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I Cannot Tell a Lie, Exactly, by Mary Ladd Gavell
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It is the stuff of fiction: A collection of stories, never made public, is lost in a drawer for thirty years until, miraculously, the stories are discovered and published. It is also the true story of the book you are holding in your hands.
Mary Ladd Gavell died in 1967 at the age of forty-seven, having published nothing in her lifetime. She was the managing editor of Psychiatry magazine in Washington, D.C., and after her death, her colleagues ran her story "The Rotifer" in the magazine as a tribute. The story was, somehow, plucked from that nonliterary journal and selected for The Best American Short Stories 1967. And again, thirty-three years later, "The Rotifer" emerged from near obscurity when John Updike selected it for The Best American Short Stories of the Century. In his Introduction to that collection, Updike called Gavell's story a "gem" and said that her writing was "feminism in literary action."
"The Rotifer" has remained, until now, Gavell's only published work.
The sixteen stories collected here include the anthologized classic "The Rotifer," in which a young woman learns the extent to which a bit of innocent interference, or the refusal to interfere, can change the course of lives. "The Swing" depicts a mother's strange reconnection to her adult son's childhood as she is summoned outside, night after night, by the creak of his old swing. "Baucis" introduces a woman longing for widowhood who is cheated of the respite she craves and whose last words are tragically misunderstood by her family. The title story, based on the last-minute announcement by Gavell's own son that he was in a school play, is infused with the gentle humor and vivid insights that make all of Mary Ladd Gavell's stories timeless and utterly beguiling.
With the publication of I Cannot Tell a Lie, Exactly, Mary Ladd Gavell takes her rightful place among the best writers of her, and our, time.
- Sales Rank: #2825836 in Books
- Brand: Random House
- Published on: 2001-08-14
- Released on: 2001-08-14
- Original language: English
- Number of items: 1
- Dimensions: .85" h x 5.34" w x 7.80" l,
- Binding: Hardcover
- 240 pages
- Great product!
Amazon.com Review
In the introduction to this first (and only) collection by the late Mary Ladd Gavell, who died in 1967, the author's son calls her "something of an early feminist." And indeed, the women she writes about do share certain feelings of emptiness and longing, whether they're elicited by inattentive husbands, the empty-nest syndrome, or postpartum depression. In "The Infant," for example, Gavell's protagonist, Margaret, feels little of the conventional adoration a mother is supposed to feel for her newborn child: "She looked at the little gnomelike figure in her lap, and she thought, I suppose he'll be cute when he's two, and we shall be terribly proud of him and wouldn't be able to imagine life without him, but all I can think of now is that I wish we hadn't had him." So much for maternal warmth. Yet the author guides us so nonchalantly through Margaret's state of mind that it becomes impossible to judge her.
Elsewhere, Gavell is similarly revealing about the complexities of women, the hardships they endure, and the possibilities they have the potential to encounter. Yet this former managing editor of Psychiatry magazine seldom takes a rigidly feminist stance: she's more concerned with the psychological labyrinths of the human mind. It's a shame that these beautifully written stories--of which only one, "The Rotifer," has been published before--will constitute Gavell's entire literary legacy. All the more reason, then, to read and cherish them. --Yvonne Schindler
From Publishers Weekly
The story behind this collection is nearly as intriguing as the collection itself. The late Gavell was the managing editor of Psychiatry magazine and wrote stories, all unpublished, in her spare time. When she died at the age of 47 in 1967, the magazine published one of her stories "The Rotifer" as a tribute. The story was chosen for 1968's Best American Short Stories and then tabbed last year by John Updike for the Best American Short Stories of the Century, standing alongside those of Cather, Fitzgerald, Bellow, Carver and others. The 16 short fictions collected here prove that "The Rotifer" was no fluke; its easy complexity and sudden punch may remind readers of Alice Munro. Gavell's territory is that quintessential 1960s phenomenon, the nuclear family. With straightforward, cutting prose she unveils lives of elegant despair, much like Lorrie Moore, if Moore's characters were housewives who made appearances at the American Legion Hall. In "The Swing," an elderly woman is patiently sharing a house with an ailing husband. Their only son, emotionally reserved and uncommunicative, lives on the other side of town. One evening he walks into her backyard except that it's her son of 30 years earlier, a warm, enthusiastic seven-year-old boy. The denouement is a gentle surprise. Gavell demonstrates her range in "Sober, Exper., Work Guar.," in which she inhabits the unconsciously funny voice of a working-class plasterer plying his trade in an upper-class home. If anything dates these stories, it's that they feature neat endings, but many readers may find comfort in that now-rare style of short-story writing. Anthony Gavell's tribute to his mother and an introduction by Kaye Gibbons illuminate Gavell's qualities as a writer and as a woman of her times. Agent, David McCormick.