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The best financial planner Michelle Singletary ever knew was Big Mama, her grandmother. Big Mama raised Michelle and her four brothers and sisters on a salary that never reached more than $13,000 a year. Yet at her death, Big Mama owned her own home, had paid off a car loan, and had a beautiful collection of Sunday-go-to-meeting church hats and a savings account that supplemented her Social Security check and small pension. Most important, she had taught Michelle “7 Money Mantras for a Richer Life.” Those mantras serve as the inspiration for this straight-talking book of practical personal financial advice that really works.

The 7 Money Mantras are:

1. If it’s on your ass, it’s not an asset!
2. Is this a need or is it a want?
3. Sweat the small stuff.
4. Cash is better than credit.
5. Keep it simple.
6. Priorities lead to prosperity.
7. Enough is enough.

Michelle Singletary is a syndicated columnist for The Washington Post whose popular personal finance column appears in more than 120 newspapers. She’s also a mother of three children who understands what it’s like to live on a budget. In a plainspoken, sassy, no-nonsense voice, Michelle provides answers to the financial issues that confront almost every household: how to teach children the value of money; how to address money issues in a relationship or marriage; household saving tips; getting the best loans; and much more.
“This book is about saving enough money to have choices,” she writes. “It’s about feeling free to be cheap if you can’t afford to buy a ton of gifts at Christmas. It’s about eliminating wasteful spend-ing so you can begin to save and invest. It’s full of uncommon commonsense lessons and guidance on the way people should use their money.”
With humor and down-home financial wisdom, Michelle Singletary offers practical and realistic advice that will help you live well with the money you have.

Michelle Singletary on . . .

Romance and Money
“It’s okay to say: ‘Honey, I love you and everything, but if you need money, ask your mama.’”

Credit Cards
“We are minimizing our financial potential by making minimum credit-card payments.”

Car Buying
“If you want to save money, keep your car until you’re on a first-name basis with the local tow-truck drivers.”

Leasing a Car
“You, too, can drive a car you can’t afford and then have to give it back. It’s crazy.”

Gift Giving
“Generosity isn’t about how much you spend. It’s about how much thought you put into the gift.”

Penny Pinching
“I once bought a stick-shift car because it was $1,000 cheaper than the automatic in the same model. There was just one little problem. I couldn’t drive a stick-shift. But at least I saved $1,000!”

• Sales Rank: #1271985 in Books
• Published on: 2003-12-16
• Released on: 2003-12-16
• Original language: English
• Number of items: 1
• Dimensions: 9.55" h x 1.05" w x 6.35" l,
• Binding: Hardcover
• 288 pages

From Publishers Weekly
"If it's on your ass, it's not an asset"; "Sweat the small stuff"; "Priorities lead to prosperity." Singletary's no-nonsense approach to personal finance is inspired by her own experience, the advice of a thrifty grandmother and the knowledge of financial experts, which she encapsulates into mantras she says readers ought to tape to the dashboard "of that luxury car you can't afford." Doing without and saving are the keys to prosperity, she says, not fancy financing or investments. Such advice isn't unique (nearly every personal finance guide boils down to the same basic principles), but her spirited voice is. Raised by her grandmother, Big Mama, who brought up 5 grandchildren on $13,000 a year and still managed to save enough for a comfortable retirement, Singletary draws on homely examples of frugality to illustrate her points. She also speaks to financial issues she says are particularly relevant to other African-Americans, such as the need to support extended family members (one study found that 27% of black households supported friends and family under other roofs) and the risks of foregoing health insurance. Refreshingly, Singletary eschews wealth-building formulas that rely on consistent 10% returns over 30 years and instead concentrates on ways to sock money away. This is probably a more realistic approach to retirement for most Americans, particularly given the recently revealed riskiness of 401(k) and pension plans. Singletary's emphasis on simplicity and common sense make this an excellent primer for the novice financial planner.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From the Inside Flap
The best financial planner Michelle Singletary ever knew was Big Mama, her grandmother. Big Mama raised Michelle and her four brothers and sisters on a salary that never reached more than $13,000 a year. Yet at her death, Big Mama owned her own home, had paid off a car loan, and had a beautiful collection of Sunday-go-to-meeting church hats and a savings account that supplemented her Social Security check and small pension. Most important, she had taught Michelle ?7 Money Mantras for a Richer Life.? Those mantras serve as the inspiration for this straight-talking book of practical personal financial advice that really works.

The 7 Money Mantras are:

1. If it?s on your ass, it?s not an asset!
2. Is this a need or is it a want?
3. Sweat the small stuff.
4. Cash is better than credit.
5. Keep it simple.
6. Priorities lead to prosperity.
7. Enough is enough.

Michelle Singletary is a syndicated columnist for The Washington Post whose popular personal finance column appears in more than 120 newspapers. She?s also a mother of three children who understands what it?s like to live on a budget. In a plainspoken, sassy, no-nonsense voice, Michelle provides answers to the financial issues that confront almost every household: how to teach children the value of money; how to address money issues in a relationship or marriage; household saving tips; getting the best loans; and much more.
?This book is about saving enough money to have choices,? she writes. ?It?s about feeling free to be cheap if you can?t afford to buy a ton of gifts at Christmas. It?s about eliminating wasteful spend-ing so you can begin to save and invest. It?s full of uncommon commonsense lessons and guidance on the way people should use their money.?
With humor and down-home financial wisdom, Michelle Singletary offers practical and realistic advice that will help you live well with the money you have.

Michelle Singletary on . . .

Romance and Money
?It?s okay to say: ?Honey, I love you and everything, but if you need money, ask your mama.??

Credit Cards
?We are minimizing our financial potential by making minimum credit-card payments.?

Car Buying
?If you want to save money, keep your car until you?re on a first-name basis with the local tow-truck drivers.?

Leasing a Car
?You, too, can drive a car you can?t afford and then have to give it back. It?s crazy.?

Gift Giving
?Generosity isn?t about how much you spend. It?s about how much thought you put into the gift.?

Penny Pinching
?I once bought a stick-shift car because it was $1,000 cheaper than the automatic in the same model. There was just one little problem. I couldn?t drive a stick-shift. But at least I saved $1,000!?

About the Author
Michelle Singletary’s Washington Post column, “The Color of Money,” is syndicated in more than 120 newspapers across the country. She has appeared on MSNBC, CNBC, Nightline, The Oprah Winfrey Show, The View, and The Diane Rehm Show. She has also advised National Football League players on personal finance. Singletary is a graduate of the University of Maryland and has an M.B.A. from the Johns Hopkins University. She lives in Maryland with her husband and three children.

Most helpful customer reviews

13 of 13 people found the following review helpful.
7 Mondy Mantras for a Richer Life: How to Live Well with the Money You Have
By Kacey Morrow
This book is what I wish I had read when I was in my 20's starting out in my career. It should be required reading for college freshmen who are being bombarded with credit card offers. I'm now 51, and as I read the book, I could hear all the things my parents tried to impress upon me when I was younger. Did I listen? Not enough. Would I have listened had I read this book? Maybe so, but I could kick myself for not listening back 30 years ago.

