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Drawing inspiration from both contemporary psychology and ancient spiritual traditions, Catherine Wallace presents her vision of marriage as an art and a spiritual exercise. The rewards are limitless: properly nurtured, our sexual needs and vulnerabilities turn out not to be liabilities but powerful, generative gifts.

At a time when emotional commitments are increasingly fragile and short-lived, Wallace makes a direct and eloquent plea on behalf of sexual fidelity—its blessings, its demands, its moral and emotional necessity.

• Sales Rank: #978503 in Books
• Published on: 1999-02-01
• Released on: 1999-02-02
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .50" w x 5.50" l, .56 pounds
• Binding: Paperback
• 192 pages

Features

• ISBN13: 9780375700729
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Amazon.com Review
Most churches don't know how to talk about sex. For honest Christians, "Don't do it" and "Don't worry about it"--the most common church teachings, depending on where you come from--are equally unworkable. Furthermore, it's painfully difficult to find books that fully engage the revelations of the sexual revolution and also take seriously traditional Christian teaching on the value of monogamy. For Fidelity: How Intimacy and Commitment Enrich Our Lives by Catherine M. Wallace manages to do just that, in a tone that is never condescending or hubristic and with a style that is always fluid, literary, and humorous. For gay, straight, young, old, married, and single readers looking for guidance about how and when to have sex, For Fidelity offers sound advice. For some, it offers the answer. For everyone, it articulates an ideal of passionate commitment that should not be ignored.

From Booklist
Wallace suspended her academic career in literary theory to raise a family. Out of the latter experience, she turned to what may be called, loosely, family theory--specifically, in the talks and tracts adapted into this book, to sexual faithfulness in marriage and how to raise children to value and practice it. She initially came to her subject, not from religious conviction, but from noting that she and other baby boomers who became parents had arrived at fidelity pragmatically and almost thoughtlessly. Her subsequent thinking eventually arrived at a religious, specifically Christian, understanding. Taking a similar journey of insight with her as she considers sexual fidelity as a discipline, the major theories of sexuality in Western culture, the nature of true intimacy, sexual fidelity as a blessing, and the teaching of fidelity to children by the storytelling of example and experience is an adventure in intellect fused with spirit. Wallace is cogent, erudite, and advanced enough in her attitudes not to quarantine gay couples from straight: sexual fidelity, she asserts, is good for all committed love relationships. Her rich little book is a philosophical argument rather than a prescriptive adviser. It demands and rewards reflective reading and may prove to be a classic on its subject. Ray Olson

From Kirkus Reviews
Five essays that articulate a thoughtful ethic, and to some extent a theology, of ``sexual fidelity in long-term, committed relationships.'' A former English professor and mother of three, Wallace draws upon both literary and religious sources (particularly Coleridge and the contemporary theologian Stanley Hauerwas) in trying to help parents steer their children between ``simpleminded hedonism [and] . . . simpleminded repression.'' Sex is about far more than physical or even emotional intimacy, she insists; it is about a unique one-to-one capacity for vulnerability and compassion. Thus, regulating one's sexual behavior involves a discipline that is grounded in our capacity for ethical living (``sexual promiscuity is a subtle but profound variety of dishonesty,'' Wallace forthrightly proclaims) and for holiness. She slips only in conflating fidelity with abstinence for adolescents (surely the young person's age and maturity, as well as the nature of the relationship, are important variables here) and in insisting that all casual sex, even among singles is ``mutually exploitative and ultimately self-denigrating.'' Why this need be so is never really spelled out; after all, for some married and unmarried couples, what the author might characterize as casual sex at or near the beginning of their relationship proved a gateway to trust, love, and commitment. But even if one doesn't agree with some of Wallace's points, one cannot help but appreciate her book. Her efforts to view sexuality in the broadest possible ethical, religious, and cultural contexts are clear-headed, well formulated, and sometimes profound. They're also helpful not only for guiding children and adolescents during an era too often characterized by ``situation ethics'' and a fear of making hard moral judgments, but also for influencing one's own behavior in intimate relationships. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

12 of 13 people found the following review helpful.
If she could convince me....
By A Customer
This is, without question, the most wonderful book on the subject I've ever read. She is so eloquent in her prose and so lucid in her pattern of thought that I was, quite honestly, taken totally by surprise.
I, coming from a failed union, had embraced an 'open marriage' with a fervor. This book has been the only one to actually explain why and how my old life was a dead end.
While she does mention God every now and then, most of the comments are toward the end of the book -- long after the punchy arguments you're looking for are made. Any faith-based writing on her part is totally set aside. In other words, you can fully skip over it if you like. The important points totally stand on their own, without mention of religion.
I had read "Passionate Marriage" by David Schnarch -- long considered to be the Bible on the subject of passion and marriage. I hated it. It didn't speak to me. Where that book has the reader listening to other people's psychological problems and forcing you to try and extrapilate the point, "For Fidelity" tells you the point straight out: no allegory, no BS.
The author has a Ph.D (I think in English) -- and man does it show in the writing of the book.

5 of 5 people found the following review helpful.
Meaningful
By Penny Thoughtful
It is a rare book that manages to be intellectually stimulating and spiritually satisfying. This is one of those books. Wallace occasionally goes almost to the edge of being too academic or too religious, but redeems herself by meaningful, thought-provoking ideas about what it really means to be sexually faithful: to love one another as whole human beings, to never treat anyone as a commodity to be used, to teach kids about ethics and friendship rather than simply telling them "you'll get AIDS" or "you'll go to hell." These are some of the ideas that give true meaning and value and purpose to our lives, far beyond mere pleasure or avoidance of pain. Wallace manages to stay out of the mainstream without actually attacking it. Read this book if you long to believe that monogamy is the way to go and need some intelligent, loving reasons to back up your opinion.

4 of 4 people found the following review helpful.
It sees both sexuality and fidelity as blessings
By ewalter@ecity.net
As a person who has done sexuality education with people of all ages over the past 25 years, I welcome this book that is framed in a discussion of the nurture and transmission of moral tradition. Not because it is a how-to manual for parents, but rather because of its examination of why this is important for children and adults alike, straight or gay. The author sees our sexuality as a blessing, and includes an excellent trip through Western Christian ideas about sexual feelings and reproduction to help us recognize the unexamined assumptions that lead to inappropriate guilt. In fact, the whole book is built on the concept of blessing from love, intimacy, parenthood, and even, when necessary, divorce.
This does not mean that she does not understand the stresses and strains that come from living together in the real world, along with the challenges of raising children, and working together as we and the world around us change over time. She has written a book from real life experience that celebrates sexuality and morality together. It provides a rich resource for thoughtful parents and adults.

