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The extraordinary collection of photographs and rich personal stories that make up Game Face documents the tremendous impact that sports has on the daily lives of millions of girls and women. On playing fields and street corners, in backyards and gyms, the people in this arresting array of pictures are unselfconsciously exploring the physical and emotional pleasures of competition and play. Each image offers an affirming and satisfying answer to the question at the heart of Game Face: What do girls and women look like, freed from traditional feminine constraints, using their bodies in joyful and empowering ways?

When Title IX was passed in 1972, only one out of twenty-seven school-age girls played sports. Now one in three does. Yet their expanding involvement in sports is still largely overlooked by the media, and as a consequence, millions of young female athletes crave not only role models but an authentic and appealing reflection of their own athleticism. As a young sports journalist, Jane Gottesman was all too aware of this imbalance, and saw the need for a book that honors both our top female athletes and the everyday girls and women whose self-image is strengthened through athletic participation. With the goal of showing America what women's sports looks like, she searched through the work of our country's best photographers, from the newest photojournalists to artists such as Annie Leibovitz and Ansel Adams. The result is Game Face, a unique and inspiring selection of color and black-and-white photographs, a text with first-person accounts by athletes, and an illustrated time line of women's athletic milestones.

Published simultaneously with the opening of an important exhibition at the Smithsonian Institution that will tour for five years, Game Face has been endorsed by the Girl Scouts of the USA, who've developed a Game Face patch, the NCAA, and the YWCA of the USA. An inspiring gift for an athlete of any age, this powerful, timely book takes one of art's most studied subjects the female body and celebrates it in a brand-new way.

• Sales Rank: #1389766 in Books
• Published on: 2001-06-26
• Released on: 2001-06-26
• Original language: English
• Number of items: 1
• Dimensions: 10.55" h x .84" w x 8.85" l,
• Binding: Hardcover
• 224 pages

Amazon.com Review
A friend was looking for a great book for a young woman, to help ease her into adulthood. The usual fiction fare came to mind, A Tree Grows in Brooklyn, Anne Frank: The Diary of a Young Girl, To Kill a Mockingbird, and so on. Then I came across Game Face: What Does a Female Athlete Look Like? and immediately decided this was the perfect choice for a preteen girl. In fact, it's a great addition to your mother's coffee table, your best friend's bookshelf, and your sister's "girls rule" collection.

Created and edited by Jane Gottesman, and including a foreword from Penny Marshall, this book takes you on a romp through women in sports from the 19th to the 21st century. The pictures capture superstar athletes like Serena Williams and Jackie Joyner-Kersee, along with small-town sports victors like the determined young "tomboy on a skateboard." The photographs range from showing the agony of defeat to the gritty triumph of victory on the faces of women from all around the world. It's a truly magnificent display of woman power on the field and court, in the ring and stadium, and beyond. Definitely recommended for all the "girlz" in your life. --E. Brooke Gilbert

From School Library Journal
Adult/High School-This collection of black-and-white photographs features female athletes-amateurs and professional; team and individual standouts; stars of the past and present; portraits and snapshots; and young and old-engaged in various physical endeavors. The theme is variety and progress in women's sports. Each photo is accompanied by an identification of the sport, occasionally with a quote from the player depicted. Interspersed throughout are one- or two-page narratives. One is written by Kristi Yamaguchi's mother. Another is by an athlete who is herself a mother, Carla Overbeck, captain of the U.S. soccer team that won the Women's World Cup in 2001 and the Olympic gold medal in 1996. The book's jacket photo is of the now-famous Brandi Chastain after her winning World Cup penalty shot. The vivid and sometimes inspiring photos are to be noted for depicting more unusual sports for women, such as weight lifting, wrestling, and the discus throw. Just as appealing are spontaneous scenes from households or neighborhood settings showing individual games or informal pick-up activities. A foreword by Penny Marshall, film director of A League of Their Own, and the introduction stress the long way women's sports have come. Throughout the writings there is an emphasis on the freedom and progress that has been achieved since the passage of Title IX in 1972. Although the final segment, "Snapshots from Women's Sports History," begins in 1827, it is particularly interesting to follow the highlights from the past 30 years. A welcome and timely addition for sports' collections.

Frances Reiher, Fairfax County Public Library, VA

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
Former sportswriter Gottesman began this project in response to the dearth of photographs of female athletes in newspapers and sports magazines. Published in conjunction with last summer's Smithsonian photo exhibition (which will tour for five years), this book features 182 fabulous color and black-and-white photos of female athletes of various races and ages playing sports, from rodeo to roller skating. The images depict the historically significant (Navratilova and Evert arm-wrestling, Katherine Switzer wearing a dress in the 1974 New York Marathon), the well known (Tonya Harding, Brandi Chastain, Mary Lou Retton), and many nameless athletes giving their all for their sport. All pictures include dates, and many have explanatory captions. There are also 15 fascinating first-person essays by women such as the inventor of the Jogbra and those who broke down personal barriers in traditionally all-male domains, like rowing and hunting. However, the photos are the stars, showing the intense joys and sorrows of winning, losing, and just plain participating. Highly recommended for all school, public, and college libraries. Kathy Ruffle, Coll. of New Caledonia Lib., Prince George, B.C.
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

10 of 10 people found the following review helpful.
Get this book!
By A Customer
This book is amazing! I'm getting this book for every woman on my holiday list. Really fairly priced. The quality of the book is great.

28 of 28 people found the following review helpful.
A great book to own and give to others!
By A Customer
Gameface is a terrific, fun, and interesting book for people of all ages.
I am 39 and loved reading the essays, the history, and the photos of women in action. I was inspired!
Last night, when some family friends were over, people who are more "intellectuals" than "sports enthusiasts" -- they wouldn't leave because EVERYONE IN THEIR FAMILY -- AGES 12 TO 65 WANTED THEIR CHANCE TO READ THE BOOK!!
The 64 year old father, an amateur photographer, wanted to look at every page and commented on the vast array of excellently selected pictures.
The 65 year old mother said she was just beginning to go to a gym and liked the pictures of the women and girls, young and old.
Their 19 year old basketball playing daughter loved the book -- she was looking at the pictures, reading the essays, commenting on women, sports, asking questions, etc. Watching her, I was convinced that I would buy this book to give to people I know... for it really strikes a chord with people to see girls and women in a positive light, playing hard, looking like real people! (with wonderful quotes next to the pictures.)
And their 12 year old son, he wanted his turn too -- he thought the book was "cool" and talked about the girls on the teams he is on -- and how they are very serious!
I highly recommend this book to entire families -- and certainly women of my age who played sports in high school and today try to stay active. It is a terrific! (I hope to see the exhibit in Washington DC too -- or when it travels to my city)

12 of 12 people found the following review helpful.
Inspiring Content; Great Art
By A Customer
These amazing photos of women in action not only honor women who've broken barriers, they contribute to a new definition of "woman" and "girl." The book goes way beyond the ordinary -- it includes pictures of famous athletes and athletes we've never heard of, young stars and veteran competitors. The text adds terrific insight into what the subjects were thinking; my favorite was the story of a woman who went out for her high school football team and told her parents the day of the game that she wouldn't be sitting with them in the stands. I'm buying "Game Face" for every teenage girl - maybe every woman - I know!