59 of 59 people found the following review helpful.
"It's okay to be cheap!"
By Dr. Cathy Goodwin
I've considered myself a frugal spender, but Singletary puts me to shame! This book can be an eye-opener.
7 Money Mantras ("MM") offers such a unique perspective it's not a stand-alone. I recommend reading 7MM in conjunction with other books on money management, to get a well-rounded perspective. Singletary speaks to a specific target market: those who have run up credit card debts and developed unhealthy patterns that have spun their lives out of control. If her first person accounts are true (most authors exaggerate at least a little!) then she's determined to eradicate seeds of financial destruction before they take root and grow.
The best parts of 7MM are the parts dealing with family and setting limits with adult children. I never had the luxury of moving back home and have no children, but I watch neighbors and friends make huge sacrifices for kids who have no motivation to move and grow. Some of these sections are hilarious -- I laughed out loud at her response to her nephew's question, "Doesn't rent include food?"
"Well," she answers, "when you're on your own, ask your landlord when you can expect him to drop by with a bag of groceries."
Some suggestions will have to be adapted for specific lifestyles. I *love* doggie bags and enjoyed her support as I often get teased. Most restaurant meals are too big and I take half home for next day's lunch.
I choose not to have cable, which she would applaud, but I do have a DVD. As she points out, it is tempting to buy DVD's but you don't just get a better picture: the director's cut adds significantly to enjoyment, if you're a film buff.
And while she's right on the money (!) about families, she misses the mark on singles. Sure, a home-cooked meal is a welcome gift...but I would *much* rather meet someone for lunch in a restaurant. Spending an evening with a family can be stressful.
And I believe Singletary needs to add a caution for people who have good jobs. I once worked with a sales manager who lugged two shopping bags of paper towels back to the office after lunch, cheerily bragging that he'd saved five dollars. Aside from looking a little silly, he communicated that his focus was saving not earning -- not a good image for someone in his field!
For someone moving up, an investment in clothes and haircut can pay huge dividends. And sometimes you need to get what you pay for. Finding the cheapest dentist, therapist or coach can cost a bundle. It's easy to go overboard in either direction.
Similarly, Singletary misses some social significance of meals. Eating lunch with coworkers can be the best -- sometimes the only -- way to network. And while a letter or email can be cheaper than a call, there are all sorts of ways to get discounted phone calls nowadays. I use a calling card that costs three cents a minute.
So bottom line, this book can suggest creative ways to save, but I recommend using the text as a starting point for discussion and a new way to study your spending -- not the final word.

46 of 46 people found the following review helpful.
Breast Feeding is a Money Saving Proposition? Who Knew?
By James Sadler
I have to admit, I am often a sucker for financial advice books of the "learn to manage your money" ilk, rather than "hey, here's how to get rich and never worry about money again" variety. A few weeks ago I heard Michelle Singletary (who is also a newspaper columnist at the "Washington Post," where she writes a column-"The Color of Money") in an interview on the Diane Rehm show on NPR a couple of weeks ago, and I quickly picked up her book. She is brash and funny and she definitely is no holds barred in "7 Money Mantras for a Richer Life," and that's a good thing.
So what are the seven mantras? They are: (1) If it's on your ass, it's not an asset!; (2) Is this a need or is it a want?; (3) Sweat the small stuff; (4) Cash is better than credit; (5) Keep it simple; (6) Priorities lead to prosperity; and (7) Enough is enough. some of those are self-explanatory and some aren't, but the general gist of the advice is: pay attention to where your money is going and don't get wrapped up in material possessions.
Now this isn't necessarily new advice, but Singletary's presentation goes a long way toward making all the advice memorable and useable. Much of the advice was handed down from her grandmother, Big Mama, who is referred to throughout the book. Big Mama brought up Singletary and her four siblings in Baltimore on a salary that never reached more than $13,000 a year. Singletary notes that "Big Mama knew the difference between buying things that improve your net worth and stuff that just makes you look wealthy." Clearly, in the area of finances Big Mama was far wiser than myself and many others.
Singletary offers some of her wisdom and experiences along the way. For example, say no to lunches out during the workday. But if you do, skip appetizers and desserts. You'll cut costs and calories. And try going a month or two without a credit card. Contrary to popular belief, when it comes to money, it's the small stuff that counts. Sweat it. She notes that Big Mama would say, "You can't have a dollar without a penny." Just think about it and it will make sense to you.
Singletary also boasts that she breast-fed all three of my children because the milk was free. In fact, she breast-fed her first two children until they were two years old. Singletary literally is giddy about all the money she saved on infant formula.
In addition to her advice and that of Big Mama, she also offers 10 pages of penny-pinching tips sent to her by readers. I'm not sure I want to try some of them, but I guess if you truly watch your money it all adds up. An example from her readers: Don't order lemonade at a restaurant. Ask for a lemon, squeeze it into your water glass and add some sugar.
She also provides concise definitions of the language of credit from cash advance to grace period to various interest rates charged. She doesn't sugar coat anything either. Getting out of debt is rarely easy, so she warns "beware of those who would 'fix' your debt."
And Singletary offers some advice my wife may have wished she had been aware of. Before you marry, exchange credit reports. Singletary thinks this is a great idea. As she says, "What better way to get to know your honey than to see how he's handled his money?" Thing is, she is probably right. She goes on to discuss other ins-and-outs of managing money in a marriage, often using her experiences in her marriage as examples. For instance, she and her husband have an agreement not to spend more than $200 without discussing it with each other first.
Her take on making funeral arrangements is brutally honest but humorous. When her grandfather died, the funeral director tried to get Big Mama to buy the casket that her husband deserved. Big Mama's response: "He won't know if I'm burying him in a pine box or a bed sheet. It doesn't make good sense to bury good money in the ground."
This is a great book for those trying to cut expenses and save. The advice is sound and of use to everyone.

See all 23 customer reviews...

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> PDF Ebook Glittering Images: A Journey Through Art from Egypt to Star Wars, by Camille Paglia

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WIth full-color illustrations throughout

From the best-selling author of Sexual Personae and Break, Blow, Burn and one of our most acclaimed cultural critics, here is an enthralling journey through Western art’s defining moments, from the ancient Egyptian tomb of Queen Nefertari to George Lucas’s volcano planet duel in Revenge of the Sith.

America’s premier intellectual provocateur returns to the subject that brought her fame, the great themes of Western art. Passionately argued, brilliantly written, and filled with Paglia’s trademark audacity, Glittering Images takes us on a tour through more than two dozen seminal images, some famous and some obscure or unknown—paintings, sculptures, architectural styles, performance pieces, and digital art that have defined and transformed our visual world. She combines close analysis with background information that situates each artist and image within its historical context—from the stone idols of the Cyclades to an elegant French rococo interior to Jackson Pollock’s abstract Green Silver to Renée Cox’s daring performance piece Chillin’ with Liberty. And in a stunning conclusion, she declares that the avant-garde tradition is dead and that digital pioneer George Lucas is the world’s greatest living artist. Written with energy, erudition, and wit, Glittering Images is destined to change the way we think about our high-tech visual environment.

• Sales Rank: #318952 in Books
• Published on: 2012-10-16
• Released on: 2012-10-16
• Original language: English
• Number of items: 1
• Dimensions: 9.51" h x .80" w x 7.06" l, 2.00 pounds
• Binding: Hardcover
• 224 pages

Review

“Daring…. Beautifully written and rich in details…. A unique mixture of political candor, professional critique, gossipy details, and the author’s trademark inflammatory ideas…. Supports her assertion that the definition of art is already changed. It begs the question, ‘Has anyone else in the art world noticed?’…. Extols the value and enduring legacy of Star Wars as it stands at the forefront of a new definition—a new era—in fine art.” —iFanGirlBlog

“[Paglia is] an art-for-art's-sake worshiper of art and literature whose close readings, influenced by Walter Pater and Sigmund Freud, are pyrotechnic and passionate.... Particularly pleasing are Paglia's sketches on Donatello's still-shocking 15th century sculpture of Mary Magdalene as a starved ascetic, and on Titian's voluptuously sensual ‘Venus With a Mirror’ (c. 1555), two nearly diametrically opposed works that Paglia makes speak to each other by noting curiously androgynous elements in both figures…. The relentlessly austere Caspar David Friedrich's ‘The Sea of Ice’ (1823-24)...is juxtaposed in surprising fashion by the following image, Manet's 1879 ‘At the Cafe,’ a subtle study of ordinary Paris street life. The paintings, as well as the artists and their eras, thereby achieve a collage-like mutual illumination.”
—San Francisco Chronicle
 
“Paglia's scintillating prose, acute analysis and perceptive assessments of five millennia of art history make her tour a joy to take, to argue about and to learn from…. A perceptive and enthusiastic guide on this journey to see and experience fully works of art from ancient Egypt to today.”
—Shelf Awareness
 
“It is her prose, jargon-free, muscular, and fearlessly opinionated, that ought to grab readers of any age. Once pulled into the Grand Foyer for her tour through the centuries, the reader is in complete thrall to the masterpieces on view. Paglia opens with an essay about the murals of Nefertari's tomb in Egypt's Valley of the Queens, and right out of the gate—make that grave—her interdisciplinary command of history, archaeology, and even cinema is evident…. [Paglia has] an honesty and enthusiasm that, when wedded to a profound intellect, one can't put a price on.”
—The Barnes & Noble Review