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! Fee Download Straight Man: A Novel, by Richard Russo

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In this uproarious new novel, Richard Russo performs his characteristic high-wire walk between hilarity and heartbreak.  Russo's protagonist is William Henry Devereaux, Jr., the reluctant chairman of the English department of a badly underfunded college in the Pennsylvania rust belt.  Devereaux's reluctance is partly rooted in his character--he is a born anarchist-- and partly in the fact that his department is more savagely divided than the Balkans.  

In the course of a single week, Devereaux will have his nose mangled by an angry colleague, imagine his wife is having an affair with his dean, wonder if a curvaceous adjunct is trying to seduce him with peach pits, and threaten to execute a goose on local television.  All this while coming to terms with his philandering father, the dereliction of his youthful promise, and the ominous failure of certain vital body functions.  in short, Straight Man is classic Russo--side-splitting and true-to-life, witty, compassionate, and impossible to put down.

• Sales Rank: #13055 in Books
• Color: Red
• Brand: Vintage
• Published on: 1998-06-09
• Released on: 1998-06-09
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .80" w x 5.20" l,
• Binding: Paperback
• 391 pages

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• Great product!

Amazon.com Review
First Jane Smiley came out of the comedy closet with Moo, a campus satire par excellence, and now Richard Russo has gotten in on the groves-of-academe game. Straight Man is hilarious sport, with a serious side. William Henry Devereaux Jr., is almost 50 and stuck forever as chair of English at West Central Pennsylvania University. It is April and fear of layoffs--even among the tenured--has reached mock-epic proportions; Hank has yet to receive his department budget and finds himself increasingly offering comments such as "Always understate necrophilia" to his writing students. Then there are his possible prostate problems and the prospect of his father's arrival. Devereaux Sr., "then and now, an academic opportunist," has always been a high-profile professor and a low-profile parent.

Though Hank tries to apply William of Occam's rational approach (choose simplicity) to each increasingly absurd situation, and even has a dog named after the philosopher, he does seem to cause most of his own enormous difficulties. Not least when he grabs a goose and threatens to off a duck (sic) a day until he gets his budget. The fact that he is also wearing a fake nose and glasses and doing so in front of a TV camera complicates matters even further. Hank tries to explain to one class that comedy and tragedy don't go together, but finds the argument "runs contrary to their experience. Indeed it may run contrary to my own." It runs decidedly against Richard Russo's approach in Straight Man, and the result is a hilarious and touching novel.

From Library Journal
Hank Devereaux Jr. is the kind of guy who turns anything serious into a joke. Pushing 50, he's the interim chair of a squabbling English department at a small rural college. Big budget cuts are rumored. Each department chair has been told to provide a list of those who will lose their jobs. His department believes that Hank has prepared such a list, but he hasn't and won't. Instead, he goes on television and spontaneously jokes that he will kill the campus geese until the administration gives him his budget. When a goose really is killed, Hank becomes the prime suspect. In his earlier novels (e.g., Nobody's Fool, LJ 4/15/93), Russo captured with compassion and humor the lives of the people in small backwater towns; now he does the same for those who inhabit the groves of academe. This novel is filled with laughter but also much seriousness. Give it a straight A.?Charles Michaud, Turner Free Lib., Randolph, Mass.
Copyright 1997 Reed Business Information, Inc.

From Booklist
Hank Devereaux was voted interim chair of the English department at a Pennsylvania college based on his loudly voiced contempt for bureaucratic procedures. Long mired in old grievances and thwarted ambitions, the contentious English faculty figure they can count on Hank to do absolutely nothing, thereby preserving the status quo. They figured wrong. Perpetual wise guy Hank has managed to stir things up on all fronts: he's goaded the reigning campus poetess into gouging him with a spiral notebook, bringing the faculty meeting to a screeching halt as the janitor attempts to remove the offending notebook from his nose; he's been broadcast on all the early-morning TV shows, while wearing a Groucho Marx^-style fake nose and glasses, threatening to kill one of the ubiquitous campus ducks unless the administration releases his budget; and he's enraged both the administration and the union with his dearly held motto: A pox on both your houses. In the highly satisfying conclusion, a shakeout results in all the wiseacres being richly rewarded while the bean-counting bureaucrats are bounced. Leaving behind his trademark blue-collar milieu (Nobody's Fool [1993], made into a movie starring Paul Newman), Russo has lost none of his gifts for fashioning wry comedy, endearing characters, and an artful blend of high jinks and heartache. Like Michael Malone in Foolscap (1991), another rollicking academic satire, Russo proves himself a master of bighearted, old-fashioned storytelling. Joanne Wilkinson

Most helpful customer reviews

1 of 1 people found the following review helpful.
Richard Russo is a great writer. It's just hard to like the main ...
By Kindle Queen
Richard Russo is a great writer. It's just hard to like the main character in this novel, which is intentional, I'm sure. But after awhile, I got tired of his arrogant, self-destructive behavior. I stuck it out to the end, and it's worthwhile, for the cynical take on a struggling college English department. Good writing, but the protagonist was someone I just didn't much care about.

4 of 4 people found the following review helpful.
A Perfect Novel
By Debra Hamel
I am not the kind of reader who regularly registers my appreciation of humor in books by laughing aloud. So it wasn't until chapter 28 of Richard Russo's Straight Man that I broke my silence. By that time the book's protagonist, William Henry Devereaux Jr., had landed in a situation too delightfully absurd for anyone, Mr. Devereaux included, to hold it in.

Hank Devereaux is the acting chairman of a Balkanized English Department at an undistinguished university, the sort of place academics find themselves stuck in, La Brea Tar Pits-like, after the receipt of tenure and other of life's snares have eroded their ability to move on to better things. Hank is defined largely by what others perceive as his principal character flaw--he annoys his friends and family and makes enemies of his colleagues because of his failure to take most things in life seriously. He is, as a result, a very funny character.