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In the newest addition to the universally beloved No. 1 Ladies’ Detective Agency series, the charming and ever-resourceful Precious Ramotswe finds herself overly beset by problems. She is already busier than usual at the detective agency when added to her concerns are a strange intruder in her house on Zebra Drive and the baffling appearance of a pumpkin. And then there is Mma Makutsi, who decides to treat herself to dance lessons, only to be partnered with a man who seems to have two left feet. Nor are things running quite as smoothly as they usually do at Tlokweng Road Speedy Motors. Mma Ramotswe’s husband, the estimable Mr. J.L.B. Matekoni, is overburdened with work even before one of his apprentices runs off with a wealthy woman. But what finally rattles Mma Ramotswe’s normally unshakable composure is a visitor who forces her to confront a secret from her past. . . .

All this unfolds against the sunlit background of Mma Ramotswe’s beloved homeland, Botswana–a land of empty spaces, echoing skies, and an endless supply of soothing bush tea.

• Sales Rank: #4113781 in Books
• Published on: 2005-04-19
• Released on: 2005-04-19
• Format: Large Print
• Original language: English
• Number of items: 1
• Dimensions: 8.40" h x 1.30" w x 5.90" l,
• Binding: Hardcover
• 416 pages

From Publishers Weekly
Starred Review. In this sixth entry in McCall Smith's consistently delightful series, Botswana detective Precious Ramotswe, the traditionally built—and newly married—owner of the No. 1 Ladies' Detective Agency, is saddled with a surfeit of challenging cases and personal crises. There has been an intruder in her home (he managed to escape, but left a telltale pair of trousers in his wake). And the levelheaded sleuth is flustered by an encounter with a man from her past. Meanwhile, Mma Ramotswe's husband, master mechanic Mr. J.L.B. Matekoni, is neck-deep in work after the resignation of one of his apprentices, who has become romantically entangled with a married woman (Mma Ramotswe and assistant detective Grace Makutsi slyly gather the scurrilous details). Scotsman McCall Smith, who was born in what is now Zimbabwe, renders colorful characters with names that trip off the tongue. Among the new arrivals: Mma Makutsi's new suitor and dance partner, Phuti Radiphuti, a stuttering furniture salesman with two left feet; and Mr. Polopetsi, a wrongfully imprisoned pharmacist Mma Ramotswe deems worthy of a second chance. As always, when troubles are brewing, nothing puts things in perspective like time spent on the verandah with a cup of bush tea. Amid the hilarious scenarios and quiet revelations are luminous descriptions of Botswana, land of wide-open spaces and endless blue skies. The prolific McCall Smith dispenses tales from the No. 1 Ladies' Detective Agency at a rate of one per year (he's also author of a second detective series featuring Scottish-American moral philosopher Isabel Dalhousie). That's good news for loyal fans, who eagerly await new adventures with Precious Ramotswe.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adult/High School–This sixth entry in the series does not disappoint. But this time, Mma Ramotswe, proprietor of the No. 1 Ladies' Detective Agency in Gaborone, Botswana, and now married to Mr. J. L. B. Matekoni, owner of Tlokweng Road Speedy Motors, is filled with worry over personal problems. At the same time, her assistant, Mma Makutsi, is preoccupied with finding a husband, and it appears that Charlie, the apprentice at the auto shop, has run off with an older woman. Large cups of bush tea remain the main source of relief for thirst and for solving mysteries. Among the new characters is Mr. Polopetsi, hired to work at Tlokweng Road after Mma Ramotswe knocks him off his bicycle with her tiny white van. Although the agency takes on some criminal cases, most of the plot revolves around the everyday dilemmas of life. For Mma Ramotswe, the right course of action is always the moral one, usually reached with much reflection and humor. Good reading, sound reasoning, cheerful and faithful friends, and descriptions of the much-loved landscape of Botswana make this an appealing novel.–Sheila Janega, Fairfax County Public Library, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
There is more sitting around than solving mysteries in the No. 1 Ladies’ Detective Agency series, but no matter—little detracts from its popularity. Each installment (soon to be a TV series) features the traditionally built, strong-willed, but rather cool-headed Mma Ramotswe (though some compelling men debut here); each follows the same leisurely formula. The power lies in McCall Smith’s deep human insights and rich, dignified portrait of Botswana. He captures details—the locals’ appreciation of small things—and the larger picture of Africa’s economic hardship. In Cheerful Ladies, as in its predecessors, the detective agency exists "to solve the problems in people’s lives," not "all the world’s problems." But reading Cheerful Ladies should shelve your own problems—for a while, anyway.

Copyright © 2004 Phillips & Nelson Media, Inc.

Most helpful customer reviews

90 of 94 people found the following review helpful.
"A life without stories would be no life at all."
By Mary Whipple
Mma Precious Ramotswe, warm-hearted proprietor of the No. 1 Ladies' Detective Agency in Gaborone, Botswana, is drinking tea at an outdoor café when she witnesses the theft of a bracelet. In her haste to apprehend the female thief and return the bracelet to the poor vendor, she leaves her table without paying her bill. The waitress hurries after her, accuses her of intentionally neglecting her bill, and then offers to "forget" about it if Mma pays her an extortionate fee.

Distressed by what she sees as the loss of Botswana's traditional values, Mma Ramotswe believes fervently in setting a good example, respecting others and promoting friendships in her own life. Recently married to Mr. J. L. B. Matekone, proprietor of the Tlokweng Road Speedy Motors, Mma Ramotswe runs her detective agency (where she doles out homespun advice and often serves as a "mother confessor"), takes care of two orphaned children, mentors Mma Grace Makutsi, her assistant, and endeavors to get the two apprentices at her husband's garage to become responsible citizens. A special pleasure in this novel is the introduction of a wonderful, new character, Mr. Polopetsi, a man with a sad story who will undoubtedly be further developed in later novels.

Throughout the series, plots and subplots serve primarily as vehicles for character development and the exploration of cultural values. In this novel Mma Ramotswe has a deep secret, not shared even with her husband, and she is desperate to have it remain a secret. Her house is broken into, her car is stolen, and Note Makoti, her first husband, returns to Gabarone. Mysterious goings-on occur in Mr. J. L. B. Matekoni's former house, now rented; the detective agency looks for a missing man from Zambia; and Mma Makuti finds herself receiving the attentions of a clumsy suitor. While these events may not be very exciting when regarded on a large scale, they are significant in the lives of these ordinary people trying to live their lives with dignity.