“The book's subtitle—‘A Journey Through Art From Egypt to Star Wars’—highlights Ms. Paglia's impressive range and famously eclectic tastes. . . . Ms. Paglia chooses well, from works both celebrated and obscure. She is especially good at the difficult trick of providing context for the newcomer to art history without being tedious for a more experienced reader. She is no dreary docent. . . . She is also adept at helping readers to see the radical original impulse in now familiar art forms.”
—The Wall Street Journal

“A magisterial, poetically composed, and masterly study of 29 great works of Western art. . . . Paglia writes rhapsodically of art's power . . . [she is] one of the most erudite public intellectuals in America.”
—The Philadelphia Inquirer

“The ever-provocative Paglia returns with a survey of Western art, captured in 24 essays that move from Egyptian tombs to Titian’s Venus with a Mirror to Eleanor Antin’s conceptual art project 100 Boots. The provocative part? In the end, she proclaims that the avant-garde is dead and that George Lucas is our greatest living artist. This will get the smart folks talking.”
—Library Journal

“[A] highly reflective and imaginative history of images in Western art. . . . Paglia writes with energetic lucidity, and her entries on the Laocoön and Donatello’s Mary Magdalene are standouts in this absorbing volume. Both a valuable cultural critique and an elucidating history, Paglia’s latest would suit the general reader, as well as those looking for an alternative approach to contemporary ways of seeing.”
—Publishers Weekly
 
“Critic/provocateur Paglia applies to the visual arts the same close scrutiny she lavished on poetry in Break, Blow, Burn (2005). . . . An intelligently detailed examination of 29 works of art, ranging from a tomb painting of Egyptian Queen Nefertari to George Lucas’ film Revenge of the Sith. . . . The author cogently locates individual pieces within a cultural continuum and eloquently spotlights the artistic qualities that make them unique. . . . Paglia gives a vivid sense of the sweep and scope of art history. The author loves pop art (Warhol’s Marilyn Diptych), but sections on Eleanor Antin’s 100 Boots and Walter De Maria’s Lightning Field display a surprising fondness for conceptualism and minimalism as well. African-American artists get their due in essays on John Wesley Hardrick’s sensitive portrait, Xenia Goodloe, and Renee Cox’s witty Chillin’ with Liberty. . . . Paglia is a wonderful popularizer of art history and art appreciation.”
—Kirkus Reviews
 
“Paglia, an ardent and often controversial defender of the arts and creative freedom, argued for the value of poetry in Break, Blow, Burn (2005). She now presents an equally commanding case for reclaiming the visual arts as a necessary and nurturing cultural force in a time of alarmingly diminished support for arts education. Given our ‘screen’ habit, we are awash in a ‘sea of images,’ mostly commercial in origin, that threatens to drown our ability to focus and think critically. The best way to regain our visual acuity, Paglia believes, is to focus on paintings, sculpture, and the decorative arts within art’s rich continuum. So this interdisciplinary firebrand and die-hard populist showcases 29 outstanding works, each representative of a certain style or period, beginning with a tomb painting of Queen Nefertari and working up to Andy Warhol’s portraits of Marilyn Monroe. Paglia’s succinct, lively, and illuminating essays combine aesthetics and social considerations ad she recalibrates our perception of, say, Renaissance artist Donatello’s ‘harsh and imposing’ depiction of Mary Magdalene, or Jamaican performance artist Renee Cox’s Chillin’ with Liberty. The book’s climax is Paglia’s bound-to-be-inflammatory assertion that filmmaker George Lucas is ‘the world’s greatest artist.’ Paglia’s bold and rigorous, handsomely illustrated and welcoming art iconography will accomplish her mission to provoke, enlighten, and inspire..”
—Booklist, starred review

About the Author

Camille Paglia is University Professor of Humanities and Media Studies at the University of the Arts in Philadelphia. She is the author of Break, Blow, Burn; Sexual Personae; Sex, Art, and American Culture; and Vamps & Tramps. She has also written The Birds, a study of Alfred Hitchcock.

Excerpt. © Reprinted by permission. All rights reserved.

From Chapter 1
Resurrection
Queen Nefertari

Ghosts carved out of time. Egyptian art is a vast ruin of messages from the dead. Clean and simple in form, Egyptian painted figures float in an abstract space that is neither here nor there. The background is coolly blank. Everything is flattened into the foreground, an eternal present where serenely smiling pharaohs offer incense and spools of flax to the gods or drive their chariot wheels over fallen foes. Hieroglyphics hang in midair, clusters of sharp pictograms of a rope, reed, bun, viper, owl, human leg, or mystic eye.

Resurrection was the master value of a civilization that dreamed of conquering the terrors of death. At the heart of Egyptian religion was a corpse—the mummy of the great god Osiris, swaddled in linen strips. Osiris was murdered and dismembered by his evil brother, Set, who scattered his fourteen body parts throughout Egypt. Isis, Osiris’s sister and devoted wife, collected and reassembled them—except for the missing penis, which she fabricated in wood or clay. As Osiris’s embalmer and enhancer, therefore, Isis acted as a resourceful proto-artist, assembling materials and molding a work of mummiform sculpture that would be reproduced in Egyptian art and cult for three thousand years.

Passage to the afterlife meant a descent to the underworld. Souls hoping for rebirth invoked Osiris and literally became him. Despite its preoccupation with death, Egyptian art is rarely claustrophobic. The beyond was no spectral twilight but a lively zone of physical needs and pleasures. Warehousing stools, chairs, tables, chests, clothing, perfumes, ointments, jewelry, games, daggers, boomerangs, chariots, and jars of extracted viscera, the tomb was a distillation of real life. The urbane aristocrats promenading across the walls are wide-eyed and cheerful as they face the great unknown. Their majestically enthroned guardian gods often seem faintly comic, with the large heads of birds, beetles, or hippopotamuses, vestiges of primitive animism.

Resurrection also symbolizes our modern recovery of Egypt. For a millennium after the fall of Rome, Egypt was wrapped in a haze of occult legend. After Islam’s arrival, it became a closed world whose pagan remains were ignored and neglected. Napoleon’s 1798 invasion helped start Egyptology: a French officer’s discovery of the Rosetta Stone led to the decipherment of hieroglyphics, while the immense, multivolumed report by Napoleon’s team of surveyors and scientists set off a craze for Egyptian style that swept European architecture and decor and would even produce America’s Washington Monument. Over the next century, thanks to photography, knowledge of Egypt was gradually spread throughout the world. The ancient Egyptians have finally achieved their immortality.

From earliest times through the Middle Kingdom, the rulers of Egypt were buried in sprawling necropolises at the desert’s edge near the Delta, as the Nile fans out -toward the sea. The principal sacred districts were at Saqqara and Giza, where the Great Sphinx, hacked out of bedrock, still guards Chephren’s mammoth pyramid. After a devastating Syrian invasion, the capital of Egypt was moved four hundred miles south to Thebes. There the upstart warrior pharaohs of the New Kingdom created their own cemetery facing toward the setting sun across the Nile—the Valley of the Kings, scarcely more than a dry gulch behind the high, horned escarpment of the Libyan Plateau. Pyramids or telltale markers of any kind were prudently avoided. The coffins were buried deep in the rock and the entryways heaped with rubble. Nevertheless, most tombs in the Valley of the Kings were looted within two centuries. One that escaped detection belonged to a minor king, Tutankhamen, who died young. When his tomb was found and opened in 1922, the staggering treasures, such as his solid-gold mummy case, gave tantalizing hints of what the grave goods of a star pharaoh must have been.