Hank is also a devoted if somewhat oblivious husband, the sort who depends on his wife to balance the check book ("Our portfolio, I'm to understand, is intact. This is good news. That we have a portfolio, I mean."); and a sympathetic dog-owner ("I know and understand my dog well. We share many deep feelings."); and a one-book author; and the son of William Henry Devereaux Sr., a literary critic and author more distinguished but less reliable than his son. In the course of the book Hank is beset by the academic infighting that attends a university-wide budget crisis, by animal rights activists incensed by his on-air near strangling of a goose and his threat of further fowl play, and by his inability to produce satisfactory quantities of urine.

Richard Russo, on the other hand, is evidently the kind of man who cannot write a bad sentence. There are passages in Straight Man that demand re-reading, either because they are that funny or that well-written or because, for example, he has *so* captured the murderous annoyance that can come with wifedom and motherhood [pp. xiv, 136]. (How could he have known?) This is a book to be savored. It's as good as it gets.

Reviewed by Debra Hamel, author of Trying Neaira: The True Story of a Courtesan's Scandalous Life in Ancient Greece

0 of 0 people found the following review helpful.
No Regrets
By Loligag 1953
All I can say is that if it were possible, I would give it six stars instead of five. One of my biggest regrets after reading this book was that my enjoyment of it had come to an end. My other regret is the way that this book reaffirmed for me the fact that I'll never be able to write nearly as well as its author. Oh well.

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~ Ebook Download Day of the Bees: A Novel, by Thomas Sanchez

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Day of the Bees celebrates passion and creativity as it explores the links between love and violence, art and war, and reveals the sacrifices made for love?of person and country.

An American art historian is seeking to discover why the famous painter Zermano abandoned his beautiful muse Louise during World War II. Visiting Louise?s cottage in Provence after her death, the scholar finds letters that carry across a panoramic landscape of fifty years and piece together a tempestuous affair with tragic conclusions.

• Sales Rank: #3586033 in Books
• Published on: 2001-07-10
• Released on: 2001-07-10
• Original language: English
• Number of items: 1
• Dimensions: 7.98" h x .69" w x 5.18" l, .60 pounds
• Binding: Paperback
• 320 pages

Amazon.com Review
The narrator of Thomas Sanchez's fourth novel teaches art history in America, but he dreams of Europe--or more specifically, of Spain. The Professor (as he identifies himself) specializes in a Spanish painter of the 1940s, Francisco Zermano, to whom he has devoted a spate of scholarly articles. He also spends hours staring at the man's paintings, trying to imagine the stories behind them. This iconographic detective is particularly curious about one bit of recurrent imagery: the body of a beautiful woman, which is rumored to belong to Louise Collard, the painter's muse.

As Day of the Bees opens, in fact, Louise has just died alone in a small provincial village, and the Professor rushes to France to learn more about her role in Zermano's life. There he finds a pile of correspondence--and a revelation. According to legend, the artist treated Louise cruelly and abandoned her. Yet the letters reveal a deep and doomed love, one which is forever shattered when Louise is raped by a platoon of enemy soldiers (whom she later describes in her letters as "bees," a wonderfully eerie motif). Zermano, already beaten with a tire iron, is forced to watch the entire event. Here Louise recalls how the rape ruined her life, and its paradoxical resemblance to the redemption of true erotic love: I have discovered something unnerving--that a woman in sexual ecstasy with her man forgets all detail; when it's over she wants to return and explore this abyss that still makes her tremble. The same thing can happen when she is raped, but for a different reason. Where joy once deleted memory, horror now destroys it. In two acts in her life can a woman lose all consciousness: in the act of lovemaking, and in rape, its cruel parody. After discovering Louise's letters, many of them never sent, the Professor embarks on a search for the aging Zermano, hoping to help set the record straight. In these chapters, the violent and tragic love story at the heart of Day of the Bees is nicely counterbalanced by an obsessive academic's comedy of errors. Like most of his kind, the narrator is late for trains, professorial to the bitter end, and devoted to (in every sense of the word) ghosts. --Emily White

From Publishers Weekly
Sanchez has done notable work (Rabbit Boss and Mile High), but this novel about a world-famous painter and his love blighted by war is not quite thought through. For a start, much of it is told in epistolary form, which is always tricky to manage, since a novelist's gifts of narration, here employed at full stretch, are profoundly different from what anyone would be likely to write in a letter. Then, too, the machinery of having an art history professor unearth the letters and tell the story through them is overly familiar, so that although there are moments of genuine power in Sanchez's tale, it feels for much of its course labored and manufactured. Francisco Zermano, a dynamic Spanish-born painter (rather obviously modeled on Picasso, even down to his colossal American car), has a French lover, Louise. When the Nazis invade France, the pair are separated, Louise burying herself in Vichy France and eventually becoming deeply involved in the Resistance, Zermano in uneasy exile from her in occupied Paris. Most of the story is told in a series of Louise's (unposted) letters to him, describing their early days together, a horrific encounter with a German officer who raped her after shattering Zermano's knees, and then her pregnancy, her wartime sufferings and heroism, the loss of her baby and her eternal, death-transcending love for the painter. Finally, the narrator who found her letters takes them to the great man's solitary exile in Mallorca and has his daughter read them to him. After one more revelation, the story ends on a wistful note. Sanchez evokes the immemorial Proven?al landscape exquisitely, and some of the mutual passion of Louise and Zermano comes across powerfully, but the Resistance scenes and the mysterious beekeeper who gives the book part of its title are melodramatic in concept and execution.
Copyright 2000 Reed Business Information, Inc.

From Library Journal
Sanchez's fourth book (e.g., Mile Zero) is a mixture of epistolary, third-person, and first-person narrative and is thematically reminiscent of A.S. Byatt's Possession (LJ 11/1/90), though it never quite reaches that high artistic level. On the day after Louise Collard's effects have been auctioned at her home in a small French town, an art critic arrives, seeking insight into the life and work of Collard's husband, the painter Francisco Zermano. There he stumbles onto a cache of letters that truly illuminates their relationship: a passion based to an extent on bondage and minor involvement with the Resistance during World War II. Some of the book's images are striking, including the eponymous "day," in which a beekeeper puts an end to a brutal gang-rape by attracting a swarm of bees, and the final scene, when the scholar finally meets the reclusive Zermano. Though the letters between Collard and Zermano are not always compelling, the novel's ambition and writing style often are. Recommended.
-Harold Augenbraum, Mercantile Lib. of New York, New York
Copyright 2000 Reed Business Information, Inc.