Reading this series is like returning to a familiar neighborhood to meet old friends. In simple, direct prose and a leisurely pace, the author recreates the colorful lives of a repeating set of characters who treasure relationships, treat each other with respect, and possess inherent good sense. Full of gentle humor and much wisdom, the novel emphasizes the richness of a traditional life without including the violence, sex, or horror which fill other "detective" novels. Warm, witty, and nostalgic, this series is happy reading, and this novel is a fine addition to the series. Mary Whipple

46 of 47 people found the following review helpful.
Better than 97%
By Amanda Richards
Business is booming for both the No. 1 Ladies' Detective Agency and the Tlokweng Road Speedy Motors, but the daily routine is about to be shattered by a series of strange and puzzling events, starting with an unpleasant encounter at Mma Ramotswe's favorite café, an unfortunate intruder at Zebra Drive, and a mysterious pumpkin.

The story does not focus entirely on the traditionally built Mma Ramotswe, but weaves in the experiences of the other characters in one of the most entertaining books of the series.

Mma Makutsi becomes much more self-confident, and in addition to running the Kalahari Typing School for Men, she puts on her best shoes and signs up for dance lessons, where she ends up being more teacher than pupil to her eager but clumsy dancing partner.

Charlie quits his job at the Tlokweng Road Speedy Motors after a spat with Mma Makutsi, but is seen driving around with an older woman in a Mercedes Benz, and the plot thickens when the car turns into the driveway of Mr. J. L. B. Matekoni's former residence.

While following the Mercedes, Mma Ramotswe causes an accident, and this encounter leads to the introduction of an intriguing new character, Mr. Polopetsi, a man with some very useful talents and a troubled past.

But do not think for a minute that Mma Ramotswe gets off without more than her fair share of trouble. She is totally devastated when her ex-husband Note shows up demanding money, and she has to make the hardest decisions of her life while Mr. J. L. B. Matekoni watches and waits.

This one has more action, more intrigue and more humor than the others, and would be enjoyable reading for traditionally built women, people with 97% passing grades, and all the rest of us.

Amanda Richards, June 23, 2005

41 of 43 people found the following review helpful.
I think this is the best yet
By C. Catherwood
I think this is the best yet - what a shame American readers have had to wait until April to get this wonderful book. (Why can't US publishers bring it out the same time as those in the UK?)

Mme Ramotswe is married! (Or IS she - you will have to read to the middle of the novel to find out.... ) Not only that but Grace Makutsi finds love as well - and to find out THAT happy ending you really will have to read until the last chapter.

Many yuppies (do we still use that term?) love this book, and those in the series, because not much really happens - and that is the whole point! It is both hilariously funny as always, with very sharp observations of human life, and yet profoundly gentle throughout. Life is SLOW, and for many people in the fast lane, that is perfect reading. (And for people who live in the middle lane like me as well...) You can be wonderfully calm reading this book - the whole series is the perfect antidote to the manic life we live in the West, in the 21st century. Five cheers for Alexander McCall Smith!

In one scene, Grace Makutsi meets an odious young woman called Violet, who got only 50% the typing school (Grace, as we will recall, got 97%). But unlike Grace, Violet has all the best jobs and all the men after her - she has one fifteenth of Grace's character and ability, yet gets far because she is glamorous. Haven't we all been there - seeing far less talented people get ahead for reasons that are profoundly unfair? This is what is so good about the Ramotswe novels - they are superb morality tales, showing true values without in any way being preachy.

In short, give this book to all your friends - 10 copies at least! Let's see it go to No.1, which it richly deserves to do, and a good sight more than some so-called fiction out there these days.

Enjoy!

Christopher Catherwood (author of CHURCHILL'S FOLLY: HOW WINSTON CHURCHILL CREATED MODERN IRAQ: Carroll and Graf, 2004)

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Here at last: all the words to all the great love songs from the golden era of Motown, when the Motown sound dominated the charts and kids fell in love, broke up, and fell in love again to its irresistibly danceable hits.

Born in inner-city Detroit but loved by people all around the world, the songs of Motown remain unmistakable and unforgettable: “I’ll Be There,” “My Girl,” “Ain’t No Mountain High Enough,” “Stop! In the Name of Love,” “Please Mr. Postman,” “I Heard It Through the Grapevine.” From the tender beginnings of romance to the heartbreak of good-bye, Motown’s legendary songwriters and performers captured all the nuances of love in what became some of the most beloved songs of our time. Motown Records left behind an unequaled legacy of popular music that was both sophisticated and streetwise, achingly emotional and the epitome of cool.

This vibrant collection of lyrics enables us to sing along–not just hum along–to our favorite Motown tunes and acknowledges the contributions of the lyricists who made these celebrated records possible, from singer-songwriters Stevie Wonder, Smokey Robinson, and Marvin Gaye to collaborators Holland-Dozier-Holland, Ashford and Simpson, and Strong and Whitfield.

With an insightful introduction by editor Herb Jordan and rare photographs of the best-known Motown musicians and writers, Motown in Love is a treasure for those who lived by the songs in the sixties and seventies, and for those just discovering them now.

Featuring all the words to:

ain’t no mountain high enough
ain’t nothing like the real thing
ain’t that peculiar
all in love is fair
as
ask the lonely
baby i need your loving
baby i’m for real
baby love
back in my arms again
beauty is only skin deep
bernadette
choosey beggar
come and get these memories
come see about me
dancing in the street
devil with a blue dress on
distant lover
do you love me
does your mama know about me
don’t look back
don’t mess with bill
every little bit hurts
fading away
for once in my life
get ready
he was really sayin’ somthin’
heat wave
hitch hike
how sweet it is to be loved by you
the hunter gets captured by the game
i can’t get next to you
i can’t help myself
i hear a symphony
i heard it through the grapevine
(i know) i’m losing you
i second that emotion
i want you back
i was made to love her
i wish it would rain
if i could build my whole world around you
if i were your woman
if it’s magic
if this world were mine
i’ll be doggone
i’ll be in trouble
i’ll be there
i’ll try something new
i’m gonna make you love me
it takes two
it’s growing
it’s the same old song
just my imagination (running away with me)
lately
let’s get it on
the love i saw in you was just a mirage
love is here and now you’re gone
love is like an itching in my heart
the love you save
love’s in need of love today
loving you is sweeter than ever
more love
my cherie amour
my girl
my girl has gone
my guy
my world is empty without you
never can say goodbye
never dreamed you’d leave in summer
nowhere to run
the one who really loves you
ooo baby baby
please mr. postman
pride and joy
reach out i’ll be there
reflections
rocket love
7 rooms of gloom
shake me, wake me (when it’s over)
shop around
signed, sealed, delivered, i’m yours
since i lost my baby
standing in the shadows of love
stop! in the name of love
stubborn kind of fellow
take me in your arms (rock me)
the tears of a clown
this old heart of mine (is weak for you)
too busy thinking about my baby
the tracks of my tears
truly yours
two lovers
until you come back to me (that’s what i’m gonna do)
up the ladder to the roof
uptight (everything’s alright)
the way you do the things you do
what becomes of the brokenhearted
what’s going on
when i’m gone
when the lovelight starts shining through his eyes
where did our love go
who’s lovin’ you
yester-me, yester-you, yesterday
you are the sunshine of my life
you beat me to the punch
you can’t hurry love
you keep me hangin’ on
your precious love
you’re a wonderful one
you’re all i need to get by
you’re my everything
you’ve really got a hold on me

