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Kentucky native Nancy Culpepper boldly left home to attend school in Massachusetts, married a Yankee, and raised her son in the Northeast. “One day I was feeding chickens and listening to Hank Williams and the next day I was expected to know what wines went with what,” she tells her husband, Jack. Yet no matter where she travels, her rural southern heritage is never far from her thoughts, her habits, and her heart.
Nancy is on a lifelong quest to understand her place in the world. Returning home to the family farm, she searches for photographic evidence of an ancestor bearing her own name. Still in her jeans, she brings home strange ideas and an assertiveness she learned up north.
Always adventurous, Nancy travels far and wide–searching, seeking. The narrative sweep of her life traverses the turbulent sixties, the Vietnam War, the eighties and the foreboding death of John Lennon, and finally the new millennium–when a self-assured Nancy finally emerges. These humorous and often touching stories recount her courtship and marriage to Jack, her relationship with her precocious son, and the deep, loving bond between her parents, Spence and Lila Culpepper. Eventually Nancy’s marriage is threatened by a cultural divide that plagued her and Jack from the start. But when she inherits the Culpepper family farm and discovers more pieces of her ancestral puzzle, she realizes that her life is assuming its proper shape. Later, standing on a lonely mountain in England, she sees the world from a surprising perspective.
Bestselling author Bobbie Ann Mason’s prizewinning Nancy Culpepper chronicles have appeared in The New Yorker, The Boston Globe, The Southern Review, and other distinguished literary anthologies. She has compiled these stories into one definitive collection, which includes the novella Spence + Lila, two new, never-before-published stories, and one Pushcart Prize winner. Heartfelt and thought-provoking, Nancy Culpepper is a poignant depiction of change and growth in a modern-day heroine.
- Sales Rank: #3342978 in Books
- Published on: 2006-07-11
- Released on: 2006-07-11
- Original language: English
- Number of items: 1
- Dimensions: 9.48" h x .74" w x 6.42" l,
- Binding: Hardcover
- 240 pages
From Publishers Weekly
A somber, slow-going drama in stories by award-winning author Mason (An Atomic Romance) follows a Kentucky farm family's quiet changes over the decades. When the first story begins in 1980, Nancy, the elder daughter of the Culpepper family, is in her late 30s, has an eight-year-old son with husband Jack Cleveland (a Yankee) and lives outside Philadelphia. Returning to the family farm to help her parents, Lila and Spence, move Granny into a nursing home, Nancy concerns herself with old photographs buried in Granny's house that feature Nancy's namesake, a long-lost aunt whom no one seems to know anything about. Subsequent stories deal with Granny's death, the decline and death of Jack's dog, the building tension between Nancy and Jack—both yearning for the spontaneity of their swinging '60s courtship—and the fate of the Culpepper farm. In the longest story, Lila is diagnosed with breast cancer, undergoes surgery and is lovingly nursed by Spence, Nancy and her sister, Cat. Though detailed and honest in its depiction of illness and loss and skillful in handling Nancy's lingering discomfort with the North, Mason's novel-in-stories lacks her usual sparkle. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Kentuckian Nancy Culpepper first appeared in a 1980 short story, and she has resurfaced in Mason's much-loved fiction ever since. In a volume similar to Ellen Gilchrist's collections of stories about her recurring characters Rhoda Manning and Nora Jane Whittington, Mason collects her Nancy Culpepper stories, including the powerful novella about Nancy's mother's bout with cancer, "Spence + Lila" (1985), and several potent new tales. Mason writes with a swinging, country-road gait and a sunny transparency that belie the emotional weight of her tender and bittersweet tales of family, home, and loss. A calm, reticent, and subtly charming historian married to an intense photographer, Nancy harbors a deadpan wit. When we first meet her, she is looking through her granny's long-neglected family photographs. In "The Heirs," a flat-out masterpiece, she is once again sorting through her family's belongings, this time finding a stick of dynamite and a cache of letters that proves far more explosive. Mason sends her stories aloft like kites on the wind, expertly working the string, her feet planted firmly on the sustaining earth. Donna Seaman
Copyright © American Library Association. All rights reserved
About the Author
Bobbie Ann Mason has won the PEN/Hemingway Award and was a finalist for the National Book Critics Circle Award, the American Book Award, and the PEN/Faulkner Award. Her books include In Country and Feather Crowns. She lives in her native Kentucky.
