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Poetry and Hollywood seem like the ultimate odd couple, and once upon a time the accomplished poet, novelist, and critic Carol Muske-Dukes might have agreed. But no longer.
This is a collection of real-life adventures and meditations on literature and landscape. In Married to the Icepick Killer, Muske-Dukes explores the uniquely Southern Californian approach to poetry, including the random appearance of poems by Emily Dickinson and others on L. A. billboards; the hiring of poet-consultants to “top off” the final scene of a submarine action film; and the wonder of teaching a genius surfer poet. She also illuminates the pure poetry of falling in love with actor David Dukes, who introduced her to the City of Angels and its poetic paradoxes. Poets from Dickinson to Brecht, Robinson Jeffers, Arna Bontemps, and Randall Jarrell make appearances in these pages, and are seen in rapid close-up as the author reveals her talent as “camera,” witness, and learned and intrepid adventurer and social critic.
Muske-Dukes is a wise and hilarious diviner of correspondences and contradictions. In Married to the Icepick Killer (the title is taken from Muske-Dukes’s wry, loving remembrance of her late husband’s exceedingly varied career), she provides a geographical (and commercial) context for cultural counterpoint and shows how it both complements and collides head-on with a poet’s sensibility.
- Sales Rank: #2740844 in Books
- Published on: 2002-08
- Released on: 2002-08-13
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .79" w x 5.69" l,
- Binding: Hardcover
- 224 pages
From Publishers Weekly
The chair of the graduate writing program at USC, Muske-Dukes has written novels (Life After Death) and poetry collections (An Octave Above Thunder); her new offering is an odd medley of essays whose observations range from fresh and enlightening to pretentious and irritating. By tackling the relationship of poetry (an "art made of consciousness") to Hollywood (a world made of images and illusions), Muske-Dukes puts a new spin on the familiar art's-connection-to-life inquiry. "Slouching Toward a Brief Literary History of Southern California" delivers the titular promise, touching on the "poetic motifs" of the Chumash Indians, L.A.'s drive to "unmake history," the "poetry karaoke" of some public readings and the work of poet Kenneth Rexroth, who came to represent "something close to a uniquely Californian identity." If it sounds confusing, it is: Muske-Dukes has so many ideas to express (often without transitions) that readers may feel as if they're standing on a fault line of logical thought. "I Married the Icepick Killer" marks a break from the theorizing (and from sentences like "for the poet who is helping shift the emphasis from emotion recollected in tranquillity to emoting rendered in amplification, the reward is the muse's cell phone number"); it is a brief, sweet meditation on her marriage to the late actor David Dukes, while "Destino," which charts their meeting, is even better. "Let Me Play the Lion Too" is an elegy to Dukes, a pastiche of interview excerpts, eulogies and snippets of their lives before and after they met. There are a few gem-like moments here, but Muske-Dukes's book ultimately fails to cohere as an argument or entertain as a memoir.
Copyright 2002 Cahners Business Information, Inc.
From Library Journal
Poet/novelist/critic Muske-Dukes (Life After Death) here turns to the essay form. In her introduction, she writes, "It never occurred to me as I was writing these essays that I was writing, in part, an elegy." Her husband, actor David Dukes (who once played an icepick killer), passed away last year, and many of the essays included are meditations on the contradictions of their life together. Thus, what is ostensibly a collection of essays is also an extended love letter. Upon her arrival in Hollywood, the author was asked what kind of writing she did "half-hour or hour?" and was mentioned in Liz Smith's columns. She uses Hollywood's show business culture as a stepping stone for ruminations on what it means to be an artist, the significance of poetry quotations on billboards, and the adjustments made in a marriage between two artists. Her subjects run the gamut from being invited to the Clinton White House to lunch with Michelle Pfeiffer. Her insights are acutely observed and often devastatingly funny. Recommended for libraries with large poetry and film collections. Pam Kingsbury, Florence, AL
Copyright 2002 Reed Business Information, Inc.
From Booklist
A writer of depth, precision, and wit in her poetry and novels, which include Life after Death [BKL My 15 01], Muske-Dukes turns out to be a piquant essayist. Fascinated with her adopted city, L.A., and the nature of "a poet's existence in a city whose main industry is the serious production of illusion," she assesses Hollywood as a writer, director of the University of Southern California's graduate writing program, and wife of actor David Dukes, who died unexpectedly in 2000. Muske-Dukes' poignant memories of her late husband's love of acting and language enrich her crisp parsing of poetry's place in today's noisy, image-saturated world as she imagines John Keats at a poetry slam, profiles a surfer poet, and describes her attempt to write a screenplay based on her first novel, which was eagerly optioned by Michelle Pfeiffer. Smart and ardent, amusing and light on her feet, Muske-Dukes also squares off against Harold Bloom, and recounts a surprisingly literary conversation with Bill Clinton, all the while drawing on the strength and second sight poetry bestows. Donna Seaman
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
4 of 4 people found the following review helpful.
Cambridge Turn On Your Brain
By Pamela S.
Being familiar with and a fan of Muske-Dukes' poetry and fiction--have you read "Dear Digby"? If not, why not?--I can't understand the brief, snide "criticism" of one of her customer reviewers. The essays in "Icepick" celebrate, disect and illuminate a cultural mish-mash of writers and writing history in California--and offer insight into the "writing scene" in LA, so closely knit as it is with movies, ocean, earthquakes and sun and a literary history overlooked! It is not enough to pass off an accomplished author's work in one snide line. It is misleading and unfortunate. It is obvious from CMD's essays her passionate belief in the art of poetry, of writing, and the life of a writer in sprawling Los Angeles, passion that makes for an engaging read.
3 of 4 people found the following review helpful.
engaging title, lively book
By A Customer
Acerbic, funny, culturally aware and crackling with insight, as are Ms. Muske Dukes's poems and criticism
1 of 8 people found the following review helpful.
I agree with Cambridge
By A Customer
The best part of this book is the title. Once inside it is a major disappointment - shallow, self-centered and, frankly, boring. STAY AWAY FROM THIS BOOK.
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