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From a Turkish writer who has been compared with Borges, Nabokov, and DeLillo comes a dazzling novel that is at once a captivating work of historical fiction and a sinuous treatise on the enigma of identity and the relations between East and West. In the 17th century, a young Italian scholar sailing from Venice to Naples is taken prisoner and delivered to Constantinople. There he falls into the custody of a scholar known as Hoja--"master"--a man who is his exact double. In the years that follow, the slave instructs his master in Western science and technology, from medicine to pyrotechnics. But Hoja wants to know more: why he and his captive are the persons they are and whether, given knowledge of each other's most intimate secrets, they could actually exchange identities. Set in a world of magnificent scholarship and terrifying savagery, The White Castle is a colorful and intricately patterned triumph of the imagination. Translated from the Turkish by Victoria Holbrook.
- Sales Rank: #238963 in Books
- Published on: 1998-03-31
- Released on: 1998-03-31
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .48" w x 5.15" l, .45 pounds
- Binding: Paperback
- 176 pages
From Publishers Weekly
One of Turkey's foremost novelists explores the ambivalent relationship between master and slave in this elegant, postmodernist twist on the theme of the doppelganger. During the 17th century, a young Italian is captured by the Turkish fleet and brought to Istanbul, where he becomes the slave of an erudite man who could pass for his twin. The Hoja , or master, is convinced that the Italian youth's European education is superior to his own and he becomes the young man's pupil. Once the Hoja perceives the superficiality of the young man's knowledge, however, he insists that the slave tell him more, demanding details of his double's upbringing. When this, too, becomes tiresome, the slave confesses to real and imagined sins for which he is beaten. As their relationship changes over the years, with each alternating domination, the author deftly plays the mirror-image characters against each other. To aid the Ottoman sultan in his war against the Poles, the two develop a fantastical war machine. Its disastrous failure in battle proves their undoing. The reader is left guessing at the ultimate fate of the Hoya and the slave, while at the same time admiring Pamuk's skillfully constructed paradoxes.
Copyright 1991 Reed Business Information, Inc.
From Library Journal
The third novel by the well-known Turkish writer recounts the life of a young Italian Christian taken captive at sea by the Ottoman Turks in the 17th century. Through his intelligence he is treated quite favorably as a slave and spends his days in Istanbul doing research for the Pasha and young Sultan under the sponsorship of a learned man, whom he hauntingly resembles. A slow, unmoving book that lacks substance or well-developed characters, it ironically concludes in the closing chapters with the author's comment, "I have now come to the end of my book. Perhaps discerning readers, deciding my story was actually finished long ago, have already tossed it aside."-- Paula I. Nielson, Loyola Marymount Univ. Lib., Los Angeles
Copyright 1991 Reed Business Information, Inc.
Review
[Orhan Pamuk] has earned the right to comparisons with Jorge Luis Borges and Italo Calvino, both of whom preside over this novel like beneficent angels.... a storyteller with as much gumption and narrative zip as Scheherazade. -- The New York Times Book Review, Jay Parini
Most helpful customer reviews
52 of 56 people found the following review helpful.
absolutely superb
By Robert J. Crawford
I have wanted to read something by this author for some time. He came recommended as a truly unique voice, with the additional interest of being a Turk steeped in the mores and traditions of his country and yet able to view them with some satirical distance.
SO I was very happy to discover this volume and was not disappointed. It is a first-rate historical novel set in the Ottoman Empire during the beginning of the Enlightenment in Europe. Without giving away any secrets, the plot follows a young Venetian university graduate who is enslaved and given to a Turkish savant, who wishes to learn from him as much as he can. From the most horrible humiliations and labor, the young Venetian rises to the top of Ottoman society, all the time battling to maintain an identity independent from his owner.
The historical details are fascinating and often very funny. The reader witnesses the limits of proto-science in a more of less Medieval Islamic culture, which is viewed as half magic but also as full of potential power. Then there is the Ottoman court, in which the slave and his owner become key players through guile and some scientific accomplishments, in particular during the plague. The intrigues are full of tension and mystery, a world glimpsed but not wholly explained in a perfect balance of novelistic art.
Finally, there is the inter-play between slave and owner, a conflict that is brutal and terrifying and yet a rare treat for the reader. The psychology of this conflict, I found, is extremely profound and realistic, showing the effect that each had on the other as the years passed. It is also full of surprises.
Highest recommendation.
32 of 34 people found the following review helpful.
Quo vadis, Turkey?
By H. Schneider
I read this little novel because of the author's recent Nobel award. I had wanted to read Pamuk for some time. I had expected something different, more "realistic". One reviewer calls this book a historical novel. That's what I expected, but that is not what it really is.
White Castle rather is an elegant and fairly short parable on the Turkish mindset, torn between national and religious greatness on one side and longing for European modernity and belonging to it on the other. The book is technically reminiscent of Calvino and even some Kafka stories.
OP uses several themes to develop his tale:
This is a doppelgaenger story.
This is a story on the master/slave or servant relation and its dynamics over time.
This is superficially about the conflicts between Turkey and European rivals for power like Venice.
All this is fine and nothing to complain about. But I must admit that the book left me bored after about half way. Maybe the reviewer, who said here that one must be Turkish to appreciate the subtleties of the character's conflicts, was right after all. Or maybe the method is just dried up, overutilized?
I don't know. I will try another Pamuk book for sure.
1 of 3 people found the following review helpful.
Engaging and thoughtful work on the nature of identity
By A Customer
This is an engrossing story of an outsider stranded in another culture who learns about himself, others and perhaps the nature of identity itself. I couldn't put it down.
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