Friday, January 8, 2016

~ PDF Download Collected Longer Poems, by W. H. Auden

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Collected Longer Poems, by W. H. Auden

Collected Longer Poems, by W. H. Auden



Collected Longer Poems, by W. H. Auden

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Collected Longer Poems, by W. H. Auden

One of the modern masters of the extended poem, W. H. Auden has selected for this volume the longer poems he originally published between 1930 and 1947, which are among his most enduring achievements, both for their technical virtuosity and for the emotional and intellectual precision with which he dissects the spiritual illnesses of our times. Collected Longer Poems includes Paid on Both Sides, Letter to Lord Byron, For the Time Being, The Sea and the Mirror, and The Age of Anxiety.

With its companion volume, Collected Shorter Poems, published by Random House in 1967, this collection represents all of his past work that Auden wishes to preserve.

This edition is set from the first American edition of 1969 and commemorates the seventy-fifth anniversary of Random House.

  • Sales Rank: #1013855 in Books
  • Published on: 2002-09-10
  • Released on: 2002-09-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.53" h x 1.18" w x 5.90" l,
  • Binding: Hardcover
  • 360 pages

From the Inside Flap
One of the modern masters of the extended poem, W. H. Auden has selected for this volume the longer poems he originally published between 1930 and 1947, which are among his most enduring achievements, both for their technical virtuosity and for the emotional and intellectual precision with which he dissects the spiritual illnesses of our times. Collected Longer Poems includes Paid on Both Sides, Letter to Lord Byron, For the Time Being, The Sea and the Mirror, and The Age of Anxiety.

With its companion volume, Collected Shorter Poems, published by Random House in 1967, this collection represents all of his past work that Auden wishes to preserve.

This edition is set from the first American edition of 1969 and commemorates the seventy-fifth anniversary of Random House.

About the Author
W. H. Auden (1907-1973) was one of the wittiest and most worldly of English poetry's great twentieth century masters. His work ranges from the political to the religious, from the urbane to the romantic. He is also, with his exhilarating lyrical power and his understanding of love and longing in all their sacred and profane guises, an exemplary champion of human wisdom in its encounter with the mysteries of experience. More than any other poet, Auden used his poetry as an instrument to study the massive forces, dramas, and upheavals of the twentieth century, and his work displays an astonishing range of voice and breath of concern.


From the Cassette edition.

Most helpful customer reviews

6 of 7 people found the following review helpful.
One of the great poets of the twentieth century
By Craig Matteson
Wystan Hugh (W. H.) Auden is rightly regarded as one of the great poets of the twentieth century. He is one of my favorites because of his great skill with language, his ability to talk about everyday life in wonderfully insightful ways, and to sing while he helps us see what he sees. His even greater gift is to make his words feel as if they came from out of our own mind and heart. We want to possess them.

Yet, he was also a very learned man, but his learning always has a point about life rather than allowing him to step into a spotlight for our adulation. You can flip to any page of this volume and find something to wonder at. Even the plainest poems have depths to plumb and the seemingly obscure yield to patient reading.

While Auden has a somewhat complicated biography, it would be a mistake to get sidetracked in too many details. While knowing the life of an artist often aids our understanding of his work, it is also a mistake to see too many parallels in his work with the happenstance of his life. Great artists draw on their lives, but they also transcend them.

I am very grateful to have this volume in my library.

0 of 0 people found the following review helpful.
If you have to start with your first long poem. Let 'Letter to Lord Byron' be it.
By Himri
Auden says that Byron's is 'a style whose meaning does not need a spanner'. So is his, in his long poem 'Letter to Lord Byron'.
"The Good life is confined above the snow-line" - W.H.Auden

7 of 14 people found the following review helpful.
Don't believe the old man.
By M. Schwalbaum
Auden is my favorite "modern" English poet (I hate TS Eliot and his fascist friend Pound, for their politics and posturing). I've loved Auden since my college days in the late 40's.(Yes. 1940's.) In those days the poems started with "Musee des Beaux Arts," included "Law Like Love" and "In Memory of W.B. Yeats." The songs started with "As I walked Out One Evening."
A fine clear voice, very even expressions, and sentiments that one could easily subscibe to. I tried to write like that (and in part succeeded). The copy in my library is dated 1945.
Recently I decided to share my love of Auden's poetry and ordered three copies of the book descibed in this listing. What a mistake! It appears that Auden after about 1940, and until the end of his apparently miserable life, changed his style and everything else about himself, AND rewrote, deleted and butchered his early work. What a sad revelation. Don't believe the old man.
I suggest you read the review by N. Dorward for Collected Poems (Modern Library) here at Amazon for more about this and WHICH AUDEN TO BUY AND READ.
Here it is in part--
"This volume makes me ultimately rather sad, that a poet with such enormous promise (the work he wrote in his early 20s is still utterly astonishing in its accomplishment & daring) never quite made good on it, & even came to hate much of his own best work. Turn to the _Selected Poems_ to get a better measure of what Auden was as a writer. "

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Wednesday, January 6, 2016

> PDF Download The Nature of Economies, by Jane Jacobs

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The Nature of Economies, by Jane Jacobs

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The Nature of Economies, by Jane Jacobs

From the revered author of the classic The Death and Life of Great American Cities comes a new book that will revolutionize the way we think about the economy.

Starting from the premise that human beings "exist wholly within nature as part of natural order in every respect," Jane Jacobs has focused her singular eye on the natural world in order to discover the fundamental models for a vibrant economy. The lessons she discloses come from fields as diverse as ecology, evolution, and cell biology. Written in the form of a Platonic dialogue among five fictional characters, The Nature of Economies is as astonishingly accessible and clear as it is irrepressibly brilliant and wise–a groundbreaking yet humane study destined to become another world-altering classic.