Most helpful customer reviews
4 of 5 people found the following review helpful.
Love, Family, Acceptance, Perseverance
By David Keymer
This weekend, I read and finished two beautiful books, both fiction: Nancy Culpepper, by Bobby Ann Mason, and Forgetfulness, by Ward Just, both published in 2006.
Nancy Culpepper is a set of short stories about the protagonist, augmented by a novella about her parents, Spence + Lila (first published in the 80s --I loved when it first came out).
Nancy is from Kentucky. Her parents, Spence and Lila, are hard-scrabble farmers who eventually do better with a small dairy farm. Until her grandmother dies --the first forty-one years of their married life-- Spence and Lila live with or close to her grandmother, never traveling.
Nancy married an easterner, a photographer named Jack. They live in Cambridge MA and later somewhere rural in Pennsylvania. Later, when they separate, they move around.
The book is about Nancy's dance: between her country roots and her love of her parents on the one side and her eastern education (Radcliffe, I think --I don't want to hunt it up right now), tastes and manners.
The first three short stories, written in the 80s and early 90s, are wonderful. Spence + Lila is a gem --it narrates Lila's stay in the hospital for a mastectomy and an operation on one of her carotid arteries, but it's really about love, family, acceptance and spunk. It reminds you of feelings within your own family that you have but seldom or never articulate. It also reminds you that love doesn't have to be articulate to be felt.
The final short stories --there are two or three-- are good but not as good as the first ones. But it doesn't make a difference.
Mason's stories capture an engaging personality striving to make sense and gain pleasure from a life that has its share of stresses and disconnects but is ultimately self-affirming. Mason's view of life is intensely local and real, but ultimately benevolent. She writes about *connection. It's a lovely book.
(I reviewed Mason's Feather Crowns for Library Journal when it came out and loved it. Her collection of short stories, Shiloh, is superb. Her novel, In Country, evoked the best performance Bruce Willis ever gave when it was translated --fairly faithfully-- into a movie.)
David Keymer
Modesto, CA
1 of 1 people found the following review helpful.
Thank you, Ms Mason
By Chris C. Hill
Bobbie Ann Mason is a so-called regional writer because she writes what she knows well. This is sometimes ecstatic, sometimes ordinary, sometimes painful. Her tales take aim: Mason is the kind of artist who does not publish a story, long or short, before she has found its focal point, its potential for epiphany. To find her focal points she augments memory with a probing imagination which, for this reader, takes her into the heart of the human condition.
The volume Nancy Culpepper collects previously published stories and a novella together with two new stories. The first, longish, is a fine study of the American Dream (you can be a millionaire!) as it actually plays out. The second, one of Mason's best stories ever, drives toward an insight that unites the earlier pieces while suggesting a way readers can sort out their own lifelong losses and gains. It's the reason this volume works so well.
Nancy Culpepper is as close as Bobbie Ann Mason has come (in fiction) to autobiography. As "On the Eve" is clearly by Turgenev, not his character Elena, so "Nancy Culpepper" is definitely by Bobbie Ann Mason. This plays out beautifully in passages like the description (p.222) of Nancy's musings while gazing into the mirror. Such passages invite us to enjoy the story at hand while subtly suggesting attitudes that move us toward our own focal points, even when we weren't thinking we had any.
0 of 0 people found the following review helpful.
authentic
By Constance Hays
I have missed this author. Just haven't kept up with her, to my regret. She is a very good writet, that makes a story authentic in all of its parts. her location, people and perspectives are true. No matter how different a story is ,from your own experiences, one knows when it wavers from the real, or the 'truth'. Bobbie Lee Mason never wavers and that is such a pleasure.
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