• Sales Rank: #1319448 in Books
• Published on: 2006-11-07
• Released on: 2006-11-07
• Original language: English
• Number of items: 1
• Dimensions: 8.55" h x .90" w x 5.88" l,
• Binding: Hardcover
• 224 pages

Review
Motown remembered

"Dreamgirls," a new movie starring Beyoncé Knowles, Eddie Murphy, Jamie Foxx and American Idol reject Jennifer Hudson, aims to capture the magic of Motown. Based on the musical of the same name, "Dreamgirls" is an almost-true-to-life account of female singing trio The Dreamettes (based on The Supremes) and their climb to the top of the pop charts. The recently published book "Motown in Love" is the perfect companion to the movie, as Hollywood is sure to leave out some of the more important political moments of the era in favor of another close-up of Beyoncé. Aside from a well-crafted introduction by composer Herb Jordan, all 184 pages of the book contain only lyrics from Motown love songs. Unlike bona fide poetry that is meant to be read on the page or out loud, the song lyrics leave a bit to be desired without the brilliant and unorthodox music that went along with them.

However, the lyrics are an excellent record of the changes that occurred in Detroit and across the entire U.S. during the 1960s, such as youthful optimism (the Supremes' "You Can't Hurry Love") turning to bitterness and discontent (Marvin Gaye's "What's Going On") as race riots, the Vietnam War, and the assassinations of Martin Luther King Jr., Malcolm X and Robert Kennedy made the music get serious.

Coming out of inner-city Detroit, Motown was the type of scene for which music lovers today yearn. The spirit of soul music was bursting out of churches, street corners, basements and makeshift stages set up in supermarket parking lots. Under the watchful eye of producer Berry Gordy, professional songwriters labored over the notes that became hit songs.

When lyrics are written out on a page, the cheesy rhyme that is otherwise masked by the music comes out in full force (all lyrics are guilty of this, it's not just Motown). However, the language is supposed to be simple and easy to understand, which is one of the reasons why Motown's music became so popular. Everyone could identify with it, even the suburban white kids who turned a musical anomaly into an unstoppable powerhouse.

Upon first glance, "Motown in Love" seems like a book no one would actually read.

Broken up into 10 sections, the lyrics are arranged according to theme, i.e. "Lessons of Love" and "Under Your Spell." Jordan's editing makes it easy to see how all the songs are related and why they're important as a historical body. "Motown in Love" is definitely not a beach read, but it does have its moments.

"Sugar pie, honey bunch,/ you know that I love you./ I can't help myself,/ I love you and nobody else," begins "I Can't Help Myself" by the Four Tops. It's hard to read the words without humming the melody along with them. The catchy chorus of Smokey Robinson's "Tracks of My Tears" recalls his rich, soulful voice: "So take a good look at my face./You'll see my smile looks out of place./If you look closer, it's easy to trace/The tracks of my tears." Reading these lyrics will definitely make you run to your CD player or iTunes to listen to the familiar songs once more.

Valuable as a reference book and a must have for die-hard fans, "Motown in Love" successfully packages an entire movement into a dust jacket, along with a few pictures and a lot of nostalgia. -- Courtney Denison, The Wire, Portsmouth, NH (Dec. 20, 2006)

Past can jolt us to a better future

One should not be nostalgic about too many things from the past because far more often than not the memory takes the form of a wish rather than a fact. Sort of a soothing or a bitter deception. Sometimes, however, the memory is not wrong and there is proof that will remind anybody interested that it was better in certain ways than it is now. Popular music is one example.

I became even more convinced of the music's lessons in our culture as I looked at a recent documentary about the making of the forthcoming "Dreamgirls" movie and two books, "Cole Porter Selected Lyrics" and "Motown in Love: Lyrics from the Golden Era."

"Dreamgirls" is a fictionalized story of a group of young black women with allusions to the story of Motown's Diana Ross and the Supremes. Even if it does not live up to the hype, the film should remind audiences of one thing that they may have forgotten: Once upon a recent time there were black men and women who could sing notes and not merely chant gutter doggerel. The lyrics back then also did not constantly refer to men and women in demeaning and derogatory terms.

The movie will also remind audiences that there was a time when women in the music business knew that being successful did not include embracing the looks and manners of hookers or women taking a break at a strip club.

I am sure that those are the reasons beneath the mounting excitement about the "Dreamgirls" movie. Audiences are happy to get something about the so-called ghetto in which the people aren't all minstrel figures disguised behind cursing and pornography. The idea of black people who manifest human characteristics is still basically out of step with our time, but if "Dreamgirls" reiterates some positive things to the masses, popular music may begin a comeback in which actual talent is celebrated.

Yeah, right.

The book of Cole Porter lyrics and the best of the Motown lyricists might surprise people who spend too much time listening to pop .radio, where a good number of words are bleeped. Porter was about as good as one could get at the writing of lyrics, and he consistently showed off great invention, wit and sophistication.

It is unnecessary to compare the songs of Porter with those intended for adolescents, the target audience for many Motown songs. In their gleaming outfits, the Motown singers performed in the community theaters where young men and women went to learn something about how to express the feelings they might have for each other.

Because something that strong existed in popular music it is hard to believe that it has largely disappeared and been replaced by the dreck we hear delivered by those from the world of rap. But perhaps we are only in one of the valleys on the roller coaster that this culture can so often be, reaching unprecedented highs and falling to lows so far below the sewer that we cannot believe what we are witnessing.

Sometimes a revolution of consciousness arrives as the result of being reminded that people were not always so debased. Perhaps "Dreamgirls," "Cole Porter Selected Lyrics" and "Motown in Love: Lyrics from the Golden Era" will help to spark such memories. We certainly would be better off if they do. -- Stanley Crouch, New York Daily News (Dec. 21, 2006)

Dreaming of more romantic rhythms

For all the dizzying splendor ofthe hot new film Dreamgirls, for all the razzle of the costumes, the dazzle of Beyoncé, and the blinding star power of Jamie Foxx, Eddie Murphy and newcomer Jennifer Hudson, the movie's forgettable songs amount to the musical equivalent of Chinese food: They leave you craving more.

Sure, Hudson created an unforgettable moment belting out her rendition of "And I'm Telling You (I'm Not Going)," but you still wouldn't remember the words if original Dreamgirls cast member Jennifer Holliday had not sung it into R&B fame 25 years earlier.