  • Sales Rank: #769855 in Books
  • Published on: 2001-03-13
  • Released on: 2001-03-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .50" w x 5.20" l, .50 pounds
  • Binding: Paperback
  • 208 pages

Amazon.com Review
Over the past 40 years, Jane Jacobs has produced an acclaimed series of analytical essays that examine the development of complex human systems and environments in a manner that's as literary as it is visionary. Her latest, The Nature of Economies, continues this artistic and provocative tradition by dissecting relationships between economics and ecology through a multilayered discourse around the fundamental premise that "human beings exist wholly within nature as part of a natural order." In a style reminiscent of the cinematic My Dinner with Andre, Jacobs gives us a captivating ongoing conversation between five contemporary New Yorkers who sip coffee and voice accepted, fact-based theories along with subjective but solid opinions regarding the way our society's fractal-like development is actually dependent upon "the same universal principles that the rest of nature uses." Digressing onto various and sundry paths as such dialogues always do--albeit, this time, on a very specific and methodical route as prescribed by Jacobs--the characters mull over business cycles, animal husbandry, habitat destruction, the implications of standardization and monopoly, competition in nature, the obsolescence of computers, and much, much more. This book is recommended for the eclectically curious who welcome the opportunity to eavesdrop on such stimulating table talk, even while lamenting the fact they can't join in. --Howard Rothman

From Publishers Weekly
Jacobs's 1961 classic, Death and Life of Great American Cities, broke new ground in its insistence that humane urban planning could result from looking intently at people's everyday lives as a microcosm of the needs of city, economic and national life. The book also showcased Jacobs's superb ability to weave her own and her neighbors' personal stories into her theories of urban planning and development. In this important, essentially philosophical new work on patterns of social and economic growth, Jacobs immerses herself in the role of storyteller, building her arguments through a series of conversations between a group of environmentally aware, countercultural friends talking about what it means for humans to interact, understand one another and dwell safely and without causing harm in the world. Jacobs's choice to explore this material within a Socratic dialogue might seem pretentious or simplistic in less skilled hands. Yet her tone and style are so assured that it is hard to imagine a straightforward, expository examination of the same ideas that conveys as much nuance. The approach also amplifies Jacobs's theme of exploring the myriad ways in which humans exist "wholly within nature" and not, as some environmentalists claim, as "interlopers." Drawing upon examples from nature, the physical sciences, evolutionary theory, mathematics and quantum physics, Jacobs cogently illustrates how human beings and the civilizations they create can be in harmony with the world around them. Sounding the same themes she has been investigating for the past 40 years, this witty, beautifully expressed book represents the culmination of Jacobs's previous thinking, and a step forward that deftly invokes a broader philosophical, even metaphysical, context.
Copyright 2000 Reed Business Information, Inc.

From Library Journal
From the author of the classic The Death and Life of Great American Cities: five friends discuss economics over coffee.
Copyright 1999 Reed Business Information, Inc.

Most helpful customer reviews

48 of 51 people found the following review helpful.
a book unlike any other
By A Customer
This is a truly unique book--a serious book on a critical topic written with much insight, originality, and an unbelievable amount of imagination. I've heard much talk of the author before--especially her seminal book "The Death and Life of Great American Cities"--but "Nature of Economies" is the first book by Jacobs I've ever read. I'm glad to report that all the positive things I've heard about the author is true: she is as sharp and thoughtful a thinker as they come. What's even more endearing (for me anyway) is that she eschews the jargons and pompous prose of academy and writes with simplicity and grace so that anyone and everyone can understand her points. (I can't remember the last time that I've read a book on economics or sociology and not been put off by the awful language.)
Another special thing about this book, as most of you've probably heard by now, is that Jacobs has cast her thoughts in the dialogue form: conversations between 5 intimate friends. I must say it's quite strange to come upon a serious treatise on economics and nature, written and published in the first year of the 21st century, that uses what seems (to me) an 18th- or 19th-century format (I'm thinking in particular of those philosophical dialogues on religion, morality, etc., written by the likes of David Hume and Giacomo Leopardi, not to mention all those "philosophes" of the Enlightenment), which was in turn an imatation of the Platonic dialogues. Well, why not? After all, Jacobs has the brilliance of mind and sharpness of wit to get away with it. (Though it does mean getting some used to for an average reader like me.)
As for what the book is trying to say, I'm still trying to figure it out. It's such a tiny little book but yet I'm not embarrassed to say that I've not fully grasped all her points. But I do know that this book has all the trappings of a classic (in the best sense of the word) and it'll be read and reread, debated over and written about, again and again, in the years to come.
So is Jacobs the new Hume or Leopardi? Maybe. The last "philosophe" of our modern era? Definitely.

28 of 30 people found the following review helpful.
It's really very simple . . .
By Theodore A. Rushton
It is no accident that Toronto is often rated as one of the most livable cities in North America -- Jane Jacobs lives there, and she takes an active role in helping shape her adopted city.
She also does something original; she actively examines the topics she writes about, instead of relying upon the mere observations of others. When you use a chunk of granite, a bar of steel or the speed of light, it's worth knowing that inanimate objects don't change much. But, Jacobs and all other social scientists deal with people; and people are continually changing. One of her central themes is that since Adam Smith in 1776, economists have tended to ignore the real world.
"Smith himself was partly responsible for that blind spot," Jacobs writes. "He led himself and others astray by declaring that economic specialization of regions and nations was more efficient than economic diversification.
"The theorists after Smith retreated into their own heads instead of engaging ever more deeply with the real world," Jacobs writes. "Plenty of observable, germane facts were lying around in plain sight, ready and waiting to lead Smith's insights, straight as directional arrows, into the subjects of development and bifurcations."
Adam Smith overturned centuries of thinking when he wrote, "It is not from the benevolence of the butcher, the brewer, or the baker that we expect our dinner, but from their regard for their own interest." Until then, there was a general feeling that God, or Nature, or other supernatural force provided our sustenance; Smith said personal interest is the key to economic life.
Smith takes that idea the next step: Yes, natural products exist, but we can wipe them out by overuse. Every system in nature is harmed by over-indulgence; nothing can be exploited without some collateral cost. Excess carries the seeds of its own destruction; humans are a part of nature, and thus subject to similar limitations. Thus, the book's title -- "The Nature of Economies." Every society is a part of nature; people are always subject to the inevitable laws of nature.
This isn't tree-hugging ecology or a `Save a Whale for Jesus' fad; it's the fundamental rules by which nature, and thus our communities, live on a day-to-day basis.
Consider a real example: Phoenix literally "paves the desert." Twenty years ago, climatologists knew this raised night temperatures, because asphalt soaks up heat during the day and radiates at night. Night temperatures have risen by almost 10 degrees -- which adds immensely to air conditioning bills, and greatly reduces livability. Yet, city officials steadfastly ignore this feedback to pursue a policy of unlimited growth. Is this unusual? Think of Los Angeles traffic, Las Vegas, Albuquerque, El Paso, and Tucson -- each with its own growing problems.
Jacobs argues the "nature of economies" means being aware of feedback, and facing issues before they become a crisis. Despite her living in Toronto, do Canadians do it? No, Canadians ignored overfishing of the Grand Banks -- once the richest fishing area in the world -- until the area was fished out which caused the economy of Newfoundland to collapse.
In brief, that's her lesson. Ignore feedback, ignore the evidence in front of our eyes, and we'll have economic and social collapse. Nature never offers "Get out of Jail Free" cards.
Unlike many ecologists, Jacobs doesn't offer simplistic "get rid of the automobile" solutions. She says problems will arise whatever we do; the solution is in recognizing the feedback, then responding to the problem. In other words, "Look around." Then ask, "What can we do different?" She doesn't offer solutions; she offers thought processes to enable intelligent people to find solutions.
Does she have a valid point? Well, Toronto officials listen to her, and have one of the best cities in North America. It's time her audience was expanded.

