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The End of Manners: A Novel, by Francesca Marciano
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From the critically acclaimed author of Rules of the Wild, a thrilling, timely, and darkly funny story of friendship, human frailty, and war--and the role of outsiders in a country where they do not belong.
Maria Galante--rule-abiding, shy, a perfectionist--and larger-than-life journalist Imo Glass are on assignment in Afghanistan: Imo to interview girls who've attempted suicide rather than be married off to older men, Maria to photograph them. But in a culture in which women shroud their faces and suicide is a grave taboo, to photograph these women is to dishonor--and perhaps endanger--them. Maria and Imo must find their way among spies, arms dealers, and mercenaries, and through the back alleys of Kabul and into Pashtun villages, where the fragility of life stands out in bold relief. Before the assignment is over, Maria will have to decide if it's more important to succeed at her work--and please Imo--or to follow her own moral compass.
Stunningly evocative and richly observed, The End of Manners is a story of friendship and loyalty, of the transformative power of journeying outside oneself into the wider world.
- Sales Rank: #2262055 in Books
- Brand: Pantheon
- Published on: 2008-05-20
- Released on: 2008-05-20
- Original language: English
- Number of items: 1
- Dimensions: 8.55" h x 1.00" w x 5.80" l,
- Binding: Hardcover
- 272 pages
- Great product!
From Publishers Weekly
In Marciano's brisk third novel (after Rules of the Wild and Casa Rossa), an unlikely pair of women are dispatched to war-torn Afghanistan circa 2004 to report a story about young Afghan women attempting suicide rather than entering into arranged marriages. Imo Glass is a flamboyant magazine writer who wants the story no matter what societal taboos she tramples. Maria Galante, an award-winning but emotionally withdrawn photojournalist, has forsaken dangerous assignments to take pictures of fancy food for fancy magazines, until her agent persuades her to take this job. With a fluid mix of gritty irony and palpable fear, Marciano's evocation of landscape and environment brilliantly captures a devastated Kabul, a messy war and the soulless arms dealers and cold-blooded mercenaries drawn to the fractured nation by the lure of money. Equally intense is her compassionate depiction of a culture where taking photos of women is forbidden and religious doctrine dictates the way of life in a world of a far greater insanity than Maria, for one, had envisioned. This work of fiction, rooted in harsh reality, tackles moral complexities with powerful self-assurance. (May)
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Review
“In Marciano’s brisk third novel, an unlikely pair of women are dispatched to war-torn Afghanistan circa 2004 to report a story about young women attempting suicide rather than entering into arranged marriages. . . . With a fluid mix of gritty irony and palpable fear, Marciano’s evocation of landscape and environment brilliantly captures a devastated Kabul, a messy war and the soulless arms dealers and cold-blooded mercenaries drawn to the fractured nation by the lure of money. Equally intense is her compassionate depiction of a culture where taking photos of women is forbidden and religious doctrine dictates the way of life in ‘a world of a far greater insanity’ than Maria [the narrator] had envisioned. This work of fiction, rooted in harsh reality, tackles moral complexities with powerful self-assurance.”
–Publishers Weekly
“The narrator of Marciano’s contemporary novel is an Italian photojournalist, [Maria Galante, whose] agent persuades her to go to Afghanistan with Imo Glass, a flamboyant London-based journalist, to do a story on Afghan women who attempt suicide in order to avoid arranged marriages. Together dealing with the unending problems of language, cultural differences, unreliable transportation, and security issues, Maria and Imo enter into a friendship that heals [Maria] in many ways, and Maria leaves Afghanistan with an appreciation for the country, a true sympathy for its citizens, and the realization that this experience has made her grow. Writing with grace and heartfelt emotion, Marciano, both a novelist and an Academy Award-nominated screenwriter, is a born storyteller. Her engaging work is strongly recommended for all libraries.