Dreamgirls is supposed to evoke another era, a time when you snapped your fingers on the one and slow-danced in the basement and protested social ills while "giving the drummer some." But mostly it made me yearn for the music that defined the 1960s and '70s when I came of age, the voices conceding that "I ain't too proud to beg" and demanding we "say it loud, I'm black and I'm proud." Sadly, those voices - Marvin Gaye, Eddie Kendricks, David Ruffin, Melvin Franklin, Barry White, Luther Vandross, and James Brown, the Godfather of Soul - have passed too soon.

The good news is that their songs remain. Herb Jordan, a Los Angeles-based composer and scholar, compiled the lyrics penned by some of Motown's legendary songwriters in his new book, Motown in Love: Lyrics From the Golden Era .

Operating from a modest house in Detroit, Berry Gordy assembled a talented pool of singers, songwriters and musicians, most of them kids from the 'hood. Together they created the Motown sound - a sweet kind of funk with crossover appeal that had white kids dancing to a new black music called pop.

As an adult, reading the lyrics on a blank page without the propulsive beats that had me dancing in the streets as a kid, I realized the songs were poetry, with verses and phrases that drew me to the music and kept me there:

Each day through my window / I watch her as she passes by. / I say to myself, / "You're such a lucky guy." / To have a girl like her / Is truly a dream come true. / Out of all the fellas in the world / She belongs to you. / But it was just my imagination / Running away with me...

Ninety-five percent of the lyrics of those love songs were written by young black men, guys like Brian Holland, Lamont Dozier and Edward Holland, all from the inner city, the kind of young black men we like to portray as ruthless and heartless today.

"In our culture right now, the perception of black men is completely different," Jordan tells me. "Right now the stereotypical notion of how we define our culture is, 'If you're not hard, you're not black.'

"Black culture is about all kinds of music. It's about Motown and Duke and Miles, as well as James Brown."

Can it really be about romance anymore? Can a young black man write about imagining being with his dream girl without being considered too soft? Or is the gangsta-edged, strip-infected consciousness that U.S. Sen. Barack Obama refers to as "coarsening of the culture" here to stay?

Dreamgirls reminds us that it doesn't have to be that way. It reflects a reality that often gets overshadowed these days - the hard work of our dads, the wisdom of our mothers, aspirations of us as a people. It's also a visual jewel with talented performances and nonstop entertainment. But as Marvin Gaye and Tammi Terrell would say: Ain't nothing like the real thing. -- Annette John-Hall, The Philadelphia Inquirer (Jan. 3, 2007)

This collection of some of the imprint's most notable lyrics gives the songwriters who toiled on the Motown assembly line some well-deserved shine. Some of the songs here are classics - Ashford and Simpson's 1967 "Ain't No Mountain High Enough", Norman Whitfield and Barrett Strong's 1968 "I Heard It Through the Grapevine." But though many of the themes are universal - something Motown's lyricists specialized in - it was ultimately the voice of African-American struggle and the strive towards success that made the lyrics truly compelling. -- Mark Anthony Neal, VIBE (December, 2006)

Trembling on the Brink of a Lovely Song

Lyrics are meant to be sung, but the best of them can also be appreciated as pure poetry

When the Library of America published the first two volumes of an anthology of American poetry several years ago, I was surprised to find that alongside all the usual suspects - T.S. Eliot, Wallace Stevens and Langston Hughes, for example - were verses by Cole Porter, Johnny Mercer and other great American songwriters.

In retrospect, I realize that my surprise was unwarranted. I say that for two reasons.

First, English poetry anthologies have always included verses that were meant to be sung. The works of Robert Burns are the most obvious examples.

Second, for many years now, anthologists have made an effort to include contemporary song lyrics in poetry collections aimed at college students. When I was in college, for example, I was assigned a text called Beowulf to Beatles: Approaches to Poetry (The Free Press, 1972, David R. Pichaske editor). In addition to all the standard fare by John Donne, Shakespeare, Andrew Marvell, Wallace Stevens and a host of other canonical poets, it included lyrics by Jim Morrison, Bob Dylan, James Weldon Johnson, Joni Mitchell, Leonard Cohen, Paul Simon and many other leading songwriters of the 20th century.

To some extent, this struck me as pandering - a desperate attempt by professors and textbook publishers to "relate" to students in their own "language" and to seem "relevant." And to some extent, this is precisely what was going on.

But a survey of song lyrics in this anthology and elsewhere suggests that they can, in fact, stand on their own, apart from melody. Indeed, reading them as text and/or reciting them as spoken words can deepen your appreciation of the song when you finally return to it whole.

I was reminded of this recently when a new book arrived in the mail. It's called Motown in Love: Lyrics from the Golden Era (Pantheon, Herb Jordan, editor). I had never thought of Motown lyrics as poetry, but this volume makes a case that some of them, at least, deserve, to be considered as such.

The book's purpose, according to the publisher, is to "enable us to sing along - not just hum along - to our favorite Motown tunes...." But its potential impact is much greater than that. "As a songwriter," says Alicia Keys, "just seeing [these lyrics] on the page makes me want to grab a pen and paper and search my heart for the perfect words."

Many of them were perfect - or as close to it as any human heart and imagination can come.

As Port Folio Weekly contributor Jim Newsom noted when I brought up the subject last week, Bob Dylan once called Smokey Robinson "America's greatest living poet."

"Tears of a Clown," Newsom adds, "is one of my favorites," and he cites the following verse as evidence:

"Now if I appear to be carefree,

It's only to camouflage my sadness;

In order to shield my pride I try

To cover this hurt with a show of gladness

But don't let my show convince you

That I've been happy since you

Decided to go..."

* * *

All of these lyrics, of course, need their musical accompaniment to fully come to life. But when we read them as text on a page, the experience of listening to the songs becomes immeasurably richer. * -- Tom Robotham, Portfolio Weekly, Hampton Roads, VA (Dec. 5, 2006)

About the Author
Herb Jordan is a legal scholar, composer, and commentator on American culture. He taught at the University of Michigan Law School, where he received the L. Hart Wright Outstanding Faculty Member Award. He is also a recipient of the Thomas M. Cooley Distinguished Brief Award for scholarly legal writing. Jordan composed for Count Basie and has produced a number of award-winning albums, including the Grammy-nominated American Song. He tutors young writers in the Los Angeles public schools.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Lyrics That Defined A Generation
By S. Howard
First of I'm not in the habit of buying books that have no plot or can't teach me anything or at least be entertaining in some way.But now I must admit I'm glad I got this book.This book is all about the lyrics I grew up listening to.On some of these songs I never fully understood the words or I didn't remenber them until I found this book.This book contains some of the best songs that came out of the Motown era.While under the leadership of Berry Gordy Motown put together a group of talented singers,arrangers,producers and songwriters.The lyrics that people like Marvin Gaye,Smokey Robinson,Stevie Wonder and Holland-Dozier-Holland wrote beautiful pomes that go straight to the heart.As you read the lyrics you can hear the music that goes with the song in your head.Taking you back to the sixes.In conclusion as I was reading this book I must admit I was wrong.This book does have a plot in a strange way.The plot of this book is to take us back to an era when songs were true pomes of love.Lyrics that taught us how to express our feelings toward those we love.And those songs found a way to somehow entertain us along the way.