Most helpful customer reviews

10 of 11 people found the following review helpful.
Rich, Poetic Darkness
By A Customer
As this novel opens, Louise Collard, reputedly the famous model and lover of the great Spanish painter Francisco Zermano, has died in a small Provencal town. Lured by the promise of an auction of Louise's own private collection of Zermanos, and even more by curiosity about the reclusive Louise herself, the art world descends en masse on Provence.
Day of the Bess is narrated by an American art history professor who has devoted much of his professional life to the study of Zermano. Arriving in France, the narrator hopes to find a clue that will help him unravel the mystery of Louise and Zermano since it appears as though this once-beautiful woman was cruelly abandoned by the man who had loved her so passionately in the countryside of occupied France during World War II.
The Professor (as he is always identified) arrives at Louise's remote country home long after the auction is concluded (yes, he does possess the stereotypical absent-mind) only to be told that nothing remains but a few worthless knitting baskets. The professor, apparently believing that something is better than nothing, gladly accepts them.
The baskets, however, contain something more interesting than any painting could ever be and something that is, perhaps, even more valuable. Concealed in a secret opening are bundles of letters written by Zermano to Louise, as well as letters from Louise to Zermano that had never been sent. The beautiful and enigmatic Louise apparently had not been quite as abandoned by her lover as the public seems to have thought and, as the professor reads the lovers' pained and passionate words he begins to piece together the mystery of their relationship.
Day of the Bees is a story told through the letters of these doomed lovers, set against the backdrop of war-torn France. This is, above all, an emotional story and a mystery of the heart. The war, too, becomes a major character as it impacts the lives and future of both Louise and Zermano.
Although some have compared Day of the Bees to The Bridges of Madison County, I think it deserves far more than that. The Bridges of Madison County was sentimental drivel, and poorly-written sentimental drivel at that, while Day of the Bees is beautifully and poetically written. It reminds me more of The English Patient than anything else, although it is highly original and of course, unique. The character of Zermano seems to be modeled after Pablo Picasso, although, of course, Zermano is not based on Picasso. This story is fiction, not fact.
It gives nothing of the plot away to say that Zermano left Louise for reasons he considered valid even though she begged him not to go. Still madly in love with his mistress, however, Zermano never gives up writing to Louise. Her apparent silence pains him immensely.
Louise, as we learn, has lost none of her passion for Zermano. It is through her beautiful and poetic letters that we learn of the genesis of their doomed, but undying, love and the violence and danger that forced them to separate, a danger that will stalk Louise for the rest of her life. And, although the politics of World War II do play a part in this book, this is not a political story.
From the book's first page we know that the lovers never reunite and that Louise manages to survive the war, but this is still a mystery of the most profound kind, a mystery of the relationship between two people who love each other to their very core, a mystery concerning the shadows cast by the actions we take or fail to take, the choices we make (and perhaps later regret) and the forces that impose themselves on our lives against our will. This is the shadow world in which Louise Collard lives and it is in the portrayal of this shadow world that Day of the Bees truly excels.
As a woman who has lived most of her life in the countryside of Provence, I can attest to the genuineness of Sanchez's portrayal and his detail of setting. His language is rich and emotional and poetic. The passion shared by Louise and Zermano is vibrantly alive and absolutely riveting. Some of the book's best scenes, whether those portraying the savagery of war or the passion of sexuality are so original and haunting they are almost surreal.
Some readers may find the letters, themselves, a problem. They can be poetic in the extreme and sometimes this poetry threatens to overwhelm the actual novel and the story of Louise and Zermano. But deep, abiding love and intense sexual passion are poetic; I, myself, had no problem with the letters. In fact, I found them gorgeous. Louise's letters, in particular, are one of the strongest parts of Day of the Bees. Many male readers, and readers who prefer a little less passion, might find this book somewhat overly-lyrical, though.
The ending is not at all surprising but it is not a letdown, either. Sanchez's touches of humor and whimsy regarding the character of the professor are aptly-placed and never intruding. This is Louise's story, rather than Zermano's and, if anything, I wanted to know more about this fascinating woman and why she made the choices she did.
This is definitely a character-driven novel and those looking for a swiftly-moving plot will be sorely disappointed. If you're looking for a book about love and passion, a rich, multi-layered story of lyrical and poetic darkness, you couldn't possibly do better than this.

11 of 12 people found the following review helpful.
Glorious tale of passionate love
By A Customer
A sweeping tale of passionate love set during the turbulent events of WW2 and spanning 50 years.
Zermano world renowned Spanish painter and his beautiful French lover Louise Collard were separated during the Nazi occupation of France. The world thought Zermano had tired of Louise, she who had once fired his inspiration for his paintings and his lust. In the end it was Louise who left the legacy and Louise who led the way. After her death intimate letters written by her to Zermano, but never posted were accidentally found. They recount the period during the war when she and Zermano were separated, when unspeakable horrors and cruelties abounded in war torn Europe.
Passionate, beautifully written letters describe the love between Zermano and Louise and recount Louise's life during their enforced separation.
This is not a soppy love story, but a powerfully, deeply moving and well written historical tale of two tragic lovers, touched with passion, politics and art. A wonderful book I didn't want it to end and which I highly recommend.

7 of 10 people found the following review helpful.
Pretentious and unoriginal
By Menelaos
Like many other readers, I picked the book after reading the promising blurb, and the beautiful cover. Elements such as the French Resistance, the fiery passion of an artist and a mysterious, seclusive woman, secrets lost in the past all seemed very intriguing.
Well, this book has nothing to offer. It is actually so forgettable and full of cliche that the reader feels as if he/she has received an undeserved slap in the face.
Most of it is in the format of letters, which however are also foolish, since it is as if the characters are retelling their story without any personal views on it, so don't expect much.
As for the French Resistance theme it is a small part of the book, and without many if any historical elements and the role the characters play didn't captivate me at all.
Art... Where, exactly? Why does it matter that the male character is a painter? What is the significance of his being an artist?
No answer.
There are some pretentiously lyrical sexual scenes, which serve practically no purpose and most of the text actually has that supposedly lyrical and poetic edge to it.
If you'd like to read a truly beautiful story with themes of art and love in it, then I highly recommend "Possession: A Romance", by A.S.Byatt

See all 16 customer reviews...

