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An author whose debut novel, The Navigation Log, garnered him comparisons with Waugh and Maugham, Martin Corrick now returns with a story even more dazzling. By Chance is both suspenseful and thought-provoking, a philosophical tale that is rivetingly readable.
“The events that resulted in Bolsover’s presence at the Alpha Hotel are closely related to his memories of his wife.” James Watson Bolsover is an apparently normal middle-aged man, a shy yet soulful engineer turned technical writer who for many years shared a passionate marriage with his lovely wife, Katherine. Bolsover’s wife and his deep interest in his work made his life perfect, but then–by chance, misfortune, bad luck–he lost Katherine and, with her, his innocence. Now he travels by sea to a remote island and checks into what seems to be an ordinary hotel; in this safe haven he hopes to understand the past and start afresh. But we quickly discover that all of the hotel’s occupants, like Bolsover himself, have uncertain histories: All of them are “someone else,” seeking to leave their former lives behind.
As Bolsover grows accustomed to his new surroundings–and close to a new woman–the truth of his life trickles out like blood from a wound. He is not quite the simple fellow he seems, but a man who has carefully shielded his own history not only from others but also from himself. Culpability, identity, morality, and luck–all these play a part in a story that echoes our own lives.
Writing in terse, elegant, and irresistible prose, Martin Corrick proves himself a new British master. By Chance is an unforgettable novel that combines intelligence with emotion, and lingers in the mind.
Praise for Martin Corrick’s The Navigation Log:
“Deeply moving . . . This remarkable first novel owes the maturity of its tone . . . to an elegiac vision that reaches beyond death to [a] powerful network of connections that encircle the present and the past.”
–The New York Times Book Review
“The main delight of this book is its loving re-creation of time and place. Corrick has an uncanny ability to enter into the life of the thirties and to draw out details that reveal both the sweetness and the blandness of country life.”
–Baltimore Sun
“The Navigation Log flies like an arrow, swift and true. You may weep, but you will also thrill.”
–James Salter, author of Last Night
“Corrick’s ear for dialogue . . . adds humour and pace to the account of parallel lives in the realms of earth and sky.”
–The Times Literary Supplement
“Carefully crafted in the manner of Waugh and Maugham . . . rich with period ambience and dry wit.”
–Publishers Weekly
- Sales Rank: #4828111 in Books
- Published on: 2008-10-14
- Released on: 2008-10-14
- Original language: English
- Number of items: 1
- Dimensions: 9.55" h x .90" w x 6.55" l,
- Binding: Hardcover
- 240 pages
From Publishers Weekly
Corrick follows his promising debut (The Navigation Log) with another intricate novel where readers must work to detect the story within a sparse yet elegant narrative. This time the setting is contemporary England, the protagonist a man whose life passes quietly until an extraordinary event strikes. James Watson Bolsover is first seen seated on a dock, waiting for a ferry. Raised by parents who leave him their house and little else, Bolsover, at age 20, finds his home and income as a technical writer enough to attract a delicate 19-year-old wife, Katherine. Bolsover tries to work out what love and life are about as he puzzles over his bride's budding passion. After 16 years, he becomes a widower, adding grief to the emotions he experiences without understanding. An accident in middle age then propels him into the nightmare that puts him on the dock. Corrick proves as meticulous as Bolsover at crafting a story that will send readers racing back to reread so they can retrace Bolsover's steps and savor Corrick's language. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Plunked down in the shabby Alpha Hotel on an unidentified island somewhere off the English coast with a deceptively ordinary group of misfits, James Watson Bolsover is provided the opportunity to reflect on the odd twists and turns that have brought him there. A quietly unremarkable middle-aged man, Bolsover realizes that the motivation for the few exceptional things he has done in his life are clear only in hindsight. Following his parents’ deaths, for starters, Bolsover was saved from bland obscurity by Kitty, a fragile, ethereal beauty who astonished everyone—not least of all Bolsover himself—by falling in love with him. Her death at an early age, however, set into motion a string of transformative events that culminated in an accident that earned Bolsover the bloodthirsty attention of a vengeful mobster. Both spirited and restrained, Corrick’s exquisitely nuanced portrait of a man who must learn to make peace with the most essential aspects of his character is an enchanting and quixotic performance. --Carol Haggas
About the Author
Martin Corrick is the author of The Navigation Log. He holds an MA in creative writing from the University of East Anglia and for much of his working life was a university lecturer, but he has also worked as a journalist and copywriter. Corrick now writes full-time and lives in the county of Dorset in England.