7 of 7 people found the following review helpful.
A Lot of Fun
By andy
A fantastic book that sabotages as many preconceptions about the dismal science as it can. It's cast in a wonderful format, I can barely abide economics and I read this in one sitting. Some pretty ballsy conclusions, too. Attacking government subsidies wholeheartedly in a book that is mired in shades and nuance brings it all to a refeshing close. Although she sees economies as naturally developing and interacting entities, it would have been interesting if she could have explored the implications of state involvement; i.e., tax and tarrifs, the fiscal policies behind them. Since states and economies are coexisting -and in the best cases mutually cohabitating- it is appropriate to explore their relationship within Jane's context. All in all, though, lots of fun. It's awesome to read all of these new books coming out that call for an imaginative, multi-dimensional awareness of systems and laws. I'm looking forward to reading her previous works.

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Tuesday, January 5, 2016

!! Get Free Ebook Omerta (Godfather, Book 3), by Mario Puzo

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Omerta (Godfather, Book 3), by Mario Puzo

THE FINAL CHAPTER IN MARIO PUZO'S LANDMARK MAFIA TRILOGY

Mario Puzo spent the last three years of his life writing Omerta, the concluding installment in his saga about power and morality in America. In The Godfather, he introduced us to the Corleones. In The Last Don, he told the wicked tale of the Clericuzios. In Omerta, Puzo chronicles the affairs of the Apriles, a family on the brink of legitimacy in a world of criminals.

Don Raymonde Aprile is an old man wily enough to retire gracefully from organized crime after a lifetime of ruthless conquest. Having kept his three children at a distance, he's ensured that they are now respectable members of the establishment: Valerius is an army colonel who teaches at West Point, Marcantonio is an influential TV network executive, and Nicole is a corporate litigator with a weakness for pro bono cases to fight the death penalty. To protect them from harm, and to maintain his entrée into the legitimate world of international banking, Don Aprile has adopted a "nephew" from Sicily, Astorre Viola, whose legal guardian made the unfortunate decision to commit suicide in the trunk of a car. Astorre is an unlikely enforcer—a macaroni importer with a fondness for riding stallions and recording Italian ballads with his band.
        
Though Don Aprile's retirement is seen as a business opportunity by his last Mafia rival, Timmona Portella, it is viewed with suspicion by Kurt Cilke, the FBI's special agent in charge of investigating organized crime. Cilke has achieved remarkable success in breaking down the bonds between families, cultivating high-ranking sources who in return for federal protection have violated omerta—Sicilian for "code of silence," the vow among men of honor that, until recently, kept them from betraying their secrets to the authorities.
        
As Cilke and the FBI mount their campaign to wipe out the Mafia once and for all, Astorre Viola and the Apriles find themselves in the midst of one last war, a conflict in which it is hard to distinguish who, if anyone, is on the right side of the law, and whether mercy or vengeance is the best course of action.
        
Rich with suspense, dark humor, and the larger-than-life characters who have turned Mario Puzo's novels into modern myths, Omerta is a powerful epitaph for the Mafia at the turn of a new century, and a final triumph for a great American storyteller.

  • Sales Rank: #837239 in Books
  • Brand: Random House
  • Published on: 2000-07-05
  • Released on: 2000-07-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.12" h x 6.49" w x 9.55" l,
  • Binding: Hardcover
  • 336 pages
Features
  • Great product!

Amazon.com Review
Omerta, the third novel in Mario Puzo's Mafia trilogy, is infinitely better than the third Godfather film, and most movies in fact. Besides colorful characters and snappy dialogue, it's got a knotty, gratifying, just-complex-enough plot and plenty of movie-like scenes. The newly retired Mafioso Don Raymonde Aprile attends his grandson's confirmation at St. Patrick's in New York, handing each kid a gold coin. Long shot: "Brilliant sunshine etched the image of that great cathedral into the streets around it." Medium shot: "The girls in frail cobwebby white lace dresses, the boys [with] traditional red neckties knitted at their throats to ward off the Devil." Close-up: "The first bullet hit the Don square in the forehead. The second bullet tore out his throat."

More crucial than the tersely described violence is the emotional setting: a traditional, loving clan menaced by traditional vendettas. With Don Aprile hit, the family's fate lies in the strong hands of his adopted nephew from Sicily, Astorre. The Don kept his own kids sheltered from the Mafia: one son is an army officer; another is a TV exec; his daughter Nicole (the most developed character of the three) is an ace lawyer who liked to debate the Don on the death penalty. "Mercy is a vice, a pretension to powers we do not have ... an unpardonable offense to the victim," the Don maintained. Astorre, a macaroni importer and affable amateur singer, was secretly trained to carry on the Don's work. Now his job is to show no mercy.