Royal wives and children were buried in the nearby Valley of the Queens, where eighty tombs (called “Houses of Eternity”) have been found. The most lavish one belonged to Nefertari, first and favorite wife of the imperialistic Rameses II, who sired at least forty-five sons from eight wives and who ruled for more than sixty years during the thirteenth century B.C.. Nefertari’s unusual status was signaled by her figure being made the same size as the king’s at her shrine at Abu Simbel, where four seated colossi of Rameses were cut from a Nubian cliff on the Nile. Nefertari (her name means “the Most Beautiful of Them All”) was of noble but not royal blood. She may have been a cousin or even a younger sister of Nefertiti, charismatic queen of the rebel monotheist ruler Akhenaten. Nefertari bore Rameses’s firstborn son, who died tragically young, perhaps inspiring the story in Exodus of God’s curse upon Pharaoh. (In Cecil B. DeMille’s epic movie The Ten Commandments, Anne Baxter plays a seductive Nefretiri to Yul Brynner’s arrogant Rameses.) Nefertari had at least five more children, but the robust Rameses (whose -well--preserved mummy survives in the Cairo Museum) outlived them all. Hence his successor, Merneptah, was the son of a lesser, rival queen.

Nefertari’s tomb was discovered in 1904 by Ernesto Schiaparelli, an Italian scholar and museum director. Sunk forty feet into the bedrock, it has a twofold axis aligned to the compass points and consists of two large ceremonial chambers, annexed by side chapels and niches and connected by a staircase. All that remains of the queen’s pink granite sarcophagus is a smashed lid. The tomb’s ceilings were painted midnight blue and spangled with gold stars to represent the heavens, while the walls and square columns were adorned with religious scenes and symbols. The raw limestone surfaces were first coated with a rough plaster of Nile mud, which was sculpted in low relief. A thin layer of fine plaster was then applied, upon which the designs were painted in tempera—always mineral pigments mixed with an unknown binder, perhaps a gum from the acacia trees of Thebes. A sparkling egg glaze was used as a sealant. Nefertari’s tomb would suffer damage from an earthquake and serious deterioration from rock-salt crystals slowly deposited behind the plaster by seeping rainwater. Thanks to a major rescue project by the Getty Conservation Institute in collaboration with the Egyptian Antiquities Organization (1986–92), the tomb has been repaired, stabilized, and reopened to the public. The conservators’ meticulous cleaning and consolidation (with no new paint whatever) have revealed the murals’ still brilliant color.

The paintings are a narrative of Nefertari’s journey toward the afterlife. She is presented as a pilgrim soul seeking justification and resurrection. There are oddly few references in the tomb to her husband and none to her children or life story. Everything is focused on Nefertari’s spiritual quest. Respectful yet confident of her worthiness, she is a plucky, solitary wayfarer confronting the awesome powers and mysteries of the cosmos. Demons wait to pounce at each of five gates (out of a traditional twelve) leading to Duat, the netherworld. But Nefertari knows the sacred formulas, passes her test, and wins resurrection, proved by her being repeatedly called “the Osiris.”

Most helpful customer reviews

90 of 94 people found the following review helpful.
A nice, idiosyncratic handbook on the visual arts
By James
The first thing to be said about Camille Paglia's latest is that the hardcover edition is beautifully produced, printed on high-quality glossy pages, including vibrant full-color reproductions of the artworks she has chosen to discuss. Assuming there is a forthcoming paperback edition, there is a great chance the publisher will choose black-and-white versions - I would highly recommend going for this edition. The heavy pages fall easily open for the reader, and the book has a nice weight to it. The simple, striking cover evokes both Egypt and the desert planet of Tatooine in the Star Wars universe.

Paglia's stated aim here is to provide a kind of handbook for the educated everyday reader who is thirsty for more knowledge of the great sweep of Western art. Paglia has selected twenty-nine exemplary works for consideration, beginning in ancient Egypt and taking us right up to George Lucas's Revenge of the Sith. Paglia's great strength as a public intellectual has always been that she sees no distinction between high and low art, and this allows her to seriously consider a filmmaker like Lucas, in her view the dominant major artist of the last three decades. Her deliberate, carefully crafted prose (she spent five years on this volume) is reminiscent of the glittering words of Oscar Wilde, a lush, highly visual style. Paglia takes her pedagogical mission seriously, and her writing is designed to draw curious the reader into an ecstatic state of contemplation regarding the great works.

This book is not a definitive, all-encompassing survey of art history. Paglia has chosen a small number of works, some canonical, and some of them highly idiosyncratic selections. The Idols of the Cyclades, the Laocoon, The Book of Kells, Titian's Venus With A Mirror, Caspar David Friedrich's The Sea of Ice, Pollock's Green Silver, Antin's 100 Boots, Renee Cox's Chillin' with Liberty - these are a few examples of Paglia's range here.

If you have found yourself infuriated by Paglia in the past (I do not count myself in this group), I recommend taking a second look at her and her work. We should treasure a serious, deeply erudite intellectual who takes the time to speak to the general public. In our distracted, media-saturated times, we need her pugnaciousness, as well as her call to contemplation.

40 of 40 people found the following review helpful.
"We Must Relearn How to See"
By Gary Griffiths
"Modern life is a sea of images" begins Camille Paglia's arresting "Glittering Images: A Journey Through Art from Egypt to Star Wars," an ambitious collection of essays through the author's selection of Western art's defining moments. A daunting task indeed; capturing the majesty and impact of three millennia of art in a single thin volume is akin to conveying to a landlocked Kansas farmer the vast power and fury and expanse of the oceans in a single tea cup. Yet Paglia succeeds, contrary to the title, not so much on the strength of images themselves as in the authority and dominion of her soaring prose. Organized in a series of twenty-nine thought-provoking essays spanning human culture from the tomb paintings of Queen Nefertari ("ghosts carved out of time"), the author marches through time and styles and multiple visual medias to a surprising closing, declaring George Lucas "the greatest artist of our time:"

Paglia, always controversial, the classic fierce liberal, perhaps last of a dying breed of progressive thinkers who can separate politics from culture and ideology from anthropology. Here is a practical and principled firebrand whose views were cast in 1960's rebellion; beliefs of free speech and anti-establishment - an individualist who looks with distain at the contradictions of today's elite academic progressives who passively embrace the bloated, autocratic bureaucracies that Paglia and her peers fought so valiantly to dissolve. This background is important, for the author makes a passionate case for public funding of visual arts with a logic and pragmatism not typically associated with this community. Paglia harshly criticizes the art world's disingenuous knee-jerk defense of "third-rate" works like Andres Serrano's controversial "Piss Christ" that undid decades of progress of The National Endowment For the Arts. Likewise, she is justifiably critical of conservative/evangelical sins against culture; "provincial philistines when it comes to the visual arts." Yet, this avowed atheist earnestly defends religion, recognizing the importance of religion on civilization but also on art, and therefore the need to study the world's religions. "Sneering at religion," she observes, "is juvenile, symptomatic of a stunted imagination."

The selected works and accompanying essays represent an eclectic mix, from well known works like Warhol's pop icon "Marilyn Diptych," Jackson Pollock's frenetic "Shooting Stars" or Jacques-Louis David's macabre "The Death of Marat," to much less obvious choices: Elenor Antin's "100 Boots," Donatello's haunting "Mary Magdalene," or George Grosz's biting satire in "Life Makes You Happy." In the former category and worthy of special note is Picasso's menacing "Les Demoiselles of d'Avignon, described by some as "the most important painting of the twentieth century." This has always been one of my favorite paintings, and when in New York, I always try to make it a priority to visit MoMA to see it. But having read Paglia's essay "Heaven and Hell" which accompanies "Demoiselles," I'll never see this overpowering canvas the same way. While volumes have been written analyzing Picasso's sexually charged imagery, in a scant four pages Paglia captures new dimensions of horror and brilliance between the pigments; "whores are meat on the rack."

As an engineer by training and an entrepreneur/businessman by practice, I am wholly unqualified as an art critic. But while Camille Paglia and I may be on opposite sides of the political spectrum, we would find common ground in the unequivocal importance of visual arts in our collective human culture, and in the need to reintroduce art and art history in our schools, K-12 through university. Paglia has targeted "a general audience for whom art is not a daily presence" - a goal she meets brilliantly: provoking, illuminating, and inspiring - challenging the reader to extend beyond the gray monotony ruts of life and the garish video imagery of our slavishly digital culture. "Glittering Images" is an uncommon book that not only deserves to be recommended, but to be purchased for friends and especially for children who all too often are missing this important element in their education. Bravo, Camille - I am in awe.