Most helpful customer reviews
4 of 4 people found the following review helpful.
The Power of Great Writing
By alldayReader
I loved Martin Corrick's "By Chance". The narrator, James Bolsover, is a man enthralled by words and the power of words to create order out of chaos. He believes that words and the names we give to things, the list we put things on and the definitions we give them, help us through the muddle of existing. The power of words. He uses words to create understanding, both of difficult technical issues (he is an engineer) and of the really big questions, like tragedy (Bolsover struggles to define it), seduction (and desire: Bolsover struggles more) and culpability (the biggest struggle of all for our Bolsover: how much is anything our fault? Too much in some ways, too little, in others). Bolsover uses words most charmingly when he creates a beautiful, fictional place to allow his wife to bloom, much as she creates a garden to allow her flowers space and light and air to bloom. But what happens when words fail? Perhaps that is the definition of tragedy.
Early inthe book, Bolsover asks "If fiction is not concerned to understand, what is its subject? Is its purpose merely to pass the time?" No, the purpose of great writing -- and reading great books -- is most definitely to understand. Corrick is clearly a man of words and a righteous preacher for their power. A great writer has the the power to cobble together words and deliver to us, the readers, a new way of seeing and hearing and understanding. Great writing brings things together, to mesh (borrowing a word used in By Chance at different points) different ways of looking at something into a cohesive and yet unique and distinct way of looking at everything.
Corrick delivers what readers want with every beautiful sentence and each fully rounded thought, in his completely articulated vision and his perfectly realized (and very real) characters, and even in the half-wisps of this and that he throws out via Bolsover's roving thoughts, wisps that add up in the end to a conclusion reached well before poor old Bolsover climbs the hill.
Words alone are not enough, though. Here enters "chance." Corrick shows us that the opposite of tragedy is the chance occurrence of a human reaching understanding through words: we reach glory, grace, peace, through understanding. Corrick writes of the birds having wings, and using them to fly, that is why they have wings. And we have emotions and understanding; we have hearts to feel and brains to read with, and that is how we fly.
There is a plot twist in By Chance and I don't love twists generally. Nor did I find this twist necessary: Bolsover would have gotten to his bench on the hill overlooking the ocean regardless. His questions and his searchings for the way to fix things runs up against the absolutely unfixable fact of death. Afterwards he feels guilt, twist or not twist. It is human, frailly and beautifully so, to feel guilt when someone dies. Guilt that we did not do enough for them when they were alive, guilt that we did not fight hard enough for their survival or that we fought the wrong way, guilt that we are still alive and desiring and wanting more life. Twist or no twist, Bolsover reaches his conclusion on the hill by chance but not really: there is no chance that such a thinker as he is could not reach the conclusion that he does. Corrick writes so beautifully and convincingly and easily, like the best poetry really, that I could take his plot twist and like it too.
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3 of 3 people found the following review helpful.
From the start, an utter delight
By Schmadrian
I was taken aback for a good portion of this book. It's so... Well, 'playful' at the beginning. Or 'whimsical'. Or, 'wonderfully skewed'. However you choose to describe it, you can't help but be intrigued by what might lay ahead, given such a start.
What's ahead is a satisfying read. Quirky in places, sombre in others...but all the way through, a great writer telling a unique tale.
I won't give away anything here plotwise, it's best to go in cold, but I will say that this slim read fills you up nicely.
Highly recommended to those for whom character studies 'rather than a careening plotline' appeals.
2 of 2 people found the following review helpful.
Remarkable Self Discovery
By KasaC
This elegant novel starts slowly, but the reader should pay attention to each unfolding detail, for when the full story is exposed, it is a revelation. Corrick writes in the contemplative style of John Banville, of Grahame Swift -- he creates a story that is deceptively simple that evolves into something different altogether. The enigmatic details are disclosed slowly, but the narrative never drags. At 230 pages, it is deceptively slim, but packs more whallop per page than many other books twice its length.
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