–Lisa Rohrbaugh, Library Journal
“Marciano explores the fractured political landscape of contemporary war-torn Kabul. Two women–Maria, a photographer and also the narrator, and Imo, a freelance writer–go on a mission to Afghanistan to chronicle one of the unforeseen consequences of war: women who are forced into marriages and who have dealt with this social tradition by attempting to kill themselves. . . . Imo is at first the hard-as-nails reporter willing to go to any length to get her story, while Maria is more timid and dewy-eyed. After a disquieting journey to the fierce countryside outside of Kabul, however, both women get into a frightening situation that threatens to spin out of control. This allows Maria to show her strength while Imo’s toughness [is] shown to be a mask covering a more vulnerable self. . . . A novel at once both sensuous and terrifying.”
–Kirkus Reviews
“Thrilling . . . Stunning . . . A captivating story of a mismatched pair of women journalists covering what they soon realize is an impossible assignment in a place most Westerners visit only through the morning headlines and the evening news. . . . A poignant depiction of Afghanistan . . . The beauty of the novel is in how easily and readily readers are caught up wanting the heroine, [Maria,] to be braver, before realizing that they also would not be braver. . . . By making Maria real in this way, Francesca Marciano also makes Afghanistan real. [An] up close and personal look at Afghanistan.”
–Kristin Grabarek, armchairinterviews.com
“Rich and real, The End of Manners transports us into the worlds of Afghanistan and journalism with women who are navigating life’s complexities (both geo-political and personal) with courage and humor. A timely novel that offers refreshing–and long overdue–perspectives.”
–Holly Morris, director/writer, and host of PBS’s “Adventure Divas” and author of Adventure Divas: Searching the Globe for a New Kind of Heroine
“Marciano writes movingly, brilliantly of the moral disturbances between men and women, country and country, wartime and peace, memory and history, and of two particular women who experience the violence at the heart of things and yet refuse to be used or to use others. A remarkable book.”
–Susanna Moore, author of In the Cut
“A tender and illuminating story of friendship and encounter, and a reminder of the joys and heartache of discovering the dark beauty that is Afghanistan.”
–Jason Elliot, author of An Unexpected Light
“Humane, moving, and rich with insight, The End of Manners shines with the exotic brilliance of a saffron sky. A novel full of wonders.”
–Dan Fesperman, author of The Amateur Spy
About the Author
Francesca Marciano is the author of two previous novels and several screenplays, including Don't Tell, which was nominated in 2005 for an Academy Award in the category of Best Foreign-Language Film. She lives in Rome.
Most helpful customer reviews
10 of 10 people found the following review helpful.
"You do not know what honor means to an Afghan woman."
By Luan Gaines
Unpretentious and powerful, Marciano's novel is painstakingly honest and revelatory. Not just a frightening foray into a part of the world few experience, the author conveys a sense of urgency, coupled with the real horror of war, the daily battering of a country that endures a concentration of violence as various factions fight for ascendancy. Two important characters drive the narrative: the relentlessly curious journalist for London's "Observer", Imogen Glass; and the more circumspect and emotionally vulnerable Italian photojournalist, Maria Galante. In what would seem the perfect pairing of Western aggression and natural sensitivity, the two women's temporary intrusion into Afghanistan is but another wild story for the worldly Glass, life-changing for the Italian who is charged with photographing the suffering faces of females in a culture that rigidly defines their roles in a manner that outrages Western sensibilities.
Retreating from the demands of photo-journalism after the demise of a long love affair, Maria has contented herself in a less demanding niche, photographing food for specialized magazines. Offered a unique opportunity to travel to Kabul with the larger-than-life Glass, Maria is at first reluctant to accept the assignment: a growing percentage of Afghan women have been self-immolating rather than submit to arranged marriages with much older men. The plight of Afghan women long a subject of interest to the public, it is Imo's task to write the back story and Maria's to capture the images of desperate women who would rather die than accept their fate. Fine on paper, the real time consequences of the assignment are daunting. Not only is Afghanistan dangerous, but to photograph such women is to court reprisal, dishonoring the victims in a culture as foreign to Imo and Maria as are the primitive conditions of this part of the world. Centuries-old traditions do not fall easily to the demands of journalistic curiosity, often heedless and disdainful of a way of life they cannot fathom.