21 of 21 people found the following review helpful.
The Eye is Drawn to "Glittering Images"
By GirlScoutDad
Surveying 5,000 years of Western art, in 188 pages, selecting 29 images. Well, that is quite a challenge. But Paglia, through her keen eye and breadth of scholarship succeeds admirably and the result is a visual and intellectual joyride. The captivating images chosen for discussion invoke powerful themes of love, sex, power, death, dehumanization, affluence, poverty, piety, nature, and the afterlife. The mind is enriched and awareness is changed and enhanced through intelligent contemplation of these powerful works. I love art history essays; they're such an admixture of topics from technique, to aesthetics, to the history and politics of the era, to philosophical issues such as our place and purpose in the universe. All these themes are pithily and wittily discussed by Paglia. In her essay titled "The Race", on the bronze sculpture of the Charioteer of Delphi of 475 B.C., she observes with perspicacity, "The Greeks defined existence as a struggle or contest (agon) that tested and built character. To strive to be the best was a moral duty. Life was a perpetual game or race, with little hope of rest."

The introductory essay might be the keenest part of the entire book. Paglia asserts that great art creates dynamic, "glittering" images that draw the viewer in and captivate him or her. For thousands of years of western art, sculpture and painting -- through action, color, and composition -- dominated the world of art, but these media are now out-competed - in a nearly Darwinian sense - by even more dynamic, glittering computer-enhanced graphics and big-screen cinematography. Indeed, as Paglia proceeds chronologically through her survey of western art, the most recent painting selected for an essay was painted in 1930, over eight decades in the past (true, a Jackson Pollock work from 1949 is chosen, but Pollock's "painting the air" technique of splashing and throwing paint at the canvas is essentially a different genre from applying paint directly onto the canvas). As contemporary minds are drawn to enhanced, dynamically moving images, will future generations even be able to stay still long enough to seriously look at traditional paintings and sculpture? Probably not, implies Paglia, and that is unfortunate. I see this in my children. If Paglia's hunch about the future of art is correct, then it's not unreasonable to be concerned not only about the survival of traditional visual art, but about other western cultural and artistic treasures as well. As we train our brains to "surf the net" and digest information no longer than a blog post or a tweet, will future generations read Shakespeare, Aristotle, or a biography of Winston Churchill, for example?

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# Fee Download The Prince of Providence: The True Story of Buddy Cianci, America's Most Notorious Mayor, Some Wiseguys, and the Feds, by Mike Stanton

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COP: “Buddy, I think this is a whorehouse.”

BUDDY CIANCI: “Now I know why they made you a detective.”

Welcome to Providence, Rhode Island, where corruption is entertainment and Mayor Buddy Cianci presided over the longest-running lounge act in American politics. In The Prince of Providence, Pulitzer Prize–winning journalist Mike Stanton tells a classic story of wiseguys, feds, and politicians on a carousel of crime and redemption.

Buddy Cianci was part urban visionary, part Tony Soprano—a flawed political genius in the mold of Huey Long and James Michael Curley. His lust for power cost him his marriage, his family, and close friendships. Yet he also revitalized the city of Providence, where ethnic factions jostle with old-moneyed New Englanders and black-clad artists from the Rhode Island School of Design rub shoulders with scam artists from City Hall.

For nearly a quarter of a century, Cianci dominated this uneasy melting pot. During his first administration, twenty-two political insiders were convicted of corruption. In 1984, Cianci resigned after pleading guilty to felony assault, for torturing a man he suspected of sleeping with his estranged wife. In 1990, in a remarkable comeback, Cianci was elected mayor once again; he went on to win national acclaim for transforming a dying industrial city into a trendy arts and tourism mecca.

But in 2001, a federal corruption probe dubbed Operation Plunder Dome threatened to bring the curtain down on Cianci once and for all.

Mike Stanton takes readers on a remarkable journey through the underside of city life, into the bizarre world of the mayor and his supporting cast, including:

• “Buckles” Melise, the city official in charge of vermin control, who bought Providence twice as much rat poison as the city of Cleveland, which was at the time four times as large, and wound up increasing Providence’s rat population. During a garbage strike, Buckles sledgehammered one city employee and stuck his thumb in another’s eye. Cianci would later describe this as “great public policy.”

• Anthony “the Saint” St. Laurent, a major Rhode Island bookmaker and loan shark, who tried to avoid prison by citing his medical need for forty bowel irrigations a day, thus earning himself the nickname “Public Enema Number One.”

• Dennis Aiken, a celebrated FBI agent and public corruption expert, who asked to be sent to “the Louisiana of the North,” where he enlisted an undercover businessman to expose the corrupt secrets of Cianci’s City Hall.

The Prince of Providence is a colorful and engrossing account of one of the most tragicomic figures in modern American life—and the city he transformed.

• Sales Rank: #1327682 in Books
• Brand: Random House
• Published on: 2003-08-05
• Released on: 2003-08-05
• Original language: English
• Number of items: 1
• Dimensions: 9.54" h x 1.46" w x 6.41" l,
• Binding: Hardcover
• 464 pages

Features

• Great product!

From Publishers Weekly
More than just a biography of Providence's first Italian-American mayor, once considered one of America's most vibrant young politicians, this expos‚ also captures Rhode Island's and Providence's turbulent political histories and their direct effect on Buddy Cianci, one of America's most successful and most notorious politicians. Rhode Island, a haven for outcasts and freethinkers, earned the "colonial reputation as `Rogue's Isle,' a city of hustlers, gamblers and ward-heelers" that continued to be warranted well into the 1980s thanks to Providence being a home base of the American Mafia, an Irish-American Democratic political machine and a cast of dirty politicians. Presenting the complex civic and political environment in which Cianci rose to power, Stanton is able to showcase the mayor as both a product of his city as well as a new breed of Rhode Island politician. Stanton, using his skill as an investigative newspaper journalist, dissects every aspect of the mayor's upbringing, education, public and private lives. Outlining Cianci's virtues and vices-easygoing charmer and accused rapist, anticorruption candidate and king of the kickback, city revitalizer and public funds abuser-produces a colorful, nuanced portrait of the mayor. More than just the story of one politician's success and transgressions, Stanton's in-depth examination of Cianci is representative of the American political system as a whole, which at its best passionately serves the greater good and at its worst serves the whims and wants of a select few.
Copyright 2003 Reed Business Information, Inc.

From Booklist
Journalist Stanton's dissection of Providence, Rhode Island, has a general resonance for urban affairs. That his vehicle is a flawed, flamboyant mayor makes it a colorful story in its own right, in which a good-government politician degenerates into graft with interludes in talk radio and, currently, jail. Vincent Cianci, known as "Buddy" around town, reveled in mayoral power, rewarding and punishing and positioning Providence as a city for concertgoers and tourists. Over time, the construction and rehabbing prompted complaints of corruption, and Stanton, an observer of Buddy from the offices of the Providence Journal, here checks out the allegations in the course of reviewing Buddy's career from the early 1970s onward. Stanton unpacks the ethnic fiefs of Providence that background Buddy's trajectory: an Italian Republican in a heavily Irish and Democratic city, Cianci was a high-wire act with big appetites and resentments to match. A marvelous case study of the adage that all politics is local, Stanton spotlights the machinations and palm-greasing that the phrase implies. Gilbert Taylor
Copyright © American Library Association. All rights reserved

Review
Advance praise for The Prince of Providence

“The Prince of Providence reminds me of Orson Welles’s great line from The Third Man: ‘In Italy for thirty years under the Borgias they had warfare, terror, murder, bloodshed—they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love, five hundred years of democracy and peace, and what did they produce? The cuckoo clock.’ Mike Stanton’s portrait of Mayor Vincent ‘Buddy’ Cianci places Cianci among the Borgias, a late-twentieth-century prince who championed the arts, dark and bright both, to resurrect a great American city.”
—Chris Matthews

“Mike Stanton is our preeminent aficionado and raconteur of Rhode Island’s flamboyantly criminal political follies, and The Prince of Providence is the chronicle of a great American rogue, Mayor Buddy Cianci—a paragon of charisma and corruption.”
—Philip Gourevitch, author of A Cold Case

