in towns, learning to speak English, converting to Christianity. But these very concessions made them vulnerable. Neither English nor Indian, assimilated Indians were scorned by both groups and even were subject to attack. Because the acquisition of literacy, and especially English-language literacy, was one of last steps on the road to assimilation, Indians who could read and write placed themselves in a particularly perilous, if at the same time a powerful position, caught between two worlds but fully accepted by neither." p.27

I would recommend this book to advanced readers who would like an introduction into one of America's least understood conflicts, but I think the causal readers would best be served by looking somewhere else because this book does border on the technical side. Nevertheless, this work does a great job at exploring the conflict from many angles and explaining the context for which the war was fought.

40 of 51 people found the following review helpful.
A vivid and engrossing account of King Philip's War.
By A Customer
Three centuries ago, New England Native Americans were forced into war with the English colonists who had been gradually destroying the native economy by stealing their land, interfering with their hunting, fishing, and farming, etc. The resulting war, known as King Philip's War, decimated the English population and very nearly rid New England of whites entirely. English technology and European diseases ultimately won out over theWampanoags and their allies; there was never again an "Indian threat" in New England. "The Name of War" recounts the struggle as told in English accounts; official documents, diaries, and letters. Author Jill Lepore makes the point that history is always written by the victor. What makes the retelling of King Philip's War so one-sided is the fact that the conquered, the Native American tribes, had no written language in which to tell their side of the story. Very few natives of that time could read or write English and, if they left any accounts of the war, they have never been discovered. Lepore goes on to show that what subsequent generations of Americans thought about the war was based entirely on the writings of the colonists and later, anglo scholars and writers. Their view of the Native American ranged from pagan devil-worshippers, as shown by the Mathers and other early religious leaders, to Noble Savage (Cooper) and finally, Vanishing American (The Curse of Metamora). These attitudes, calcified in books and plays, became the stones upon which later White treatment of Indian nations in other parts of the country were based. The final confrontation at Wounded Knee two hundred years after King Philip's War, had its birth in the earliest chronicles of the seventeent-century. This book is a must for all who want to understand the basis for the disastrous Indian-White relations of the last three centuries .For those of us who make a living through writing, the book reminds us of the power of words and theawesome responsibility authors have to use those words wisely.

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