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Gavell's only published story, the puzzling but intriguing "The Rotifer," appeared posthumously in 1967 but was selected for The Best American Short Stories of that year and then again by John Updike as one of the Best American Short Stories of the Century. It is collected here with the other stories Gavell, an editor at Psychology Today??, wrote in her spare time. They are a mixed bag: most focus on fairly routine domestic issues but with an undercurrent of dissatisfaction and rage. In "Boys," a mother addresses her instinctual fear of the mysterious male species. "Baucis" tells of a woman whose family patronizes her and fails to understand her, right up to and beyond her death. The less successful stories employ flat, stock characters that seem to exist only to illustrate a predetermined point. The title tale is a charming family scene, though perhaps a bit too cute and with a telegraphed resolution. For larger public libraries.
- Christine DeZelar-Tiedman, Univ. of Minnesota Libs., Minneapolis
Copyright 2001 Reed Business Information, Inc.
Most helpful customer reviews
2 of 4 people found the following review helpful.
sly
By Dr.Lynn
This sly well written book was a forgotten gem until it was recently reprinted. The stories are crafted and their plots make you wonder what next? They show a way of life that maybe doesn't exist anymore.
4 of 4 people found the following review helpful.
Sad That She Is Not Here
By taking a rest
"I Cannot Tell A Lie, Exactly", is a wonderful group of short stories by a writer that did not live to see them published, nor the enjoyment her words would bring to readers. And these stories are excellent not because of the unusual path they took to publication, rather because they are extremely well written. The book is also bracketed by touching tributes by her children.
The book contains 16 stories including, "Rotifer", which when published alone was selected as one of The Best American Short Stories Of 1967, and then was honored by its inclusion in The Best American Short Stories Of The Century. And this was a story that was originally published as a tribute to the writer in a non-literary journal, which makes this book's journey all the more interesting.
Virtually all of these tales describe situations that any member of a family will find familiar. Had they been written and published earlier, they would in many instances have been classic stories for the likes of The Saturday Evening Post together with the well-known covers of Norman Rockwell. This is not to say that all her stories are as idealized as many people feel Rockwell's paintings were. Just as he portrayed some of the darker sides of human nature, Mary Gavell touches on nerves that are either raw, or have the probability of developing painfully.
Two of my favorites are, "The Swing", and the story that is also the title of this book. It is a rewarding experience to read these stories that so nearly were lost. That this is the only collection takes nothing away from the work, and for those who take the time to read this lady's words, they will be well rewarded.
0 of 0 people found the following review helpful.
A wonderful short story collection -- A real discovery!!
By William Merrill
To paraphrase one of the blurb quotes, I was drawn to this collection by the posthumous publication situation (summarized well in the "Editorial reviews" section above), but I stuck around for the marvelous short stories. Ms. Gavell's tales are very well written slices of life, but always with a bit of whimsy or oddness thrown in to keep things interesting. Unlike works by the "literary elite" who usually draw the kind of praise this book has garnered, the stories in "I Cannot Tell A Lie, Exactly" are easy to read. Each one is a captivating gem, filled with details that paint pictures of the characters and make them into the kind of people you'd like to meet. Despite the fact that these pieces were written forty years ago (or more), the language is rarely dated in any way. With the unique appeal and quiet wisdom of Ms. Gavell's writing, I expect this collection will endure for many decades to come. One suggestion, though -- skip the gaseous introduction (by Kaye Gibbons).
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