“Rollicking, frolicking, and superbly reported. Politics has never been this bizarre, this corrupt, or, for that matter, this much fun. Sit back and hold on tight, because The Prince of Providence is one helluva rollercoaster ride.”
—Buzz Bissinger, author of A Prayer for the City and Friday Night Lights

“The Prince of Providence is a gritty, textured account of urban corruption and urban renewal, and a vivid portrait of a charismatic scoundrel and true American original—Rhode Island’s Huey Long.”
—John Taylor, author of The Count and the Confession

“A blistering and memorable portrait of a man and a city . . . the kind of successfully fluid story that could be written only by someone who has seen and connected the dots.”
—Kirkus Reviews (starred review)

Most helpful customer reviews

7 of 9 people found the following review helpful.
The beloved Prince
By Howard S. Browne
The author has accurately focused on one aspect of the cesspool that is political Rhode Island. Sure, there is corruption elsewhere: New York, Louisiana, Massachusetts...but the city-state of Providence and its limelight-hogging former mayor exemplify the saying that "people get the government they deserve," and is more accessible and fun to read about.
The author concentrates on Vincent "Buddy" Cianci and his coterie of Providence lowlifes. He barely mentions that the whole state is for sale, not just Providence. He gives a linear biography of the Mayor, then gets lost in details about the lower-level goings on that fed the mayor's purse and extravagant life style.
The book reads to me like a collection of chapters that may have been published elsewhere singly, then knitted together, but with the seams showing. He repeats information in separate chapters. He re-explains. He writes paragraphs with no point. He seems wistful that, with Buddy in the jug, the "Providence Renaissance" will lose its heart and falter.
He could have won some applause from me if he had told more of the part the Providence Journal plays in providing what little integrity exists in Rhode Island. That old-line Yankee WASP paper (at least until recently) is responsible for every exposure of corruption and drive for clean government in the state.
In spite of his authorly flaws, his information is bang on, and he sticks with it relentlessly until the poignant Runyanesque end, when he makes us sorry to see this alleged sociopath go off to receive his slap on the wrist in a Federal prison.
I'd still recommend the book. It's worth wading through.

15 of 15 people found the following review helpful.
The Jekyll and Hyde Mayor
By krebsman
I know very little about New England or Rhode Island. I'm not terribly interested in politics. I came to this book in a roundabout way. I had never been aware of Buddy Cianci until I happened to see a musical at the New York International Fringe Theatre Festival in 2003 titled BUDDY CIANCI. While the musical wasn't very good, I thought the story was fascinating and that in Buddy Cianci the authors certainly had a character who was big enough to sing. Here was a guy who was a scary crook that everyone loved. Here was a mayor whose popularity was never higher than just after he was indicted a second time. He had been indicted previously, pleaded guilty to assault (he bound and tortured a man he claimed was his ex-wife's lover) and had to step down as mayor, only to run again and be re-elected! So of course I pounced when I saw this book in the bookstore. I was not disappointed. Mike Stanton's THE PRINCE OF PROVIDENCE is jaw-dropping reading as it traces Cianci's rise to power and his outrageous machinations to keep his power. Stanton's book is very detailed and objective. This is not a hatchet job. He gives equal time to all sides. In one chapter I would be rooting for Buddy and in the following chapter rooting for his enemies. This is that kind of book. Buddy Cianci is that kind of guy. The book has been sold to the movies and should make a terrific film. (But what actor could possibly do justice to the title character?) There are times when the book seems on the verge of becoming a Yankee MIDNIGHT IN THE GARDEN OF GOOD AND EVIL (which I consider a compliment). THE PRINCE OF PROVIDENCE is consistently entertaining and has a lot to say about America and the times we live in. Four stars.

11 of 11 people found the following review helpful.
corruption as entertainment
By Steve Iaco
Usually, municipal corruption is infuriating. But the Buddy Cianci story is highly entertaining, often comical. I was not surprised at all to learn that the book had been optioned for a movie even prior to publication. Unlike other reviewers, I was not familiar at all with Buddy Cianci or Providence or its reputation for mob infestation and deep-seated corruption. "The Prince" held me in thrall for all 400 pages as revelation upon revelation of kickbacks, bribery, intimidation and general malfeasance unfolded.
I would recommend this book highly to the most general audience. However, one caveat: it's mostly a book about crime and punishment, not politics. Personally, I would have liked to have learned more about Cianci's failed 1980 gubernatorial campaign. On one page, it appears that Buddy will win by acclamation; on the next, with little explanation, he's a landslide loser, failing to carry one city or even a single hometown ward. Having said that, "The Prince" is still first rate for its pure entertainment value. Definitely five stars.

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The story of the years leading up to 9/11 is the story of what might have been, and also serves as a call to the defense of America’s future. Since 9/11, one important question has persisted: What was really going on behind the scenes with intelligence services and government leaders during the time preceding the World Trade Center and Pentagon attacks?

After an eighteen-month investigation that uncovered explosive new evidence through interviews and in classified documents, Gerald Posner reveals much previously undisclosed information:

• the identity of two countries that might have had foreknowledge that a terrorist attack was scheduled for September 11 on U.S. soil
• a startling account of the interrogation of a leading al Qaeda captive
• facts about a series of deaths that point to an ongoing conspiracy by some governments to hide the extent of their earlier relationships with al Qaeda
• how the U.S. government missed several chances to kill or capture bin Laden
• evidence that German intelligence may have protected an informant who was involved with many of the 9/11 plotters
• how the CIA tracked—and then lost—two of the hijackers when they entered the United States more than twenty months before the attacks
• the devastating consequences of the crippling rivalry between the CIA and FBI as the United States moved unwittingly toward 9/11

In a dramatic narrative, Why America Slept exposes the frequent mistakes made by law enforcement and government agencies, and demonstrates how the failures to prevent 9/11 were tragically not an exception but typical. Along the way, by delving into terror financing, the links between far-flung terror organizations, and how the United States responded over the years to other attacks, Posner also makes a damning case that 9/11 could have been prevented.

Why America Slept lays to rest two years of conjecture about what led up to the worst terror attacks in America’s history. This breakthrough book presents an infuriating review of how incompetence and misplaced priorities made America an easy target for terrorists.

• Sales Rank: #1018892 in Books
• Published on: 2003-09-02
• Released on: 2003-09-02
• Original language: English
• Number of items: 1
• Dimensions: 9.52" h x .92" w x 6.35" l,
• Binding: Hardcover
• 256 pages

Review
In the end, the central question that remained was what did American intelligence and law enforcement know and what did they ignore? What mistakes were made along the way on the ground by police, FBI and CIA, and in Washington and state capitals by policy makers? While hunting for those answers, there were unexpected discoveries about some American allies, and what they might have known, and not told anyone, before 9/11. The result is a far more infuriating book than originally expected. The failure to have prevented 9/11 was a systematic one. It is not just that investigators failed to get a lucky break early on, nor is it really even dependent on a series of blunders in the immediate run-up to the attack. The seeds for failure were sown repeatedly in almost twenty years of fumbled investigations and misplaced priorities. After a while, the revelations of ineptitude presented in this book no longer cause surprise, but only anger.
—from Why America Slept

From the Inside Flap
The story of the years leading up to 9/11 is the story of what might have been, and also serves as a call to the defense of America?s future. Since 9/11, one important question has persisted: What was really going on behind the scenes with intelligence services and government leaders during the time preceding the World Trade Center and Pentagon attacks?

After an eighteen-month investigation that uncovered explosive new evidence through interviews and in classified documents, Gerald Posner reveals much previously undisclosed information:

? the identity of two countries that might have had foreknowledge that a terrorist attack was scheduled for September 11 on U.S. soil
? a startling account of the interrogation of a leading al Qaeda captive
? facts about a series of deaths that point to an ongoing conspiracy by some governments to hide the extent of their earlier relationships with al Qaeda
? how the U.S. government missed several chances to kill or capture bin Laden
? evidence that German intelligence may have protected an informant who was involved with many of the 9/11 plotters
? how the CIA tracked?and then lost?two of the hijackers when they entered the United States more than twenty months before the attacks
? the devastating consequences of the crippling rivalry between the CIA and FBI as the United States moved unwittingly toward 9/11

In a dramatic narrative, Why America Slept exposes the frequent mistakes made by law enforcement and government agencies, and demonstrates how the failures to prevent 9/11 were tragically not an exception but typical. Along the way, by delving into terror financing, the links between far-flung terror organizations, and how the United States responded over the years to other attacks, Posner also makes a damning case that 9/11 could have been prevented.