7 of 8 people found the following review helpful.
many memories
By harryo
everyone i shared this book with loved it and everyone wants a copy

3 of 3 people found the following review helpful.
Any popular music library and many a public library will find it popular.
By Midwest Book Review
If you're a Motown music fan you must have MOTOWN IN LOVE: it packs in under one cover all the words to all the love songs of Motown's 'golden era', from 'My Girl' and 'I Heard It Through the Grapevine' to 'Bernadette' and 'Let's Get It Own'. Perfect for sing-alongs, MOTOWN IN LOVE gathers classics under one cover and makes it easy for singers to gather a group of like-minded music together. Any popular music library and many a public library will find it popular.

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^^ PDF Ebook Fast Lanes, by Jayne Anne Phillips

PDF Ebook Fast Lanes, by Jayne Anne Phillips

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Fast Lanes, by Jayne Anne Phillips

PDF Ebook Fast Lanes, by Jayne Anne Phillips

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Jayne Anne Phillips has always been a master of portraiture, both in her widely acclaimed novels and in her short fiction.  The stories in Fast Lanes demonstrated the breadth of her talent in a tour de force of voices, offering elegantly rendered views into the lives of characters torn between the liberation of detachment and the desire to connect.

Three stories are collected in this edition for the first time: in "Alma," and adolescent daughter is made the confidante of her lonely mother; "Counting" traces the history of a dommed love affair; and "Callie" evokes memories of the haunting death of a child in 1920's West Virginia.  Along with the original seven stories from Fast Lanes--each told in extraordinary first person narratives that have been hailed by critics as virtuoso performances--these incandescent portraits offer windows into the lives of an entire generation of Americans, demonstrating again and again why Jayne Anne Phillips remains one of our most powerful writers.

• Sales Rank: #1994635 in Books
• Published on: 2000-05-09
• Released on: 2000-05-09
• Original language: English
• Number of items: 1
• Dimensions: 8.02" h x .59" w x 5.19" l, .52 pounds
• Binding: Paperback
• 208 pages

From Publishers Weekly
The seven short stories collected here clearly demonstrate the evolution of this gifted author's style and subject matter. The dazzling play of language and reckless protagonists of such tales as "How Mickey Made It" and "Bluegill" show a young writer in love with words and perhaps a little too enamored of life in the fast lane. "Blue Moon" and "Bess" are more conventionally written but equally fine; Phillips's style deepens as she turns her attention to more ordinary people with a new sensitivity and thoughtfulness. The latter two stories feature characters and situations from the 1984 novel Machine Dreams; they stand on their own but appear to be drawn from material left out of that book. In both the early tales, with their swaggering panache, and the more mature later work, there is evidence of a tremendously talented writer working to the limit of her powers at that particular moment. Judging from this collection, it seems as though there's nothing Phillips can't do.
Copyright 1987 Reed Business Information, Inc.

From Library Journal
Phillips's writing has developed chiefly through the voice of her characters: first in the collection Black Tickets ( LJ 1 0/1/79), then the novel Machine Dreams ( LJ 7/84), and now in Fast Lanes , a collection of seven stories. (A limited edition presenting only the story "Fast Lanes" was published under that title by Vehicle Edns. in 1984.) A West Virginian, Phillips is often strongest when treating the isolation of that state's rural communities, as in "Bess," a woman's reminiscence of life in turn-of-the-century Coalton. But the author's voice now broadens, exploring in fluid style a rock star's life and love ("How Mickey Made It"), a woman's yearnings for her unborn child ("Bluegill"), and the drifter's dreamy possession of reality ("Fast Lanes"). Phillips's perspective on contemporary life is refreshingly honest, her style engaging. Paul E. Hutchison, English Dept., Pennsylvania State Univ., University Park
Copyright 1987 Reed Business Information, Inc.

Review
"Ms. Phillips's ear is almost unerring.... As ever, whe writes beautifully, capturing elusive moods with startling images and scenes."  -Michiko Kakutani, The New York Times

"Jayne Anne Phillips is the best short story writer since Eudora Welty."  -Nadine Gordimer

"A brilliant writer, utterly original and with an astonishing range." --Ian McEwan

Most helpful customer reviews

9 of 10 people found the following review helpful.
Phillips is Amazing!
By A Customer
As I was checking to see if Fast Lanes was still in print (I've had scored of copies over the years since it's release in hard cover and I've passed them along to friends) I was jolted (by the one HORRIBLE and misinformed Amazon reader comment) that I couldn't let that stand by itself. One, it is almost criminal that this book is out of print. WHY?? And two, from this collection of short stories, to her other works (Shelter, Black Tickets) Phillips is a master poet who ties together magical language, a connection to her West Virginia roots and a her unique skill to write from a woman's viewpoint. This collection is filled with a voice like no other and I'm off to the British version of Amazon.com to see if the Brits are a little hipper than American pubishers. A wonderful collection!!

9 of 24 people found the following review helpful.
"Fast Lanes" equals fast asleep
By A Customer
As a tightly woven collection of thought provoking short stories, this book is a miserable failure. However, as a showcase for flaccid verbiage, trite characterization, and themes so worn as to be almost pitiably jejune, it is a success on a scale unparallelled since the publication of C. S. Lewis's "Boxen," which the author wrote between the ages of 7 to 12. Since Jayne Ann Phillips is well in her forties, she cannot be granted the benefit of the doubt granted to Lewis. Phillips's characters were so undeveloped as to resemble pencil sketches rather than portraits; her sex scenes were almost comical, seeming to lack any real feeling or even anatomical knowledge; and her plots seem to alternate between contrived and derivative. One of the characters in "No Left Turn" seems to be the prototype for "Friends'" Chandler, and her story "Daddy's Farm" bears a plot so reminiscent of "Starship Troopers" that it borders on plagiarism. There are redeeming qualities Ms. Phillip's magnum opus. It deals with themes such as incest and botulism which are inherently fascinating. One only wishes that a more masterful hand had taken up these most serious of themes. It has one final redeeming quality, one shared with all other books, it ends... eventually...

1 of 1 people found the following review helpful.
Wonderful Book!
By Kenny A. Chaffin
Excellent book of amazing stories. A wonderful followup to Black Tickets!

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~~ Free Ebook Intelligence in War: The value--and limitations--of what the military can learn about the enemy, by John Keegan

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John Keegan, whose many books, including classic histories of the two world wars, have confirmed him as the premier miltary historian of our time, here presents a masterly look at the value and limitations of intelligence in the conduct of war.