But who did the hit? Was it Kurt Cilke, the morally tormented FBI man who recently jailed most of the Mafia bosses? Or Timmona Portella, the Mob boss Cilke still wants to collar? How about Marriano Rubio, the womanizing, epicurean Peruvian diplomat who wants Nicole in bed--did he also want her papa's head?

If you didn't know Puzo wrote Omerta, it would be no mystery. His marks are all over it: lean prose, a romance with the Old Country, a taste for olives in barrels, a jaunty cynicism ("You cannot send six billionaires to prison," says Cilke's boss. "Not in a democracy"), an affection for characters with flawed hearts, like Rudolfo the $1,500-an-hour sexual massage therapist, or his short-tempered client Aspinella, the one-eyed NYPD detective. The simultaneous courtship of cheery Mafia tramp Rosie by identical hit-man twins Frankie and Stace Sturzo makes you fall in love with them all--and feel a genuine pang when blood proves thicker than eros.

This fitting capstone to Puzo's career is optioned for a film, and Michael Imperioli of TV's The Sopranos narrates the audiocassette version of the novel. But why wait for the movie? Omerta is a big, old-fashioned movie in its own right. --Tim Appelo

From Publishers Weekly
"The dead have no friends," says one gangster to another in Puzo's final novel, as they plot to kill America's top Mafioso. But Puzo, despite his death last year at age 78, should gain many new friends for this operatic thriller, his most absorbing since The Sicilian. The slain mobster is the elderly Don Raymonde Aprile. His heirs, around whom the violent, vastly emotional narrative swirls, are his three children and one nephew. It's the nephew, Astorre Viola, who inherits the Don's legacy and transforms before his cousins' astonished eyes from a foppish playboy into a Man of Honor, as he avenges the Don's death and protects his family from those hungry for its prime possession: banks that will earn legitimate billions in the years ahead. Astorre's change is no surprise to the few aged mobsters who know that, as a youth, he was trained to be a Qualified Man, or to the fewer still who knowDas Astorre does notDthat his real father was a great Sicilian Mafioso. Arrayed against Astorre in his pursuit of cruel justice are some of the sharpest Puzo characters ever, among them a corrupt and beautiful black New York policewoman; assassin twins; wiseguys galore, including a drug lord who seeks his own nuclear weapon; and, drawn in impressive shades of gray, a veteran FBI agent who imperils his family and his soul to destroy Astorre. Despite its familiar subject matter, the novelDwhich shuttles among Sicily, England and AmericaDis unpredictable and bracing, but its greatest strength is Puzo's voice, ripe with age and wisdom, as attentive to the scent of lemons and oranges in a Sicilian garden as to a good man's sudden, bloody death. This is pulp raised to art and a worthy memorial to the author, who one last time makes readers an offer they can't refuse. 500,000 first printing; simultaneous Random House audio and large print editions; to be a film from Miramax. (July)
Copyright 2000 Reed Business Information, Inc.

From Library Journal
Puzo was a storyteller to the end, spending the last three years of his life writing Omerta, which in Sicilian means "honor." The final installment of Puzo's mob-related tales (following The Godfather and The Last Don), this fast-paced story is one of honor kept and broken, of Old World values and contemporary New World business/political ethos. When retired New York Mafia Don Aprile is assassinated on the steps of St. Patrick's Cathedral, the FBI, local detectives, rival families, and even his grown children are suspected. It falls on Aprile's adopted nephew Astorre to find the killers and see that "justice" is served. Astorre, who has been running a macaroni import company and has a passion for singing, must decide if and how to avenge the don's death and bring honor and security back to the family, which is on the brink of legitimacy. In his other novels, Puzo explored the moral unraveling of his key characters, and he does so again with the charismatic Astorre, a character with many contradictions and surprises. Omerta is written nearly as sparsely as a screenplay. It's as if Puzo knew he wouldn't be around to do that job also, as he did with The Godfather (winning an Academy Award in the process). Highly recommended.
---David Nudo, formerly with "Library Journal"
Copyright 2000 Reed Business Information, Inc.

Most helpful customer reviews

1 of 1 people found the following review helpful.
The last but not the best
By J. Thomas Dyess
This last book of Puzo was as many trilogies go, not as good as the first, and not as good as the second. The Godfather and The Last Don were very good reads - very capturing and political, but this one seemed to just go through the motions. If you liked the first two books, definately get this one, it's the last one you'll read from Puzo, but don't expect a bedazzeling Godfather. It's a good book none the less.

2 of 4 people found the following review helpful.
Homage to the Godfathers
By H. Berlowitz
Omerta is an interesting fast read,provocative, and lively with surprise twists and turns. The main character Astorre is a complex character who is full of surprises. The beginning and middle of the book is very good, but the ending is a bit hurried and contrived. It will make an interesting movie and will pay homage to the late Mario Puzo.

1 of 6 people found the following review helpful.
Awful Letdown.
By A Customer
Maybe the realism of the Sopranos coupled with the actual decline of the mafia makes this book seem so very unimportant. The writing itself is pitched at the average fourth grader and Puzo is the master of using the trite expression.The world view put forth is that everyone but everyone is crooked on this planet so by the time you put the book down you are exhausted with the duplicity. Frankly, if you MUST read this book either go to the library or wait for the paperback.

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Monday, January 4, 2016

^ PDF Download The Princeton Reivew: Cracking the MCAT, 2010-2011 Edition, by James L. Flowers, Theodore Silver

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The Princeton Reivew: Cracking the MCAT, 2010-2011 Edition, by James L. Flowers, Theodore Silver

The MCAT tests more than your knowledge of basic physical and biological sciences. You need to know absolutely everything, from amino acids and proteins to translational motion to verbal reasoning and more. Review all necessary content with this comprehensive MCAT preparation book, brought to you by the creators of The Princeton Review’s top-notch MCAT class.  