Why America Slept lays to rest two years of conjecture about what led up to the worst terror attacks in America?s history. This breakthrough book presents an infuriating review of how incompetence and misplaced priorities made America an easy target for terrorists.

From the Back Cover
In the end, the central question that remained was what did American intelligence and law enforcement know and what did they ignore? What mistakes were made along the way on the ground by police, FBI and CIA, and in Washington and state capitals by policy makers? While hunting for those answers, there were unexpected discoveries about some American allies, and what they might have known, and not told anyone, before 9/11. The result is a far more infuriating book than originally expected. The failure to have prevented 9/11 was a systematic one. It is not just that investigators failed to get a lucky break early on, nor is it really even dependent on a series of blunders in the immediate run-up to the attack. The seeds for failure were sown repeatedly in almost twenty years of fumbled investigations and misplaced priorities. After a while, the revelations of ineptitude presented in this book no longer cause surprise, but only anger.
—from Why America Slept

Most helpful customer reviews

0 of 0 people found the following review helpful.
Absorbing and a Bit Biased
By A Customer
This book is a must read for anyone who wants to dealve into the backgound of 9/11 and the fight against terrorism. The book is very well written and extremely absorbing.
There is a a bit too much discussion of the lack of communications between Clinton and his first CIA director. I got the point after the 40th repetition of this problem. The book seems to be a bit biased against the Clinton administration, lecturing them for their non-action. (Page 142 "Although Clinton would likely have had little problem in winning public support for strong military action, he opted for doing nothing." and "The failure to respond publicly again emboldended bin Laden and his top aids."
Yet on the Bush II administration there is a bit more of a soft glove approach. In Chapter 16, after a litany of facts of lack of funding of anti-terrorism, and lack of attention, Posner is a bit of an apologist for this non-action (P. 158)"But despite the long digressions from developing a new strategy, the group did decide that the Bush administration would follow a phased strategy of escalating pressure on the Taliban so that eventually the choices facing Afghanistan's Islamic rulers would be to hand over bin Laden and expel al Qaeda or face removal from power." And then, in the face of the "facts" presented, the innexplicable statement "But Bush did not want to repeat Clinton's mistake of talking tough publicly and then not following through with strong actions." -- this from a President that had taken NO strong action prior to 9/11
Still, this is a top notch book. It is an eye opener of some of the failings on the war against terrorism by the CIA, FBI, Media and every president from Reagan, Bush I, Clinton and Bush II.
Finally, in reading this book, it became apparent to me that the same cast of characters keep popping up over and over again in acts of terrorism - such as Zubaydah, Rahman, Zawahiri and Ramzi Yousef. Makes me think that if we can arrest or kill bin Laden,and his top lieutenants real progress will have been made.

52 of 56 people found the following review helpful.
A MUST Read!!!!
By Richard D. Cappetto
I have been reading many books on Bin Laden, Al Quada, Muslim extremist and also on the above in relation to law enforcement (CIA, FBI, INS, NSA, etc.), Our Presidential Administrations and to Congress (law makers) as it all relates to 9-11. Those books include Catastrophe by Chris Ruddy and Carl Linbacher, Jr., Breakdown by Bill Gurtz, The Sword Of the prophet by Serge Trifkovic, American Jihad by Steve Emerson, among others; and I must say this book; Why America Slept by Gerald Posner, is one of the best. It is completely documented and thoroughly sourced. It centers on the History of major terrorists attacks on the USA, and our allies in relation to the response of our intelligence agency's, State department, and the all our presidential Administration's dating from the Carter years (1976-80) to Now (2003). In Why America Slept by Gerald Posner, He details both the Political and Law enforcement's responses to Islamic based terrorism and what mistakes were made all along the way. the book does not make wild charges but details the mistakes so that we can learn from them. This book documents all of Al Quada's attacks on the US and American citizens all over the world; Documents the History of this declared war on US; and How each attack was handled my the FBI, CIA, INS And by the administrations. He shows how weak responses to terrorism emboldened the terrorists and He also documents some of the missed opportunities to get Bin Laden and Stop his organization long before 9-11. There is also a great chapter on the capture and interrogation of Abu Zubaydah which is must reading. Yes, the Book is critical; but not in any political way, there is no ax to grind hear, against any one individual or administration, its sober and reflective and is a must read for anyone and everyone who wants to know how 9-11 happened.

4 of 5 people found the following review helpful.
Posner Exposes Things That Should Upset Every American
By Warren Davis
If by the end of "Why America Slept" you aren't red with rage perhaps you should go back and watch video from 9/11 all over again. Unlike any other book so far on the subject, Gerald Posner exposes how the entire tragedy could have been prevented time and time again. From bungled law enforcement resources, to unheard cries from FBI agents, to duplicitous "allies". This book should be required reading for anyone who is serious about preventing another 9/11. I can't recommend this enough.

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As big and exciting as the next century, this is a novel of real life at our giddy, feverish, topsy-turvy edge of the millennium. Turn of the Century is a good old-fashioned novel about the day after tomorrow--an uproarious, exquisitely observed panorama of our world as the twentieth century morphs into the twenty-first, transforming family, marriage, and friendship and propelled by the supercharged global businesses and new technologies that make everyone's lives shake and spin a little faster.
        
As the year 2000 progresses, George Mactier and Lizzie Zimbalist, ten years married, are caught up in the whirl of their centrifugally accelerating lives. George is a TV producer for the upstart network MBC, launching a truly and weirdly groundbreaking new show that blurs the line between fact and fiction. Lizzie is a software entrepreneur dealing with the breakneck pleasures and pains of running her own company in an industry where the rules are rewritten daily. Rocketing between Los An-geles and Seattle, with occasional stopovers at home in Manhattan for tag-team parenting of their three children, George and Lizzie are the kind of businesspeople who, growing up in the sixties and seventies, never dreamed they would end up in business. They're too busy to spend the money that's rolling in, and too smart not to feel ambivalent about their crazed, high-gloss existences, but nothing seems to slow the roller-coaster momentum of their inter-secting lives and careers.
        
However, after Lizzie, recovering from a Microsoft deal gone awry, becomes a confidante and adviser to George's boss, billionaire media mogul Harold Mose, the couple discovers that no amount of sophisticated spin can obscure basic instincts: envy, greed, suspicion, sexual temptation--and, maybe, love. When they and their children are finally drawn into a thrilling, high-tech corporate hoax that sends Wall Street reeling (and makes one person very, very rich), George and Lizzie can only marvel at life's oversized surprises and hold on for dear life.
        
Like Tom Wolfe's Bonfire of the Vanities, Kurt Andersen's Turn of the Century lays bare the follies of our age with laser-beam precision, creating memorable characters and dissecting the ways we think, speak, and navigate this new era of extreme capitalism and mind-boggling technology. Entertaining, imaginative, knowing, and wise, Turn of the Century is a richly plotted comedy of manners about the way we live now.

• Sales Rank: #2968981 in Books
• Published on: 1999-05-04
• Released on: 1999-05-04
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 1.40" h x 6.51" w x 9.60" l,
• Binding: Hardcover
• 659 pages

Amazon.com Review
Everyone will compare Kurt Andersen's scathingly funny first novel to Tom Wolfe's fictional debut, The Bonfire of the Vanities. Like Wolfe, Andersen is a merry terrorist, a status-attuned assassin with liquid nitrogen in his veins, a prose style with the cool purr of an Uzi, and the entire society in his crosshairs. And like the Man in White's protagonist, Sherman McCoy, Andersen's George Mactier is a master of the contemporary universe--not just Manhattan, but decadent post fin-de-siècle Hollywood, the globe-gobbling, infotainment-tainted news media, and cyberspace from Seattle to Silicon Valley to Silicon Alley.

