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Hold Everything Dear: Dispatches on Survival and Resistance, by John Berger
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John Berger occupies a unique position in the international cultural landscape: artist, filmmaker, poet, philosopher, novelist, essayist, he is also a deeply thoughtful political activist. In Hold Everything Dear, he artistry and activism mesh in an attempt to make sense of the world as we have come to know it during the past six years.
Berger analyzes the nature of terrorism and the profound despair that gives rise to it. He writes about the homelessness of millions across the globe who have been forced by poverty and war into lives as refugees. He discusses Afghanistan, Iraq, Palestine, Serbia, Bosnia, China, Indonesia--anyplace the power of corporations, the military, or paramilitary elements is being exercised, depriving ordinary citizens of autonomy or livelihoods or the most basic of freedoms.
Singularly lucid and bold, Hold Everything Dear fully acknowledges the depth of suffering occurring around the world and suggests ideas and action that might finally help bring it to an end. From one of the most widely admired, articulate, and impassioned writers of our time, this is a powerful collections of essays that holds a starkly reflective mirror up to post-9/11 realities.
- Sales Rank: #1279178 in Books
- Published on: 2007-09-11
- Released on: 2007-09-11
- Original language: English
- Number of items: 1
- Dimensions: 7.97" h x .83" w x 5.28" l,
- Binding: Hardcover
- 160 pages
From Booklist
Berger's concentrated essays deal with the essentials: how we sustain ourselves, who has power, and how we are altering nature. For Berger, a Booker Prize winner, painter, philosopher, critic, and activist, the act of seeing––that is, looking at the world intently and inquisitively––is a form of empathy. He practices this art with particular intent in these provocative, gracefully composed post-9/11 dispatches. Especially attuned to the paradoxes of terrorism and the unremitting, bloody complexities of the Middle East, Berger attempts to fathom the mind of a suicide martyr and express the despair of Palestinians. Seeking revelation in art, he turns to the poet Nazim Hikmet, the painter Francis Bacon, and the composer Antonín Dvorák.Berger suspects that the world has "always been pitiless." But after reflecting on our obsession with profit and our proclivity for war, he concludes, "Today's pitilessness is perhaps more unremitting, pervasive and continuous. It spares neither the planet itself, nor anyone living on it anywhere." Compassionate and tender in his vision of our endangered world, Berger has seen much and felt more. Seaman, Donna
Review
"John Berger writes about what is important, not just interesting. In contemporary English letters he seems to me peerless; not since D. H. Lawrence has there been a writer who offers such attentiveness to the sensual world with responsiveness to the imperatives of conscience."
--Susan Sontag
About the Author
John Berger is the author of many works of fiction and nonfiction, including The Shape of a Pocket, Here Is Where We Meet, the Into Their Labours trilogy, About Looking, Ways of Seeing, and G., for which he won the Booker Prize. He lives in a small rural community in France.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Glad to meet Joe Dillard and Scott Pratt
By P Clay Carter
This was the first Joe Dillard book I read and I will read others. I found the character well-developed and believable. His internal struggles with his own limitations and the varying degrees of imperfections in other people and the legal system were clearly defined. I ended up liking and respecting Joe. The plot movement was easy to follow without being predictable. The story caused me to think about the people and their character even after I finished the book. A very good experience.
16 of 16 people found the following review helpful.
Embrace Berger Too
By R. J MOSS
One of the wisest voices of our time, John Berger, has pieced together 17 thoughts or, 'dispatches'(with its military connotations) about the post 9/11 environment which we now, all share. For most of his long life, Berger has sided with the powerless and dispossessed, even taking the step of quitting a high profile career in London, where he seemed to be at the cutting edge of art criticism with his ground-breaking,'Ways of Seeing' made for BBC T.V and never out of print in book form.He relocated in a peasant village in rural France, to immerse himself in what would form the subject of some of his most compelling writing.There has been no diminishing of power in his thought or eloquence as he gains his senior years. The Palestine issue, in particular, gets coverage. And he returne to the pitiless paintings of Francis Bacon for what I suspect will be his final published view of him. And there is a re-contexturalising of the great Piero Pasolini; Berger having just watched his 'La Rabbia'(how and where can I ever get to see this?). I guess, I wish the collection had more in it. But what is there is potent, direct and as usual, poetic. Which leads me to its title; not one of John's pieces, but the publication in its opening pages of a very beautiful poem by one, Gareth Evans. Have a squizz! For more on art visit>rodmoss.com
5 of 5 people found the following review helpful.
good but enigmatic
By Georgia
I love reading John Berger. He is an original thinker.
I don't always agree with his point of view but I love to read it.
This book was very moving at times but also very enigmatic. I think
that Mr. Berger is such a sensitive man that art criticism offers a safer space,
than political discourse,to provide a more succinct point of view.
I felt when reading his book the human tragedy that is going on
now in the middle east is so hard to believe even when one is a witness to it.
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