Cracking the MCAT, 2010-2011 Edition includes: 

• A full-color, 16-page tear-out reference guide with all of the most important formulas, diagrams, information, concepts, and charts for each section of the MCAT
• Complete coverage of all topics on the MCAT, including physics, general chemistry, biology, organic chemistry, verbal reasoning, and the essays
• Exclusive free online access to 4 full-length practice tests with explanations
• Practice passages, questions, and complete explanations at the end of every chapter for maximum practice and preparation
• Tons of practice problems with detailed explanations and step-by-step solutions
• A comprehensive index

  • Sales Rank: #1833749 in Books
  • Published on: 2010-04-27
  • Released on: 2010-04-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x 1.60" w x 8.40" l, 1.10 pounds
  • Binding: Paperback
  • 1080 pages

Most helpful customer reviews

30 of 30 people found the following review helpful.
A rough draft to a good mcat study book
By Sami P. Tarabishy
I purchased the Princeton review mcat review book because to me, princeton review had a certain level of prestige. I knew the book with be well put together, cover all the topics I needed, and since it was the new edition, be completely up to date.

After getting about halfway through the book, I can say it is well put together, the examples and format of the book are great, and it's about what I expected as far as material.

BUT.... it is an absolute failure when it comes to typos. I have never read a professional labelled book, or any book for that matter, riddled with as many errors. I have found errors in every single section, including the practice problems!!! and they are not small errors. They have incorrectly written formulas, used incorrect exponents and coefficients, completely mislabeled answers as correct, incorrectly written answers to practice problems, its AWFUL! Even the colored important formulas/laws at the end of the book that you can tear out have several errors. In fact, I am going to email PR after this review because I am so shocked at their lack of editing.

As far as material, the book does a semi-thorough job of going through concepts, but they do expect you to have had some prior exposure to material, hence why this review book not a learning book.

I'd stay away from this edition, and wait till they take some time to edit their material.

26 of 26 people found the following review helpful.
Would be great if they had actually proofread it.
By A. Hannegraf
This is my second time studying for the MCAT. Before I used the Kaplan book and didn't like it very much. I decided to splurge on a new book to reinforce the concepts and thought Princeton Review would be the way to go. For me, it's greatest advantage over Kaplan were the practice questions after each concept. Each major science topic (Physics, Bio, Chem, and O Chem) are broken down into 3 subsections

Mastery Achieved - a review of the concepts followed by simple sample problems
Mastery Applied - an MCAT style passage with 5-8 questions at the end of a group of related chapters
Mastery Verified- explanations of the answers to the Mastery Applied MCAT style passage.

In theory this is great approach. You read a concept, immediately test your comprehension with a brief question or 2 so you can determine if you really understand it, then apply your knowledge to a passage similar to what you would see on the MCAT. Then, you check your answers, and get a detailed explanation of each one which emphasizes both the concept and how the MCAT will try to trick and manipulate you.

Great.

Except the book is so riddled with typos, incorrect figures, and errors that it becomes a source of confusion. Apparently the Princeton Review does not have editors. To me, these errors were the most horrendous in the physics section. For example
*gravity on Earth is commonly listed as 1 or 100 m/s^2
*mathematical signs were forgotten (550 is NOT the same as 5x50)
*figures are labeled one way, then referred to in a different half way through the problem (without being substituted, mind you)
*Answer keys are labeled wrong. For example it will read THE CORRECT ANSWER IS A, but then when they explain and state the correct answer, it was actually C on the exam, leading to confusion and frustration.

The strange part is that the set up is usually valid, and the answer is always correct, but it's all the steps in between that are messed up, and the middle steps are CRITICAL for a person reviewing subject where they have a weakness. I find myself spending more time trying to verify if something is correct or if it's just another one of the insulting number of typos.

It is especially disappointing because the format of the book is leaps and bounds ahead of the other textbooks I've read and browsed through. It would be 5 star worthy if not for the amount of errors. It's ironic that a book can "guide" students on how to write a solid essay on the MCAT when they clearly can't write well themselves.

Let's be honest, I'm not an expert here so who knows what I'm NOT seeing. I have half a mind to highlight all the glaring errors and send it back to the Princeton Review but in the end I don't want to waste that many highlighters.

I would recommend using this book to study AFTER you have studied with other material because it really does help solidify concepts much better than other books.

15 of 15 people found the following review helpful.
Ridiculous Typos
By Marth
I don't usually write reviews, especially for test-prep books. If you're studying for the MCAT, you will probably pick up this text.

But the sheer amount of mistakes in this book make it almost useless. The typos range from prefix (cm becomes km) to numbers (0.4 becomes 0.) but often times make the answers incorrect. It's VERY frustrating - and makes studying for a difficult test even harder.

I can't recommend another book (Kaplan, Barrons, etc.) from experience, and usually Princeton Review is the best - but in this case - steer clear.

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Sunday, January 3, 2016

>> Ebook Exuberance: The Passion for Life, by Kay Redfield Jamison

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Exuberance: The Passion for Life, by Kay Redfield Jamison

With the same grace and breadth of learning she brought to her studies of the mind’s pathologies, Kay Redfield Jamison examines one of its most exalted states: exuberance. This “abounding, ebullient, effervescent emotion” manifests itself everywhere from child’s play to scientific breakthrough and is crucially important to learning, risk-taking, social cohesiveness, and survival itself. Exuberance: The Passion for Life introduces us to such notably irrepressible types as Teddy Roosevelt, John Muir, and Richard Feynman, as well as Peter Pan, dancing porcupines, and Charles Schulz’s Snoopy. It explores whether exuberance can be inherited, parses its neurochemical grammar, and documents the methods people have used to stimulate it. The resulting book is an irresistible fusion of science and soul.