Turn of the Century opens in February 2000, in a bizarro world with just a tangy twist of futuristic extrapolation. George has parlayed a Newsweek writing job into a PBS documentary into a $16,575-a-week job as a producer at the sinister MBC network. His series, NARCS, is a veritable Cuisinart of fact and fiction in which the actors get to participate in real drug busts and get all the best lines, since they're working from scripts. In the most notorious episode, the dealer they arrest turns out to be an Actors Equity member (thanks to Rent), so he gets union scale and a recurring role.

As George stumbles into a Wolfesque calamity spiral, his wife, Lizzie Zimbalist, ascends to power. Lizzie is a brilliant software entrepreneur: her "force-feedback technology" alternative-history game can sense players' fear. "If you travel to 1792 Paris, for instance, you are designated a besotted peasant or a frightened aristocrat or an angry sansculotte according to your heart rate, blood pressure, and skin conductance; too many twitches, the wrong sort of palpitation, and you're a marquess (or marchioness) headed for the guillotine." Needless to say, her insights into the year 2000 earn her bigtime interest from George's boss and Microsoft. Lizzie is a character at least as vivid as George, and their hectic family life is uncloying and acutely observed.

Andersen's plot (involving Bill Gates's potential death) has more hairy turns than the Hana Highway--read carefully or you'll go off the road. But you're guaranteed a wild ride with amazing characters: an irreverent investor inspired by James Cramer, a hilarious MBC toady, Timothy Featherstone--who's as marvelous a creation as Tony Curtis in The Sweet Smell of Success--and worlds' worth of social caricatures. Kurt Andersen has an uncanny ear for the way we talk now and Turn of the Century is sharp, knowing, and subversive. Let's all pray that it isn't prescient as well. --Tim Appelo

From Publishers Weekly
A blockbuster fiction debut for media insider Anderson (formerly editor-in-chief of New York magazine, co-founder of Spy), this brilliantly conceived, keenly incisive social satire draws fresh humor out of the overhyped territory of millennial madness. Beginning his myopically futuristic novel on February 28, 2000, Anderson employs a future-present tense in which he mischievously tweaks current attitudes regarding marriage, friendship, the mass media, Wall Street and the computer industry, just to name a handful of his numerous targets. With ferocious energy, he also captures the essence of New York, Las Vegas, L.A. (its permanent sunniness, annoying and even slightly scary after a while, like a clowns painted-on-smile) and Seattle (... like a gawky guy with a great body whos bald and stammers and wears dorky clothes). These are not new topics for mockery, but Andersons eye is fresh and his irony carries a potent sting. George Mactier, executive producer of a controversial TV series called NARCS, and his wife, Lizzie Zimbalist, owner of a computer software company, serve as Andersons 21st-century poster couple. They are self-conscious enough to recognize the embedded ironies in their fast-paced, high-profile lifestyle (Lizzie voted reluctantly for Giuliani twice, but spent election day giving a five-dollar bill to anyone who happened to ask for money, as penance). Their already troubled marriage is being vaporized by the hysterical pace of their respective professional lives. The couple have three cyber-precocious children (Lizzie e-mails her sons bedroom from the kitchen to announce dinner), as well as a host of eccentric friends (Ben Gould is a multimillionaire investor whose latest venture is a Vegas theme park called BarbieWorld) and colleagues (Harold Mose, the egomaniacal owner of the MBC Network, becomes both George and Lizzies boss). The convoluted plot boldly defies summary, but it ultimately achieves a mad convergence highlighted by an intricate, hilarious plan to manipulate Microsofts stock by virtually killing Bill Gates. Anderson employs a biting topical humor that is always exaggerated, yet seldom actually seems inconceivable (the cover story in Teen Nation, an offshoot of the Nation magazine, is headlined: Jimmy Smits and Jennifer Lopez in Mexico: This Revolution Will Be Televised). Cell phones and computers are ubiquitous, but the vaunted Information Age is illusory at best. The characters are constantly thrown off kilter by disinformation, missed information and miscommunication. Yet while the tone is hyperbolic and beyond the cutting edge, the core issues are curiously old-fashioned: love, ethics, friendship, even happiness. Anderson brilliantly sustains the comic pace throughout the lengthy narrative, though his ultimate message may be disappointing to millennial idealists: The future aint what it used to be. Major ad/promo; first serial to the New Yorker; BOMC selection; author tour.
Copyright 1999 Reed Business Information, Inc.

From Library Journal
It's the year 2000, and millennial hype continues. Successful television producer George Mactier and his wife, Lizzie Zimbalist, owner of a software design firm that's being courted by Microsoft, are living in style in New York City, with limos, private schools, and vacations in the Caribbean. But life at the turn of the century is not all easy money. George's new show has too strong a tendency to blur the line between fiction and reality for his media mogul boss, Mose, who keeps calling Lizzie for consultations. While the tension between George's and Lizzie's careers and their marriage is interesting, the high point of the book is the amazing and amusing catalog of references to modern culture. Andersen, former editor of New York magazine and cofounder of Spy, inserts real people, places, and events into a barrage of images that includes Bill Gates, L.A., the NASDAQ, interspecies organ transplants, and the Beanie Baby craze, making the Eighties seem peaceful by comparison. Recommended for all fiction collections.
-ADevon C. Thomas, Highland Twp. Lib., MI
Copyright 1999 Reed Business Information, Inc.

Most helpful customer reviews

21 of 22 people found the following review helpful.
A Postmodern Trollope
By Rachel Cohen
This is one of those books that buzzes in your head for weeks after you've read it. "Turn of the Century" is loaded with dazzling riffs and observations about contemporary life, of course, but the people in it are equally memorable and sharply drawn. You really start to see folks you know in light of characters from Andersen's novel. ("Oh, he's a sort of Timothy Featherstone type," I found myself saying of an acquaintance.) The satire -- of the worlds of media and entertainment -- is unsparing, and yet the book has surprising warmth. Andersen has pulled off something remarkable here: a 21st-century version of Trollope's "The Way We Live Now." It's really true: the novel is stippled with present-day counterparts of Augustus Melmotte, Sir Felix Carbury, and the rest of Trollope's immortal cast. As with Trollope, Andersen's essential humanity infuses the book with a sense of worldly compassion. (Tom Wolfe seems tinny and shrill by comparison.) "Turn of the Century" is a novel that will make you laugh out loud, without feeling bad about it later. I can't remember when I've had a better time with a novel, or learned so much along the way.

19 of 22 people found the following review helpful.
At Arm's Length, with the Occasional Chuckle
By Jon Fain
Anderson has done some admirable heavy lifting to present a just-in-time, high concept, bullet train of mild satire and cleverness. It takes awhile get used to and wade through the topical references to events, people, places, and things, both real and vividly imagined, that five years from now will make this novel seem like it was written in a dead language. Readers seem to have widely differing opinions about whether the characters are compelling,it's funny, etc. If you don't have any interest and affinity for the Fast Company/Hollywood/Web culture you'll hate it. I'm familiar enough with the worlds of the novel (at the grunt level anyway) to get the jokes and admire the imagination. But if you want a book that deals deeper with whether we lose our "soul" and connection to others by what we do for work, try JR, by William Gaddis (an author whose movie rights Anderson's character Ben Gould buys up in one of his "charitable" schemes). Overall, Turn of the Century is a too-long, although often amusing piece that relies so heavily on a reader's existing knowledge of the scene that I found myself holding the characters at arm's length. I prefer being a little more intimate.

9 of 10 people found the following review helpful.
Starts Out Great, Soon Turns Tedious
By A Customer
I don't know why this novel had to be 659 pages! Starts out with a bang. Loved how the author drew me into the techno/media word with the cool jargon, like Doug Coupland's GENERATION X, but unlike GEN X, this book was waaaaay too long and all the hip-slick-cool language grew tiresome and the characters grating. I didn't feel for Lizzie or George and their gimme-gimme lives and by the end---yes I read the whole damn thing, brought it to the beach with me and had no other reading material---secretly hoped that George's plane was going to crash en route to Mexico! Wouldn't recommend reading it unless you have alot of time to waste...life's too short!

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