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^ Free PDF A Perfect Stranger: And Other Stories, by Roxana Robinson

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A Perfect Stranger: And Other Stories, by Roxana Robinson

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In Roxana Robinson’s lucid and elegant prose, her characters’ inner worlds open up to us, revealing private emotional cores that are familiar in their needs, their secrets, and their longings. These people tell us the truth–not only about themselves, their relationships, and their lives, but about ourselves as well.

In “Family Christmas,” a young girl takes a holiday trip to her grandparents’, where the formal atmosphere is shattered by a mysterious and chaotic event that she knows she’s too young to understand but struggles to comprehend.

In “Blind Man,” a college professor copes with the onslaught of grief after his daughter’s death. In “The Face Lift,” two college friends renew their bond across a great cultural divide. The sad and hilarious “Assistance” flawlessly details the tragicomic aspects of ageing–seen through the eyes of a daughter-turned-caretaker. The terrors of illness are explored in “The Treatment,” and in “Assez,” a trip to Provence reveals the true volatility of love–and reminds us that we often don’t realize that what we have is enough until it’s gone.

A Perfect Stranger powerfully and affectingly examines the complex, intricate network of experiences that binds us to one another. These stories are tender, raw, lovely, and fine–and they reaffirm Roxana Robinson’s place at the forefront of modern literature.

• Sales Rank: #2927680 in Books
• Published on: 2005-04-26
• Released on: 2005-04-26
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .93" w x 5.75" l,
• Binding: Hardcover
• 256 pages

From Publishers Weekly
Starred Review. Robinson's third collection proves her a master of the short story (she has also written three novels, including 2003's Sweetwater). Her finely tuned realism, as well as her settings and characters—New York, its bedroom communities, the Eastern seaboard and the comfortable upper-middle-class living there—recall Cheever and Updike. ("The Football Game" is such pitch-perfect Cheever as to be slightly suspect as a gentle parody.) Robinson approaches the huge misunderstandings of family life from many angles and anything but timidly. In "Family Christmas," a child confronted with adult mysteries says, "I knew that this language I was trying to learn could not be learned directly, that it was something that had to be absorbed blindly and obliquely.... We would have to learn it through signs, inflections, looks and sighs and tones of voice." Robinson is unusually good with the "strange foreign tongue" of the elderly: the aristocratic grandparents of "Family Christmas"; the dogged, long-married battlers of "Assistance"; the malevolent Santa Fe misanthrope of "Shame"; the befuddled British visitor of the title story. Even the younger couples in the only linked stories, "Choosing Sides" and "Assez," are grandparents, and what they say about grandparenthood is arresting. But the collection's most affecting stories touch on the chasm between parents and children, husbands and wives. Robinson's ear is wonderful, her graceful prose a real pleasure. Agent, Lynn Nesbit. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adult/High School–This collection of stories is most notable for its variety and diverse points of view. In Family Christmas, readers are privy to the confused thoughts and emotions of a girl as she recounts the tensions and unhappiness of the adults around her, trying to make sense of the charged atmosphere. Readers understand the complex issues and ache for the child observer. The other first-person narratives are equally compelling: Face-lift is about two girls who meet in boarding school and continue their friendship into adulthood. The story is told from the perspective of the one who observes and envies the exciting life of the other. Envy is also the theme of The Football Game. Here, it is the apparently normal, carefree McArdles and their way of life that is dramatically revealed to be …more dangerous and beautiful…and immanent with love and sorrow than the narrator ever imagined. In other tales, the author recounts the desperation and despair of a housewife and the complex conversations at a dinner party in which the guest of honor is as reluctant as the host; in Shame, the narrator comes to terms with her selfhood, defiantly affirming her lesbianism. The descriptive language presents a vivid sense of place that subtly illuminates and complements the strong characterizations in each of the narratives. Readers looking for good stories and examples of good writing will be more than satisfied.–Jackie Gropman, Chantilly Regional Library, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Robinson follows her powerful novel, Sweetwater (2003), with a short story collection, her first in nine years, and one that dramatizes illness, aging, departed spouses, grown children, and dissolved friendships. Robinson is wonderfully observant of her characters, and makes them equally perceptive of each other. The title story, the book's best, presents the shared narration of an English intellectual on a lecture tour and the nervous married woman who houses him for two nights; the subtle contrast between their polite conversations and curious awareness of each other's lives is telling and humorous. Many characters are embarking on new phases of life, and are defined by their relationships to each other as Robinson, and her characters, closely exam the spaces between lives. If there is one flaw here, it's Robinson's determination to draw neat parallels or contrasts, often with a lesson learned in the final paragraphs of a story. But despite a few heavy-handed metaphors, this is a lucid and resounding collection rich in memorable human relationships. Annie Tully
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

6 of 6 people found the following review helpful.
Brilliant Collection!
By Katrina Denza
The thirteen stories in Roxana Robinson's newest collection all share an amazing elegance, clear insight into human nature, and at times, breath-stopping tension.

In "Family Christmas," a young girl witnesses an event that opens her eyes to an adult world full of complexities, contradictions and class divisions. In "The Face Lift," a woman gets together with an old school friend who possesses a vitality she once envied. The woman soon discovers things are not always what they seem and no one is impervious to danger. The ending of this one is brilliant. In "Choosing Sides," a woman not only finds out her son has fathered a child but that he doesn't want to stick around to parent it. The woman must decide if she wants the child in her life.

Two of the most riveting stories in the collection, "At the Beach" and "The Treatment," showcase Robinson's command of a story and how much tension it should deliver and when. "At the Beach" captures perfectly the panic experienced by a beach full of people who for one moment fear the worst has happened, and "The Treatment" stars a woman with a terminal illness who eventually feels forced to protect her faith in her body's ability to heal.

I cannot say enough about how powerful and beautifully written this collection is. A fully satisfying read straight through.

3 of 3 people found the following review helpful.
A delectable read!
By Armchair Interviews
Roxana Robinson has authored two short story collections, a biography of Georgia O'Keeffe, and three novels. Sweetwater is one of my top-ten all-time favorite novels. So it was with great expectation that I began reading A Perfect Stranger and Other Stories. And what a delectable read it was. Robinson is as proficient at writing short fiction as she is writing the novel. And she seems to be equally as comfortable.

Each story in Robinson's collection immerses the reader into a world of relationships where she introduces us to her rich, complex characters and then allows us to become an intimate voyeur in the fabric of their thoughts and lives.