Intelligence gathering is an immensely complicated and vulnerable endeavor. And it often fails. Until the invention of the telegraph and radio, information often traveled no faster than a horse could ride, yet intelligence helped defeat Napoleon. In the twentieth century, photo analysts didn’t recognize Germany’s V-2 rockets for what they were; on the other hand, intelligence helped lead to victory over the Japanese at Midway. In Intelligence in War, John Keegan illustrates that only when paired with force has military intelligence been an effective tool, as it may one day be in besting al-Qaeda.

• Sales Rank: #259464 in Books
• Published on: 2004-10-12
• Released on: 2004-10-12
• Original language: English
• Number of items: 1
• Dimensions: 7.98" h x .85" w x 5.21" l, .86 pounds
• Binding: Paperback
• 432 pages

From Publishers Weekly
According to Keegan (The First World War), there is a good reason why "military intelligence" is so often described as an oxymoron: inflicting and enduring destruction often has no room for reflection, just retaliation. But retaliation tends toward attrition, and attrition is expensive; thought, for Keegan, offers a means of reducing war's price, taking commanders and armies inside enemy decision-action loops, helping identify enemy weakness, warning of enemy intentions or disclosing enemy strategy. Keegan offers a series of case studies in the operational significance of intelligence, ranging from Admiral Nelson's successful pursuit of the French fleet in 1805, through Stonewall Jackson's possession of detailed local knowledge in his 1862 Shenandoah Valley campaign, to the employment of electronic intelligence in the naval operations of WWI and its extension and refinement during WWII. For that conflict, Keegan expands his analysis, discussing intelligence aspects of the German invasion of Crete, the U.S. victory at Midway and the defeat of the U-boats in the Battle of the Atlantic. To balance an account heavily focused on technology, he incorporates a chapter on the importance of human intelligence in providing information on the Nazi V-weapons. Keegan concludes with a discussion of post-1945 military intelligence that stresses the difference between a Cold War in which the central targets of intelligence gathering were susceptible to concrete, scientific methods, and more recent targets that, lacking form and organization, require penetration through understanding. That paradigm shift in turn is part of Keegan's general argument that intelligence data does not guarantee success. This book shows that the British need not have lost on Crete; that the American victory at Midway was not predetermined. At a time when armed forces tout the "information revolution," Keegan writes in the belief that the outcomes of war are ultimately the result of fighting.
Copyright 2003 Reed Business Information, Inc.

From Booklist
"Results in war, in the last resort, are an affair of body, not mind; of physical force, not plans or intelligence." This is renowned military historian Keegan's analysis of 1942's Battle of Midway. Discounting the value of military intelligence is just one of the paradoxical conclusions drawn in the eight case studies comprising this work. With his usual shrewdness about the highly confusing world of war, Keegan subtly weaves into his narrative the disruptions that seem to hex intelligence collection and analysis. In only one case does Keegan grant primacy to a commander's use of intelligence--Stonewall Jackson's 1862 campaign in the Shenandoah Valley. In all of the other examples, Keegan ascribes the outcome to another factor: at Midway, it was luck; during the 1941 invasion of Crete, it was "berserk" German determination. Within each episode, Keegan uncovers a communication breakdown, an analytical mistake, or a tactical blunder that turned even golden military information to dross. Throughout, Keegan projects a deep empathy for battle victims, who were swept away by the thousands. This humane sensibility, on display in book after book, explains why the author is the most popular, and perhaps the best, contemporary writer of military history. Gilbert Taylor
Copyright © American Library Association. All rights reserved

Review
“Likely to jar the conventional wisdom. . . . Keegan is always a pleasure to read for his wit, insight and style.” –The New York Times Book Review

“Bracing, meticulous case studies [by] our greatest modern military historian.” –Newsweek

“Keegan is a . . . treasure. . . . His analysis is as sharp as ever, and it’s all written with his characteristic flair.” –The Christian Science Monitor

“Thought-provoking. . . . Keegan’s book is a wise corrective, assessing just how useful intelligence has been in battle.” –The Dallas Morning News

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Brian Nichols
Outstanding work.

20 of 20 people found the following review helpful.
Well reasoned explanation
By Jerry Saperstein
This history is well timed in the sense that it appeared at a time when certain people were attempting to spread a myth that the United States should have been able to avoid the tragedy of 9/11. Keegan, a military historian of the first tier, examines the full scope of military intelligence and its ramifications.
He convincingly demonstrates that accurate intelligence has almost always been unavailable - and even in the few instances it was available, its impact has not been the decisive element.
Keegan examine Lord Nelson's 73 day quest for the French fleet, relying upon merchants, captured sailors, ambassadors and just about everyone else for information. In the end, it was Nelson's experience and intuition that brought his fleet to battle with the French.
Perhaps his most telling example concerns the Battle of Midway. The Americans had exceptional intelligence and yet, as Keegan shows, the American victory resolved itself to four minutes of good fortune. So it goes in war.
Yes, some governments spend millions and billions on gathering intelligence. No, it is very rare for that intelligence gathering process to produce sucessful results as a norm. War is a business where secrets are not given up easily and are difficult to ferret out.
Keegan maintains that in the end, intelligence isn't a handmaiden to victory in battle, but perhaps a cousin once removed.
Jerry

29 of 35 people found the following review helpful.
Seems haphazard
By heinertx
Not Keegan's best effort. It felt like I was reading parts and pieces from other works that may or may not be turned into full books. Love his work but this is for completists only.

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* Download PDF King of the World: Muhammad Ali and the Rise of an American Hero, by David Remnick

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With an Introduction by Salman Rushdie

On the night in 1964 that Muhammad Ali (then known as Cassius Clay) stepped into the ring with Sonny Liston, he was widely regarded as an irritating freak who danced and talked way too much. Six rounds later Ali was not only the new world heavyweight boxing champion: He was "a new kind of black man" who would shortly transform America's racial politics, its popular culture, and its notions of heroism.
        
No one has captured Ali--and the era that he exhilarated and sometimes infuriated--with greater vibrancy, drama, and astuteness than David Remnick, the Pulitzer Prize-winning author of Lenin's Tomb (and editor of The New Yorker). In charting Ali's rise from the gyms of Louisville, Kentucky, to his epochal fights against Liston and Floyd Patterson, Remnick creates a canvas of unparalleled richness. He gives us empathetic portraits of wisecracking sportswriters and bone-breaking mobsters; of the baleful Liston and the haunted Patterson; of an audacious Norman Mailer and an enigmatic Malcolm X. Most of all, King of the World does justice to the speed, grace, courage, humor, and ebullience of one of the greatest athletes and irresistibly dynamic personalities of our time.

• Sales Rank: #85109 in Books
• Color: Black
• Published on: 1999-10-05
• Released on: 1999-10-05
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .70" w x 5.10" l, .72 pounds
• Binding: Paperback
• 352 pages

Amazon.com Review
You'd think there wouldn't be much left to say about a living icon like Muhammad Ali, yet David Remnick imbues King of the World with all the freshness and vitality this legendary fighter displayed in his prime. Beginning with the pre-Ali days of boxing and its two archetypes, Floyd Patterson (the good black heavyweight) and Sonny Liston (the bad black heavyweight), Remnick deftly sets the stage for the emergence of a heavyweight champion the likes of which the world had never seen: a three-dimensional, Technicolor showman, fighter and minister of Islam, a man who talked almost as well as he fought. But mostly Remnick's portrait is of a man who could not be confined to any existing stereotypes, inside the ring or out.