  • Sales Rank: #77705 in Books
  • Brand: Jamison, Kay Redfield
  • Published on: 2005-09-13
  • Released on: 2005-09-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .86" w x 5.19" l, .84 pounds
  • Binding: Paperback
  • 416 pages

From Publishers Weekly
*Starred Review.* If exuberance is "the passion for life," then Jamison's enthusiasm and sense of wonder about the subject proves as fine an example as any examined in her newest work. Expert in the arena of mood and temperament, Jamison (An Unquiet Mind; Night Falls Fast; Touched with Fire) detours from her usual analysis of mood disorders in favor of the livelier side of personality. She examines the contagious nature of exuberance, which she defines as "a psychological state characterized by high mood and high energy," offering diverse examples that range from John Muir and FDR to Mary Poppins and Peter Pan. Having in mind the simply put idea that "those who are exuberant act," the author details the energetic efforts of scientists, naturalists, politicians and even her meteorologist father. The dual nature of humanity is a common theme, as Jamison distinguishes between introversion and extroversion, nature and nurture, and healthy emotion and pathology. Such analysis is at times thorough to the point of redundancy, and even the most interested reader may find parts of the book exhausting to navigate. But Jamison makes up for it with her contagious enthusiasm for the subject—a mood that will make readers feel, well, exuberant. Perhaps Snoopy explains it best when, as exemplified in a comic strip here, he leaps for joy, waxing philosophically: "To those of us with real understanding, dancing is the only pure art form.... To live is to dance, to dance is to live."
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Scientific American
"Exuberance," Jamison says, "is an abounding, ebullient, effervescent emotion." She celebrates a galaxy of exuberant figures. Theodore Roosevelt was "incapable of being indifferent." Wilson Bentley, a New England farmer who made himself a respected expert on the crystal structure of snowflakes, "was as exuberant in pursuit of them as they were in their numbers." The eminent physicist Richard Feynman "was an exuberant teacher in every way." Jamison also celebrates exuberant characters in literature, including Tigger, Toad and Snoopy. Professor of psychiatry at the Johns Hopkins University School of Medicine, she is concerned that exuberance "has not been a mainstay of psychological research" but sees signs that it is receiving more scholarly attention. She has produced an exuberant book.

Editors of Scientific American

From Bookmarks Magazine
In three controversial if well-received books, Jamison previously examined manic depression, bipolar personality disorder, suicide, and their relation to creativity. Exuberance, which explores the biological and evolutionary roots of happiness, switches gears. Jamison approaches her subject by offering up diverse case studies, from animals to the accomplishments of writers, politicians, and scientists. While entertaining and informative (few scientists study happiness), her unflagging exuberance and addiction to example after example get tiresome. She often attributes every happy feeling under the sun, from love to ambition, to exuberance. Until it "gets more scrutiny from science," concludes the Baltimore Sun, "this champagne of emotions will remain hard to define." And yet, you know it when you feel it.

Copyright © 2004 Phillips & Nelson Media, Inc.

Most helpful customer reviews

46 of 48 people found the following review helpful.
Exuberance - The Result of Reading this Book
By Jamie
I was surprised to see this book doesn't have 5 stars. I have read most of Kay Jamison's books (I still have _Touched with Fire_ and her textbook on the illness to go) and have found her to be eloquent and sensitive in describing a ravaging illness, and the tragedies that accompany it.

As a sufferer of Bipolar II rapid cycling, I've found myself holding on to one emotion or the other--fostering a depression to avoid going into an exhausting mania, fostering manic excitement to avoid despair and flatness.

Kay Jamison neatly avoids either pitfall, and describes positive psychology in a way that has never been done before, certainly never so beautifully. Her quotes are illuminating and have lead me to many authors and poets I would never otherwise have discovered.

In a time when many blame criminal acts on their bipolar disorder, it is refreshing and, also, strangely sad, to find this creation I do not believe could have been written without having spiraled into those addictive, destructive highs where the world is perilously beautiful.

Most of the books available relating to the illness that are not textbooks are "survival guides," cookie cutter books with the same information you can find anywhere on the Internet.

_Exuberance: The Passion for Life_ is an experience you will not find anywhere else; I hope it for you, as it was for me, an experience that will deepen your appreciation for life and human achievement.

130 of 149 people found the following review helpful.
The Tragedy of Exuberance.
By New Age of Barbarism
_Exuberance: The Passion for Life_ by psychiatrist Kay Redfield Jamison is a fairly interesting account of individuals who have exhibited a distinctive zest for living as revealed in their activities and work. Those who are prone to excessive enthusiasm, gregariousness, and creative insight are discussed by the author, who attempts to show what it is that uniquely determines this trait. While much of the writing in this book is beautiful, it must be pointed out that exuberance is not without its pitfalls. At times enthusiasm may overcome reason leading to unusual, eccentric, or even dangerous behavior, perhaps best illustrated in literature by the case of Toad from the book _The Wind in the Willows_ by Kenneth Grahame. And, often behind the personalities of exuberant individuals there lurks a darker side of irritability, depression, and despondency. Cases of collective exuberance include stock market booms and the battle lust exhibited by some soldiers during combat. However, as anyone quickly realizes both of these have their downside and can be highly destructive. In addition, exuberance often makes it difficult to interact with others. As the author explains, exuberance tends to be a trait that an individual either has or they don't. Those who lack this trait may become jealous of or annoyed with those who possess it in abundance. In the life of great scientists, the case of the physicist Richard Feynman provides an illustration of this. While he exhibited great exuberance in his teaching style, he often left students who could not keep up or who possessed a more placid personality completely alienated. Feynman himself seems to have understood this at times, and the author quotes one of his remarks to the effect that perhaps his style served only the purpose of amusing himself.

This book for me in many ways was a great temptation.

For many years I felt like much of what is described in this book. I was intensely enthuasiastic, curious, fascinated by detail, completely immersed in thoughts and ideas, and at times experiencing an almost mystical sort of communion with the world and nature. Then one day something happened. I began to realize that not everyone had these feelings and this zest for life, and that what was worse is that many resented me because I did. Things started to bother me more, I began to feel profoundly alienated, and feelings of distress and anxiety welled up inside of me. Little by little I was exhausting myself. As it turned out I became severely depressed, and it took a long while before I felt close to normal again.

I still sometimes have these feelings again, but I have learned now to keep them to myself. And this is the tragedy of exuberance. For every up side there is a down side.