It is impossible to discuss each story in a collection so I will mention my favorites. "The Pilgrimage" paints a picture so strong, I lived the emotions of the woman as her fantasy abruptly vanished and she lived her humiliation. "Treatment" is about vulnerability, the facing of our own mortality. But though all the stories are superb, and everyone, for their own reasons, will have a favorite, mine is "Choosing Sides." Love is a choice; a conscious decision. And if that choice is a child-it's forever.

A Perfect Stranger and Other Stories is a book to be read, the words savored and then read again and again and again. Roxana Robinson is truly a gifted storyteller.

4 of 5 people found the following review helpful.
Excellent collection!
By newenglandreader
Roxanna Robinson explores relationship conflicts, unexpected life tragedies with such clear vision, precise detail, you feel placed inside each story. She doesn't hide behind turgid language, but instead writes with economy. There is no ego in her voice, no self-important style. Her command of language feels confident, and her empathy for the plight of her characters is palpable and contagious.

The collection is book-ended with two brilliant stories. The first, Family Christmas, is told from the viewpoint of child who visits her wealthy WASP grandparents for Christmas. Ms. Robinson can slip right into a young girl's world and has a unique way of describing how a child sieves information. The world appears safe, ordered, protected, but then a minor incident occurs with the servants that jolts the atmosphere, inspires a small but important life epiphany--everything is not what it appears to be. It is a perfect story to start this collection because it portends a thread line of themes to come.

While Ms. Robinsons starts us off the collection inside the mind of a child who feels like a stranger, she leaves us with a story, A Perfect Stranger, about a older household guest who in fact is a stranger. He is a visiting speaker for a small town music festival, and is staying with the chairman of the lecture committee. The story offers charming insight into the world of New York country living-- the desperate need to fit in, do one's job well, appear appropriate. It centers around the anxiety that fills a household when a perfect stranger moves in as temporary guest. But soon an irony becomes quite apparent. Just who are the strangers? This man, or this couple? A perfect story to end this beautifully rendered collection, because it summarizes the feeling weaved seamlessly throughout the collection. Do we really know our best friend, our child, our lover, our own bodies? And what happens when suddenly something familiar turns into a stranger?

All of these stories are unique, packed with tension and filled to the brim with emotion. And that is why I think Roxanna Robinson is such a master of the short story. She is not afraid of emotion. She delivers it boldly, with such detail and intimacy you feel as though you personally know each character, because their emotional truths are your emotional truths.

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! Download Ebook Married to the Icepick Killer: A Poet in Hollywood, by Carol Muske-Dukes

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Poetry and Hollywood seem like the ultimate odd couple, and once upon a time the accomplished poet, novelist, and critic Carol Muske-Dukes might have agreed. But no longer.

This is a collection of real-life adventures and meditations on literature and landscape. In Married to the Icepick Killer, Muske-Dukes explores the uniquely Southern Californian approach to poetry, including the random appearance of poems by Emily Dickinson and others on L. A. billboards; the hiring of poet-consultants to “top off” the final scene of a submarine action film; and the wonder of teaching a genius surfer poet. She also illuminates the pure poetry of falling in love with actor David Dukes, who introduced her to the City of Angels and its poetic paradoxes. Poets from Dickinson to Brecht, Robinson Jeffers, Arna Bontemps, and Randall Jarrell make appearances in these pages, and are seen in rapid close-up as the author reveals her talent as “camera,” witness, and learned and intrepid adventurer and social critic.

Muske-Dukes is a wise and hilarious diviner of correspondences and contradictions. In Married to the Icepick Killer (the title is taken from Muske-Dukes’s wry, loving remembrance of her late husband’s exceedingly varied career), she provides a geographical (and commercial) context for cultural counterpoint and shows how it both complements and collides head-on with a poet’s sensibility.

• Sales Rank: #2740844 in Books
• Published on: 2002-08
• Released on: 2002-08-13
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .79" w x 5.69" l,
• Binding: Hardcover
• 224 pages

From Publishers Weekly
The chair of the graduate writing program at USC, Muske-Dukes has written novels (Life After Death) and poetry collections (An Octave Above Thunder); her new offering is an odd medley of essays whose observations range from fresh and enlightening to pretentious and irritating. By tackling the relationship of poetry (an "art made of consciousness") to Hollywood (a world made of images and illusions), Muske-Dukes puts a new spin on the familiar art's-connection-to-life inquiry. "Slouching Toward a Brief Literary History of Southern California" delivers the titular promise, touching on the "poetic motifs" of the Chumash Indians, L.A.'s drive to "unmake history," the "poetry karaoke" of some public readings and the work of poet Kenneth Rexroth, who came to represent "something close to a uniquely Californian identity." If it sounds confusing, it is: Muske-Dukes has so many ideas to express (often without transitions) that readers may feel as if they're standing on a fault line of logical thought. "I Married the Icepick Killer" marks a break from the theorizing (and from sentences like "for the poet who is helping shift the emphasis from emotion recollected in tranquillity to emoting rendered in amplification, the reward is the muse's cell phone number"); it is a brief, sweet meditation on her marriage to the late actor David Dukes, while "Destino," which charts their meeting, is even better. "Let Me Play the Lion Too" is an elegy to Dukes, a pastiche of interview excerpts, eulogies and snippets of their lives before and after they met. There are a few gem-like moments here, but Muske-Dukes's book ultimately fails to cohere as an argument or entertain as a memoir.
Copyright 2002 Cahners Business Information, Inc.

From Library Journal
Poet/novelist/critic Muske-Dukes (Life After Death) here turns to the essay form. In her introduction, she writes, "It never occurred to me as I was writing these essays that I was writing, in part, an elegy." Her husband, actor David Dukes (who once played an icepick killer), passed away last year, and many of the essays included are meditations on the contradictions of their life together. Thus, what is ostensibly a collection of essays is also an extended love letter. Upon her arrival in Hollywood, the author was asked what kind of writing she did "half-hour or hour?" and was mentioned in Liz Smith's columns. She uses Hollywood's show business culture as a stepping stone for ruminations on what it means to be an artist, the significance of poetry quotations on billboards, and the adjustments made in a marriage between two artists. Her subjects run the gamut from being invited to the Clinton White House to lunch with Michelle Pfeiffer. Her insights are acutely observed and often devastatingly funny. Recommended for libraries with large poetry and film collections. Pam Kingsbury, Florence, AL
Copyright 2002 Reed Business Information, Inc.