In extraordinary detail, Remnick depicts Ali as a creation of his own imagination as we follow the willful and mercurial young Cassius Clay from his boyhood and watch him hone and shape himself to a figure who would eventually command center stage in one of the most volatile decades in our history. To Remnick it seems clear that Ali's greatest accomplishment is to prove beyond a doubt that not only is it possible to challenge the implacable forces of the establishment (the noir-ish, gangster-ridden fight game and the ethos of a whole country) but, with the right combination of conviction and talent, to triumph over these forces. --Fred Haefele

From Publishers Weekly
"I ain't got no quarrel with them Vietcong," Ali said in 1967 on refusing to be drafted. He was sentenced to five years in prison, and though the Supreme Court would overturn his conviction four years later, principle lost himAtemporarilyAhis title, big bucks, the support of many admirers and the best years of his fighting life. Vietnam postdates most of New Yorker editor Remnick's (Lenin's Tomb) coverage, as he writes little about Ali in the post-Sonny Liston era. At its best, the book recalls the boxing writings of A.J. Liebling, while Remnick's frequent use of Ali's hilarious "rapper" doggerel adds to the melancholy humor through which he describes the Louisville kid who beat gambling odds on the way to the heavyweight title but couldn't beat the medical odds. "The history of [prize] fighters," Remnick writes, "is the history of men who end up damaged." Only in his middle 50s, the once graceful Ali, last seen worldwide clutching the Atlanta Olympic torch in a trembling hand, is disabled by degenerative Parkinson's disease. To many, though, he was disabled even earlier by his conversion to Elijah Muhammad's Nation of Islam, which, whatever its controversial separatist image, "orders [Ali's] life and helps him cope with his illness," according to Remnick. The author smartly records Ali's defiant besting of adversaries in and out of the ring and shows him to be a champion human being. 16 pages of b&w photos.
Copyright 1998 Reed Business Information, Inc.

From Library Journal
Pulitzer Prize winner Remnick (Lenin's Tomb), now editor of The New Yorker, turns what could have been a simple sports homage into a sophisticated portrait of Sixties America and the metamorphosis of Cassius Clay into Muhammad Ali. Ali?the mouthy, beautiful 7-1 underdog who "shook up the world" by beating Sonny Liston in 1964, severing the Mob's claim on the heavyweight title, and trading in his "slave name" for a Muslim identity?is a transcendent enough social figure to draw on all of Remnick's journalistic powers. The battles with Liston, Patterson, and the draft board that ended Ali's career for three and a half years make for a fascinating political journey.
Copyright 1999 Reed Business Information, Inc.

Most helpful customer reviews

46 of 47 people found the following review helpful.
Ali at the height of his powers...
By Andy Orrock
Remnick is smart enough not to contribute just another Ali biography to the shelves, and instead focuses his efforts on Ali 1960 - 1965...from his post-Olympic days through to the second fight with Liston. These are the years when Ali became Ali...the champ at the height of his powers.
But there's a special bonus in this book - a good portion of it deals with Sonny Liston. You talk about your seminal 20th Century characters. They don't get any more interesting than this guy: the abused son of a sharecropper, long stretches of imprisonment, a fight career directed by mob interests, a violent death. In short, a writer's dream. Remnick brings Liston together with Floyd Patterson (and you'll never find a greater constrast) and walks you through these two battles before turning his attention to Ali. Thus, you get a full portrait of Liston prior to encountering the force of nature that was then Cassius Clay.
The effect is a curious sympathy that you have for Liston as he enters the maelstrom developing around Ali. In most retellings, Liston is cast as the personification of evil. Remnick made me see him in a different light.
My advice for a great Ali study program:
1. Watch 'When We Were Kings' [Best documentary ever]
2. Read 'The Fight' by Norman Mailer
3. Read 'King of the World'
4. Buy any book featuring Howard Bingham's photography of Ali.

15 of 16 people found the following review helpful.
Knockout
By Tyler Smith
David Remnick delivers a terrific biography of Muhammad Ali with "King of the World," but this book should never be mistaken for a conventional sports biography. It is also social history and a compassionate yet realistic portrait of America's guiltiest pleasure: the seamy, yet somehow sometimes heroic world of professional boxing.
The first thing that struck me when I read the book is that its first section discusses Muhammad Ali (or Cassius Clay) very little. Instead, Remnick focuses on the two boxers who helped to gave shape to Ali's legend: Floyd Patterson and Sonny Liston. The former was a reluctant champion from the Bedford-Stuyvesant section of Brooklyn, and Remnick brings Patterson's reticence and self-doubt into full view. The latter was a street thug from an impoverished rural background, a vision of America's deepest fears about African-Americans.
Remnick details Liston's two devastating first-round demolitions of Patterson and illuminates the complicated relationship the public had with Liston. On the one hand, he was despised because of his criminal background and ties to the mob; on the other, Remnick makes clear, he was comforing because he confirmed stereotyped perceptions of black men. One of Remnick's great accompishments in the book is to humanize Liston without in the least diminishing his surly and even hateful demeanor.
With Liston the controversial heavyweight champ, the loud, abrasive, seemingly self-confident Cassius Clay, of Louisville, Kentucky, stepped into the national spotlight. Remnick displays the future champion in all his complex glory: his braggadocio, his complex relationship with white people, including his trainer and doctor, his innate intelligence that was paired with his lack of formal schooling, his ability to manipulate the press, and so on.
Interwoven into his story of how Cassius Clay literally created his life and legend and became the man we know as Muhammad Ali is excellent social history on the civil rights movement and Ali's relationship with the Muslims, including Elijah Muhammad and Malcolm X. It is not surprising for those of us who grew up in the '60s that sport was so mixed up with politics in Muhammad Ali's day and that he was a key figure in shaping politics. Those who do not remember the time, however, may find it enlightening to realize that there was once an athlete who paid dearly for his political beliefs: Muhammad Ali was stripped of his heavyweight title and banned from the ring for four years for his opposition to the war in Vietnam.
Remnick brings all of this vividly to life. He manages, in a bare 300 pages, to meld sports, politics, and history into a story that unfolds like a great heavyweight fight. Must read.

12 of 13 people found the following review helpful.
read this book
By A Customer
This is a great writer that can be appreciated by the boxing fan and non fan alike. At times the narrative is a bit choppy. But in the end this style adds to the reader's enjoyment as the usual biographical methods become enhanced. The title and cover pic are a little misleading : while Ali is clearly the focus much space is given to (and much is learned about) Liston, Patterson and most interestingly, the whole boxing culture....Bottom line : A great book.

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