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"I am a symmetrical man, almost to a fault," Frank Sinatra once said. It is a peculiar statement, because Sinatra is precisely asymmetrical. How to reconcile the enchanting crooner and the explosive bully? What to make of the smooth tones of his voice and the rough edges of his persona? To find the true correspondence between the public and the private Sinatra, the artist and the man, is no easy task. John Lahr, drama critic for The New Yorker and one of the finest writers on the performing arts working today, has done just this in Sinatra: The Artist and the Man
Lahr traces the trajectory of the "solitary latchkey kid" from Hoboken, New Jersey, into the stratosphere of fame. Sinatra kept company with presidents and mobsters; he kept up the front of a happy family life for as long as he could and then took up with the most desired women in the world--Ava Gardner, Lauren Bacall, Anita Ekberg, Marilyn Monroe, and many, many more. He led a life of manic gregariousness, yet spoke to the romance and loneliness of the "wee small hours of the morning." He desperately needed to exist within the gaze of the audience but at the same time would express aloofness toward his fans, saying he was happiest "when I'm onstage all by myself with an orchestra and nobody to bug me."
Sinatra: The Artist and the Man also examines the miracle of Sinatra's return--much of what is marvelous about Sinatra today is that we know who he is at all, so far did he fall in the late forties. Sinatra came back with a vengeance as Angelo Maggio in From Here to Eternity, a heartfelt and brilliantly comic performance that won him an Academy Award. At the same time, he reclaimed control of the recording studio and, with the help of an ingenious arranger named Nelson Riddle, perfected the swinging sound of his mature years. Sinatra then proceeded to build a media empire that has been the standard by which all other stars have measured their success. The artist and the man: Sinatra epitomized control and he raged uncontrollably, destroying friendships, love affairs, and a plate-glass window or two; he won fans around the world across three generations, created an unparalleled body of recorded work, and almost single-handedly invented the postwar American swagger and "the image," Lahr writes, "of perfect individualism."
Sinatra's life and art happen to be extremely well documented in photographs--from Weegee's hilarious pictures of bobby-soxer hysteria at New York's Paramount Theatre to William Read Woodfield's definitive and rare "Chairman of the Board" images. Sinatra: The Artist and the Man collects one hundred of the best photographs ever taken of Sinatra (some never before published)--representing his film work, the special intensity of his recording sessions, and the many swinging nights of this complex and fascinating man.
- Sales Rank: #1408775 in Books
- Published on: 1997-12-08
- Released on: 1997-12-08
- Format: Abridged
- Original language: English
- Number of items: 1
- Dimensions: 10.50" h x 9.25" w x 1.00" l,
- Binding: Hardcover
- 156 pages
From Booklist
Lahr, son of Bert "Cowardly Lion" Lahr, is a fine writer, and this Sinatra is being touted deservedly.
From the Inside Flap
"I am a symmetrical man, almost to a fault," Frank Sinatra once said. It is a peculiar statement, because Sinatra is precisely asymmetrical. How to reconcile the enchanting crooner and the explosive bully? What to make of the smooth tones of his voice and the rough edges of his persona? To find the true correspondence between the public and the private Sinatra, the artist and the man, is no easy task. John Lahr, drama critic for The New Yorker and one of the finest writers on the performing arts working today, has done just this in Sinatra: The Artist and the Man
Lahr traces the trajectory of the "solitary latchkey kid" from Hoboken, New Jersey, into the stratosphere of fame. Sinatra kept company with presidents and mobsters; he kept up the front of a happy family life for as long as he could and then took up with the most desired women in the world--Ava Gardner, Lauren Bacall, Anita Ekberg, Marilyn Monroe, and many, many more. He led a life of manic gregariousness, yet spoke to the romance and loneliness of the "wee small hours of the morning." He desperately needed to exist within the gaze of the audience but at the same time would express aloofness toward his fans, saying he was happiest "when I'm onstage all by myself with an orchestra and nobody to bug me."
Sinatra: The Artist and the Man also examines the miracle of Sinatra's return--much of what is marvelous about Sinatra today is that we know who he is at all, so far did he fall in the late forties. Sinatra came back with a vengeance as Angelo Maggio in From Here to Eternity, a heartfelt and brilliantly comic performance that won him an Academy Award. At the same time, he reclaimed control of the recording studio and, with the help of an ingenious arranger named Nelson Riddle, perfected the swinging sound of his mature years. Sinatra then proceeded to build a media empire that has been the standard by which all other stars have measured their success. The artist and the man: Sinatra epitomized control and he raged uncontrollably, destroying friendships, love affairs, and a plate-glass window or two; he won fans around the world across three generations, created an unparalleled body of recorded work, and almost single-handedly invented the postwar American swagger and "the image," Lahr writes, "of perfect individualism."
Sinatra's life and art happen to be extremely well documented in photographs--from Weegee's hilarious pictures of bobby-soxer hysteria at New York's Paramount Theatre to William Read Woodfield's definitive and rare "Chairman of the Board" images. Sinatra: The Artist and the Man collects one hundred of the best photographs ever taken of Sinatra (some never before published)--representing his film work, the special intensity of his recording sessions, and the many swinging nights of this complex and fascinating man.
From the Back Cover
"In time, Sinatra seized more than power; he infiltrated the Western world's dream life." --John Lahr
Most helpful customer reviews
6 of 6 people found the following review helpful.
Superbly illustrated profile of Sinatra
By A Customer
Of the plethora of books on Frank Sinatra that have been fighting for space on the shelves since his death, this is the best.
A wonderful essay by John Lahr chronicles his life, from the tough streets of Hoboken to a room in Beverly Hills shortly before his 80th birthday. A now well chronicled life, but captured by Mr Lahr in all its complexity and contradiction.
At the heart of this life was his great gift - singing. At the very end, in the Beverly Hills room, surrounded by Bruce Springsteen, Bob Dylan (what were they doing there?) Steve Lawrence and others, he insisted on singing the solo. It was his right then, as it had been his right throughout his life. And he was undeniable.
A beautifully designed and produced book, it is adorned with a perfect selection of photographs to complement the essay. Look at the faces on page 102, completely transfixed by "The Voice" and see what James Agee called "an erotic dream".
A must have for Sinatra fans, and anyone fascinated by popular culture.
11 of 11 people found the following review helpful.
Best photographic Sinatra book, ever.
By Jon Warshawsky
This is the best-looking coffee table book on Sinatra, with most of the first half based on an excellent essay by John Lahr. For a thorough look at the music, you want Will Friedwald's book, but this one is a classic photo tour of Sinatra's career from Hoboken to the world. I could spend a 1000 words on the pictures, but you can travel back to the 1950s with this one. The large format photos bring home the personality of the subjects, who include Nat Cole, Ava Gardner, Dean Martin, Count Basie and other music icons of the last century. Very enjoyable evening read, also.
0 of 0 people found the following review helpful.
I am Speechless, A Man of True Genius and Class
By Marcela Deleon
I love this book, the more I learn about Mr. Sinatra the more I fall in love with him...He was the epitome of class and of someone who lived life "his way". He set the bar high for other performing actors/singers and I think no other can match his genious aside from Lucianno Pavarotti....Excellent read!!
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