From Booklist
A writer of depth, precision, and wit in her poetry and novels, which include Life after Death [BKL My 15 01], Muske-Dukes turns out to be a piquant essayist. Fascinated with her adopted city, L.A., and the nature of "a poet's existence in a city whose main industry is the serious production of illusion," she assesses Hollywood as a writer, director of the University of Southern California's graduate writing program, and wife of actor David Dukes, who died unexpectedly in 2000. Muske-Dukes' poignant memories of her late husband's love of acting and language enrich her crisp parsing of poetry's place in today's noisy, image-saturated world as she imagines John Keats at a poetry slam, profiles a surfer poet, and describes her attempt to write a screenplay based on her first novel, which was eagerly optioned by Michelle Pfeiffer. Smart and ardent, amusing and light on her feet, Muske-Dukes also squares off against Harold Bloom, and recounts a surprisingly literary conversation with Bill Clinton, all the while drawing on the strength and second sight poetry bestows. Donna Seaman
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

4 of 4 people found the following review helpful.
Cambridge Turn On Your Brain
By Pamela S.
Being familiar with and a fan of Muske-Dukes' poetry and fiction--have you read "Dear Digby"? If not, why not?--I can't understand the brief, snide "criticism" of one of her customer reviewers. The essays in "Icepick" celebrate, disect and illuminate a cultural mish-mash of writers and writing history in California--and offer insight into the "writing scene" in LA, so closely knit as it is with movies, ocean, earthquakes and sun and a literary history overlooked! It is not enough to pass off an accomplished author's work in one snide line. It is misleading and unfortunate. It is obvious from CMD's essays her passionate belief in the art of poetry, of writing, and the life of a writer in sprawling Los Angeles, passion that makes for an engaging read.

3 of 4 people found the following review helpful.
engaging title, lively book
By A Customer
Acerbic, funny, culturally aware and crackling with insight, as are Ms. Muske Dukes's poems and criticism

1 of 8 people found the following review helpful.
I agree with Cambridge
By A Customer
The best part of this book is the title. Once inside it is a major disappointment - shallow, self-centered and, frankly, boring. STAY AWAY FROM THIS BOOK.

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## Download PDF Personal History, by Katharine Graham

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Personal History, by Katharine Graham

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Winner of the 1998 Pulitzer Prize for Biography

An extraordinarily frank, honest, and generous book by one of America's most famous and admired women, Personal History is, as its title suggests, a book composed of both personal memoir and history.

It is the story of Graham's parents: the multimillionaire father who left private business and government service to buy and restore the down-and-out Washington Post, and the formidable, self-absorbed mother who was more interested in her political and charity work, and her passionate friendships with men like Thomas Mann and Adlai Stevenson, than in her children.

It is the story of how The Washington Post struggled to succeed -- a fascinating and instructive business history as told from the inside (the paper has been run by Graham herself, her father, her husband, and now her son).

It is the story of Phil Graham -- Kay's brilliant, charismatic husband (he clerked for two Supreme Court justices) -- whose plunge into manic-depression, betrayal, and eventual suicide is movingly and charitably recounted.

Best of all, it is the story of Kay Graham herself. She was brought up in a family of great wealth, yet she learned and understood nothing about money. She is half-Jewish, yet -- incredibly -- remained unaware of it for many years.She describes herself as having been naive and awkward, yet intelligent and energetic. She married a man she worshipped, and he fascinated and educated her, and then, in his illness, turned from her and abused her. This destruction of her confidence and happiness is a drama in itself, followed by the even more intense drama of her new life as the head of a great newspaper and a great company, a famous (and even feared) woman in her own right. Hers is a life that came into its own with a vengeance -- a success story on every level.

Graham's book is populated with a cast of fascinating characters, from fifty years of presidents (and their wives), to Steichen, Brancusi, Felix Frankfurter, Warren Buffett (her great advisor and protector), Robert McNamara, George Schultz (her regular tennis partner), and, of course, the great names from the Post: Woodward, Bernstein, and Graham's editorpartner, Ben Bradlee. She writes of them, and of the most dramatic moments of her stewardship of the Post (including the Pentagon Papers, Watergate, and the pressmen's strike), with acuity, humor, and good judgment. Her book is about learning by doing, about growing and growing up, about Washington, and about a woman liberated by both circumstance and her own great strengths.

• Sales Rank: #174848 in Books
• Color: Black
• Brand: Vintage
• Published on: 1998-02-24
• Released on: 1998-02-24
• Original language: English
• Number of items: 1
• Dimensions: 8.02" h x 1.40" w x 5.19" l, 1.39 pounds
• Binding: Paperback
• 642 pages

Features

• Great product!

Amazon.com Review
In lieu of an unrevealing Famous-People-I-Have-Known autobiography, the owner of the Washington Post has chosen to be remarkably candid about the insecurities prompted by remote parents and a difficult marriage to the charismatic, manic-depressive Phil Graham, who ran the newspaper her father acquired. Katharine's account of her years as subservient daughter and wife is so painful that by the time she finally asserts herself at the Post following Phil's suicide in 1963 (more than halfway through the book), readers will want to cheer. After that, Watergate is practically an anticlimax.

From Library Journal
Katharine Meyer Graham was a woman born into a world of wealth and privilege who raised four children, became involved in volunteer work, and ended as the head of a powerful newspaper. Graham's father, a wealthy entrepreneur, bought the struggling Washington Post in 1933. Although Katharine had worked as a journalist, it was her husband, Philip Graham, who was chosen to take over the paper from her father. This is the story of a newspaper's rise to power but also of the destruction of a marriage, as Philip Graham slid into alcohol, depression, and suicide, and of Katharine's rise as a powerful woman in her own right. Throughout this easy-to-read story, Graham writes about her personal life and the lives of others, ranging from presidents to household help, with sympathy and grace. Recommended for public libraries.
-?Rebecca Wondriska, Trinity Coll. Lib., Hartford, Ct.
Copyright 1997 Reed Business Information, Inc.