The author Kay Jamison is perhaps best known for her research on and theories of manic depression. She herself is a sufferer from a rather severe form of this illness. And in this book, she attempts to link the more extreme forms of exuberance to mania. Exuberance may be seen on a continuum, in its milder forms it may involve an excess of enthusiasm, gregariousness, creativity, and perhaps even religious and mystical feelings. However, in excess exuberance may overcome reason and commonsense. It is in the form of hypomania and mania where excesses of exuberance prove most severe. And often lurking behind this great excess of feeling lies irritability, paranoia, and eventually depression. Perhaps most interesting in this regard is Jamison's discussion of the writer Robert Louis Stevenson, himself plagued by wild changes in mood, who wrote on the dual nature of man, perhaps most famously in his account of Dr. Jekyll and Mr. Hyde. In this story, Stevenson revealed the conflict within man between his better nature and his shadow, darker self. This conflict may be observed in those individuals who exhibit exuberance at its most extreme. My one fault with Jamison's analysis is that she seems to restrict exuberance to extraverted individuals, and this restriction to me seems unwarranted. While extraverts may seem the natural sort to experience feelings of exuberance, I certainly believe that it is possible to have an introverted sort of exuberance (one allied perhaps with mysticism or scientific creativity and discovery). In addition, while the author mostly focuses on scientists and a few "eccentrics" and observers of nature, many scientists look down upon those who are exuberant, finding them lacking in the proper degree of objectivity, skepticism, and rigor necessary for the scientific endeavor. Indeed, an entire movement exists in the sciences that seeks to move away from any sort of cosmic, pantheistic, or mystical feelings of awe associated with nature towards a more brute materialism. Within the field of religion a similar thing exists, with many religious looking down on mystics.

Finally, I must add that my major problem with this book as with all Kay Jamison's books is her tendency to romanticize suffering and mental illness. She seems to associate certain personality traits with high social status, something I find particularly noxious. What is worse, she seems to associate mental illness, particularly manic depression, with high social status, creativity, and genius. Not only does this re-inforce stereotypes, but also it entirely overlooks the fact of the many individuals who suffer from this illness in silence and alone, never to achieve any social status whatsoever. Jamison never really seems to face fully on the darker more destructive side of things. And this leaves her almost oblivious to the social issues raised by mental illness. As with all her books, this one is really written for the high IQ, highly socially connected manic; however, Jamison never really seems to consider the fact that there are many who suffer in silence who are not so blessed.

236 of 253 people found the following review helpful.
Exuberance for the living
By John Harrison
This is a brilliant woman who has written another brilliant book. If you have come to the conclusion that I like this book you are right.

First, even the idea to study exuberance took courage. The author has previously written about her own fierce battles with manic depression. She is a serious scientist that risked her reputation to expose that side of herself before and now she has written a book that explores emotions perilously close to the up side of her illness. Admitting that she admires the emotion, given her prior disclosure of manic depression, is fraught with special risk for Dr. Jamison. While the positive emotions are understudied, this provides an admitted manic depressive with little cover. Many a depressive has gone off of their medication because of the claimed attractiveness of the manic state.

Dr, Jamison neatly traverses this difficult terrain by keeping her attention focused on others. Early in the book she concentrates her energy on President Theodore Roosevelt. Exuberance is probably the word most used to describe his personality, but still she probes deeper and uncovers insights that have eluded even gifted biographers of this fascinating man. If you are interested in what made TR tick you should read this book.

If you have read Dr. Jamison before you expect such penetrating insights, but even though I have read all of her general works I was unprepared for the beauty of expression, both hers and of many quotations both shrewd and charming that adorn the text and advance her thought.

One of each: "Joy lacks the gravitas that suffering so effortlessly commands." Jamison at 5; "The Greeks understood the mysterious power of the hidden side of things. They bequeathed to us one of the most beautiful words in our language - the word `enthusiasm' - en theos - a god within. The grandeur of human actions is measured by the inspiration from which they spring. Happy is he who hears a god within, and who obeys it." Louis Pasteur, same page. It is rare indeed to be reading a serious work and find yourself saying, "Wow."

I will close this review of a serious work that has offered me insights into a favorite historical figure as well as my children by another quote only slightly changed: (Kay Jamison Jamison's book on exuberance recounts) "a magnificent obsession, plumb-line true and enduring." at 39. When you finish reading this wonderful book you will wonder as I did how it could have been researched and written as her beloved husband lay dying. Only a woman who realized to her core that life is a savage beauty could bear such witness to joy in the midst of such pain. Read this book.

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Saturday, January 2, 2016

~ Free PDF Double Fold: Libraries and the Assault on Paper, by Nicholson Baker

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Double Fold: Libraries and the Assault on Paper, by Nicholson Baker

Since the 1950s, our country’s greatest libraries have, as a matter of common practice, dismantled their collections of original bound newspapers and so-called brittle books, replacing them with microfilmed copies. The marketing of the brittle-paper crisis and the real motives behind it are the subject of this passionately argued book, in which Nicholson Barker pleads the case for saving our recorded heritage in its original form while telling the story of how and why our greatest research libraries betrayed the public trust by auctioning off or pulping irreplaceable collections. The players include the Library of Congress, the CIA, NASA, microfilm lobbyists, newspaper dealers, and a colorful array of librarians and digital futurists, as well as Baker himself — who eventually discovers that the only way to save one important newspaper is to buy it. Double Fold is an intense, brilliantly worded narrative that is sure to provoke discussion and controversy.

  • Sales Rank: #1247779 in Books
  • Published on: 2001-04-10
  • Released on: 2001-04-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.61" h x 1.19" w x 5.79" l,
  • Binding: Hardcover
  • 384 pages