Even after an intensive week of survival training, Maria is intimidated by the daily brutality of a country overrun with journalists, mercenaries, NGO workers, international contractors and the usual parasitic opportunists who descend on Afghanistan with various agendas, most of them lucrative. Their "fixer", Hanif, is critical to the success of the women's venture, not to mention their security. Without Hanif the women would be lost, but his very commitment to his obligations costs this man dearly. In a rapidly disintegrating arena, where expedience dictates most critical decisions, Imo imposes the entitlement of her profession on the task. Galante is at first dwarfed by her companion's personality; yet it is Maria who finds her voice in a frustrating and humiliating experience where priorities are skewed at best, mostly tragic. A nightmarish wartime landscape is illuminated in this powerful novel, small pearls of wisdom brilliantly inserted where least expected. In a moment in the grand scheme of a mad world, the essence of humanity is captured in this remarkable, devastating novel: "I had found her gift hidden in the fold of my own fear." Luan Gaines/ 2008.
5 of 5 people found the following review helpful.
Startling and stunning
By Armchair Interviews
Francesca Marciano has taken her readers to Kenya in Rules of the Wild, and to Italy in Casa Rossa; this time, she takes her readers to the blighted, thrilling country of Afghanistan. The End of Manners is a captivating story of a mismatched pair of women journalists covering what they soon realize is an impossible assignment in a place most Westerners visit only through the morning headlines and the evening news.
The narrator of the adventure, food photographer Maria Galante, is hand-picked by confident and successful journalist Imo Glass, to report on Afghan women who attempted to commit suicide to avoid arranged marriages. Maria leaves for Afghanistan prepared only with a brutal survival training course in England, and equipped with her camera and a series of ill-chosen articles of clothing.
Maria's time in Afghanistan is a series of tedious and futile interviews with NGO workers who refuse to risk exposing women, men firmly rooted in tradition, and women who know the consequences of sharing their stories. Maria and Imo confront the complex dynamics with which Afghans grapple against the startling backdrop of a war-torn country decorated with cell phone advertisements.
The End of Manners is a poignant depiction of Afghanistan as experienced by Westerners not entirely unlike ourselves. The beauty of the novel is in how easily and readily readers are caught up wanting the heroine to be braver, before realizing that they also would not be braver. Thus you are able to identify with the heroine, in contrast to familiar characters in similar novels that are too strong and too resilient to be real to Western readers. By making Maria real in this way, Francesca Marciano also makes Afghanistan real.
This stunning novel takes Western readers behind our headlines and news clips to a place that does exist, that is not easily understood, and that, as Maria accepts, cannot be condensed into our photographs and articles.
Armchair Interviews says: Up close and personal look at Afghanistan
3 of 3 people found the following review helpful.
The End of Manners
By Gillian A
Francesca Marciano's latest book is set in Afghanistan which most of us only know through the news media. The story is plausible, powerful, poignant and insightful. And in her poetic and elegant writing style she paints a vivid picture of this sad, haunting, strangely beautiful and often frightening land, located at the far end of the earth and with a culture lost in time.
The story is simple. Maria, a shy Italian photographer, still emotionally fragile after the breakup of a long relationship, reluctantly accepts an assignment outside her normally safe line of food photography. After first completing a mandatory and grueling survival course, she joins Imo, a successful and intimidating magazine journalist, who unlike herself, brims with self confidence and ambition. Their mission in Afghanistan often appears poorly planned. The task is to do a story on Afghan women who, rather than be forced into arranged marriages with much older men, are willing to attempt suicide. As narrow as this subject is, it is hard for them to succeed as they find out in several attempted interviews with the locals who are very reluctant to open up to, or be photographed by foreigners. Against the harsh backdrop of a war-torn land, complete with mercenaries, arms dealers, NGOs, foreign contractors, journalists and an array of locals, an unlikely friendship develops between the two women and also with their guide on whom they are very dependent. The contrast in cultures and values is glaring and the moral dilemmas that are thrown up cannot be ignored.
To me, 'Rules of the Wild' was brilliant, but then I was disappointed in 'Casa Rosa'. This is a thoughtful, informative and beautifully written book.
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