From Booklist
Katharine (with an a) Graham has led a very full life, and her personal history will be, most likely, very well received by the public, for through it, she manages to answer questions of enduring interest: How do the excessively rich live? How do the rich get rich? How do they stay that way? How does a young, rich woman become more than a woman with lots of time on her hands? She indirectly answers those questions by shaping her family's history with a view toward its stewardship of the Washington Post. Graham, born to multimillionaire Eugene Meyer, a Jew, and Agnes Ernst, an arrogant German, lived such a sheltered life that in college she had to be told how to wash a sweater. Like most men of her time, she did not know how to maintain her material possessions but was well schooled in mind and body (a professional tennis player lived with the family for a while). Beyond her upbringing, Graham manages a controlled but seemingly full discussion of the many sensational aspects of her life: the suicide of her husband, Phil Graham; her rise to publisher of The Post; the Pentagon Papers; Watergate; and the dreadful pressmen's strike, a dispute in which Graham prevailed. In this well-researched memoir, with a cast of fascinating people doing their cameo turns, including several presidents, the photographer Edward Steichen, Thomas Mann, Felix Frankfurter, Warren Buffet, and Ben Bradlee, Graham keeps the sets moving and makes everyone work for her. It is a well-examined life. Bonnie Smothers

Most helpful customer reviews

84 of 89 people found the following review helpful.
What a wonderful combination of substance and opportunity!
By JC Reader
Since I grew up in a house where the "Washington Post" was devoured daily, I was always aware of Katherine Graham. I read this book shortly after she passed away, and I was knocked off my feet.

She was blessed by the accident of her birth into a family of extreme wealth and ultimate social position. Her family's advantages - sadly compounded by her husband's untimely death - gave her inumerable opportunities. At the same time, she was brilliant, capable, focused, and a gifted communicator. This combination of traits and circumstances allowed her to live a most enthralling, significant life.

Throughout, I marveled at her "realness." Her family had more money and servants and things than anyone I am ever likely to meet, but she describes her challenges, insecurities, and fears in a way that allow me to appreciate how she faced and succeeded in life.

This is a compelling read despite its length and detailed content. It is well documented and beautifully written - without the aid of a ghostwriter. It does not suffer from spurious melodrama, myopia, or vanity to which so many autobiographers fall victim.

I highly recommend both the form and substance of this book.

43 of 46 people found the following review helpful.
Uplifting & life affirming
By At Leaterbarrow
Anyone wanting any more insights into Watergate or the Pentagon Papers will probably be disappointed by this book (if you want that read Ben Bradlee's autobiography). This book is very aptly titled - it is indeed a personal history and what comes out in the end is the story of a woman who via her upbringing and marriage was afflicted by a crushing lack of confidence, deeply insecure, troubled by some of her closest relationships (in particular her own mother) and in her own words little more than a housewife. This same person upon the death of her husband was thrust into a world which she was totally unsuited for and against all odds flourished as the first CEO of a Fortune 500 company.
What comes out in the end is that people in general and women in particular are capable of taking grievous blows and overcoming far greater challenges than they ever realise.
A friend of mine lost her partner in similar circumstances to Katharine Graham many years ago and I wish I could have bought her this book then. Without wanting to sound patronising, this is a good book for men but a great book women. I don't know whether she is a feminist icon but she certainly should be !!

34 of 36 people found the following review helpful.
I hope I have a story like this I can tell at age 80
By A Customer
I read this book's first chapter on the internet, and knew I had to buy it. I was captivated by the analysis and detail in the early chapters, specifically targeted at her parents, their relationship, and the impact they had on her and her siblings. Details are gradually drawn away from family and, after Phil Graham's death, is focused almost entirely on her career at the Post. But the new focus her life takes is nothing short of inspirational, and her recollection (and application)of detail provides us with an absorbing panorama of faces and places. Having known little about the newspaper industry prior to this book, I am eager to know more, and put Ms. Graham's tremendous accomplishments in a more informed perspective. Despite her insecurities, fears and worries (which were difficult to read--even to believe--at times) they are obviously a part of her personality, and by revealing them she made her story more compelling. I felt that, if her point was to write a manual for success, she could have done so. But how much she would have deprived us of! The only serious deficiency I found was that I thought, with the great deal of commentary at the beginning of the book concerning how she and her siblings were raised--with particular emphasis on her mother's influence--that she would have included more on what the effects of her own role as a mother were. But, this omission seems to have been a conscious one on her part. This was my nightly reading for quite some time, and I feel a little sad that I no longer have it to look forward to! Though I was certainly glad when the interminably long segment on the pressmen's strike was over, as important as the incident was...

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Scoring high on the AP English Literature Exam is very different from earning straight A’s in school. We don’t try to teach you everything there is to know about English literature—only the strategies and information you’ll need to get your highest score. In Cracking the AP English Literature Exam, we’ll teach you how to

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• Sales Rank: #2339673 in Books
• Brand: Princeton Review
• Published on: 2009-01-06
• Released on: 2009-01-06
• Original language: English
• Number of items: 1
• Dimensions: 10.80" h x .65" w x 8.30" l,
• Binding: Paperback
• 240 pages

Features

• Great product!

Most helpful customer reviews

0 of 0 people found the following review helpful.
The Best
By Christopher
Princeton Review is simply the best test preparation program in existence. I entered college as a sophomore as a result of passing AP exams - largely because of PR's test techniques, and exceptional high school teachers. Now that it's time for my nieces to face these challenging exams, I'm recommending Princeton Review to them. Simply the BEST. PR goes beyond subject matter knowledge, and takes apart the structure of the exam, even going so far as to exam the psychology behind how essays are graded. Just one example: Don't think of the multiple choice section as one test. Think of it as 5-6 small tests on different pieces of reading. All reading selections are not created equal - some are much harder than others. And these exams are taken under tremendous time pressure. Student A starts on question #1, works his tail off, and barely gets to the last section. Student B uses Princeton Review's techniques and quickly scans each section, determining which one is hardest, and saves it for last - the one she would've scored the fewest points on anyway. Student B scores lots of points on the last section, an easier one, and runs out of time on the hardest section. Student A works just as hard, but doesn't even get to the easier section because he simply went from front to back. Not only does PR help a great deal with subject matter, it also deconstructs the test itself. BRILLIANT!

0 of 0 people found the following review helpful.
Really great!
By N. Indurti
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0 of 0 people found the following review helpful.
Useful but not necessary
By anova
I bought this for my son who browsed it only briefly before passing the test with 5 (highest possible). The practice tests are helpful, but a good AP class will prepare your student adequately. The exam is designed to assess knowledge and understanding of the rich meaning of limited body of high school literature. That understanding is best gained by reading the original works and practicing the art of critical thinking and writing.

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