From Publishers Weekly
All writers of course love the printed word, but few are those willing to start foundations in order to preserve it. Not only has noted novelist Baker (The Mezzanine; Vox; etc.) done so, he's also written a startling expos‚ of an ugly conspiracy perpetuated by the very people entrusted to preserve our history librarians. Baker started the American Newspaper Repository in 1999, when he discovered that the only existing copies of several major U.S. newspapers were going to be auctioned off by the British Library. Not only were U.S. libraries not interested, it turned out that they'd tossed their own copies years before. Why? Baker uncovered an Orwellian universe in our midst in which preservation equals destruction, and millions of tax dollars have funded and continue to fund the destruction of irreplaceable books, newspapers and other print media. The instruments of that destruction microfilm, microfiche, image readers and toxic chemicals are less to blame than the cadre of former CIA and military operatives at the Library of Congress in the 1950s who refused to acknowledge that those technologies were, in fact, inferior to preserving and storing the originals. They were more concerned with ways to (in the words of one) "extract profit and usefulness from" old books while at the same time "prevent [them] from clogging the channels of the present." Baker details these events in one horrifying chapter after another, and he doesn't mince words. One can only gasp in outraged disbelief as he describes the men and women who, while supposedly serving as responsible custodians of our history, have chosen instead to decimate it. (on-sale Apr. 10) Forecast: The genesis of this book, an article in the New Yorker, generated quite a fuss, and this book is bound to receive attention in the print media. The subject and the passion with which the case is made guarantee healthy sales.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
Pulling no punches, novelist Baker (Vox) is a romantic, passionate troublemaker who questions the smug assumptions of library professionals and weeps at the potential loss of an extensive, pristine run of Joseph Pulitzer's New York World. For him, the wholesale destruction of books and newspapers to the twin gods of microfilming and digitization is an issue of administrators seeking storage space not of preserving a heritage. He contends that the alarmist slogans "brittle books" and "slow fires" are intended to obscure the reality and the destruction. Throughout his book, Baker hammers away at the Orwellian notion that we must destroy books and newspapers in order, supposedly, to save them. Particularly singled out for opprobrium are University Microfilms Inc. and the Library of Congress. This extremely well-written book is not a paranoid rant. Just this past October, Werner Gundersheimer, director of the Folger Shakespeare Library, said at LC's "Preserve and Protect" symposium that, amid all the smoke and fury, Baker was essentially pleading for "a last copy effort of some kind." Double Fold is the narrative of a heroic struggle: Picture Baker as "Offisa Pup" defending "Krazy Kat," of the printed word, against the villainous "Ignatz Mouse" of the library establishment all in glorious, vivid color on brittle (but unbowed) newsprint. Highly recommended for all libraries.
- Barry Chad, Carnegie Lib. of Pittsburgh
Copyright 2001 Reed Business Information, Inc.

From The New Yorker
An ardent call for America's libraries to preserve their newspaper collections. Baker is particularly effective in conveying the beauty of long-defunct illustrated and local papers—all in danger of being destroyed.
Copyright © 2005 The New Yorker

Most helpful customer reviews

2 of 2 people found the following review helpful.
Cranky and Hyperbolic, but thought-provoking
By frumiousb
As a consultant working for a software company who performs the kind of digital archiving service described (attacked?) in this book, I was probably reading this with a slightly jaundiced eye. I think Baker glosses over some very real issues of how these resources are used and probably underestimates the real cost of physical versus digital/microfilm archiving, but I'm also not sure that these issues make up the real point of the book.
I found it a *very* illuminating read and it made some really excellent points about how useful it is to carry projects without a clear sense of goal and direction. I thought his concerns about the privatisation of historical archive are very valid. I couldn't help but share his concerns about destruction in order to preserve. Moreover, the book is remarkably readable and occasionally very entertaining (the virgin mummy section, for example).
I'll be giving this one away as a Christmas gift to more than a few poeple on my gift list.

13 of 17 people found the following review helpful.
Baker hits the nail on the head
By Allan Holtz
As a longtime newspaper researcher, I was already well aware of the problems of converting library materials to microfilm, but this book lays out the whole story in horrifying detail. If you care about history, the value of a complete and unadulterated historical record, or even just the intrinsic value of the materials being destroyed, this book will make you very angry. We trusted our country's record of history to the libraries and they casually threw most of it into the nearest convenient trashcan.
Baker's indictment reveals the extent of the loss, the foolish assumptions that led to it, and the military (!) bureaucrats who led the campaign. It is a terribly sad story but one that must be told and learned from if we are to avoid further losses. If you know a librarian, buy them a copy of the book, too (I can't imagine many libraries will put this book on the shelves!).
My only quibble with the book, and it's a small one, is that Baker has missed two important points:
1 - the microfilm companies are holding our nation's history hostage; by charging hundreds of thousands of dollars for a run of one newspaper on microfilm they are effectively keeping it out of the hands of libraries and, thus, researchers. If one of the reasons for the mass switch to microfilm was to cut costs, why didn't the libraries dictate terms to the microfilm companies when they started cutting up those precious bound volumes? Many libraries can't even afford to stock the microfilm of their hometown papers!
2 - because microfilm is so expensive, the stated problem of accessibility was not solved. One reason to photograph everything was so that researchers could have improved access to materials. In fact, the opposite has happened. Few libraries own microfilm, and those that do are unwilling to do inter-library loans. Thus, the researcher has to travel to the libraries to do their research or hire local researchers (a cottage industry these days).
No matter - Baker's passionate indictment hits plenty of high points; more than enough to convert most anyone (except perhaps the librarians who were duped for so long that they can't conceive of changing their positions).
I also salute Nicholson Baker for putting his money where his mouth is. His purchase of a good portion of the British Library's American newspaper archives (yes, even in 2000 the libraries are still gleefully disposing of paper) is excellent news. I only wish I'd known about the sale at the time - I would have gladly participated. However, the libraries know darn well that their actions are a public relations nightmare, so they keep these mass disposals very quiet.
Buy this book! Loan it to friends! Get the word out!

6 of 10 people found the following review helpful.
Double Fold exposes the weakest link
By A. Henderson
Enabled by taxpayer funds and foundation grants, the space-saving technocracy provides plenty of material for Baker in this book. Some library managers advance themselves by justifying miserly budgets with myths and misrepresentations rather than by defending the interests of readers. They have made shills and patsies of the well-intentioned majority of librarians, faculty, and policy makers. In higher education, to use pop jargon, they are the "weakest link." They deserve to be sent away.
Some readers have been upset that Baker is critical of the library community. They should be upset. However, the criticism is clearly directed at certain programs that have been used to justify the decimation of collections. If these readers looked beyond DOUBLE FOLD (for instance the 30-year decline in the development of collections or the impossible red-tape of "access not ownership"), I believe they would find much more to be upset about.
Albert Henderson

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Thursday, December 31, 2015

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The Barrios Family Cookbook, by Diana Barrios Trevino

  • Published on: 2003-05
  • Original language: English
  • Binding: Hardcover

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