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The War of Don Emmanuel's Nether Parts, by Louis de Bernieres
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This rambunctious first novel by the author of the bestselling Corelli's Mandolin is set in an impoverished, violent, yet ravishingly beautiful country somewhere in South America. When the haughty Dona Constanza decides to divert a river to fill her swimming pool, the consequences are at once tragic, heroic, and outrageously funny. "Walks a precarious edge between slapstick and pathos, never once losing its balance."--Washington Post Book World.
- Sales Rank: #738632 in Books
- Published on: 1997-07-29
- Released on: 1997-07-29
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .80" w x 5.20" l, .85 pounds
- Binding: Paperback
- 368 pages
Amazon.com Review
Louis de Bernières's sardonic pen has concocted a spicy olla podrida of a novel, set in a fictitious Latin American country, with all the tragedy, ribaldry, and humor Bernières can muster from a debauched military, a clueless oligarchy, and an unconventional band of guerrillas. There's a plague of laughing, a flood of magical cats, and a torture-happy colonel. The cities, villages, politics, and discourse are an inspired amalgam of Latin Americana, but the comedy, horror, adventure, and vibrant individuals are pure de Bernières. This masterpiece, the first of a trilogy, is followed by Señor Vivo and the Coca Lord, and The Troublesome Offspring of Cardinal Guzman.
From Publishers Weekly
A blend of scathing political satire and magic realism, De Bernieres's furiously sardonic, intensely lyrical first novel portrays an imaginary, impoverished Latin American country run by an oligarchy, terrorized by fascist army officers and propped up by U.S. support while Yanqui corporations suck its economy dry. No better than the rapacious and murderous military, the revolutionaries loot and kill in the name of an abstract ideal. The motley cast includes Dona Costanza Evans, an upper-class housewife kidnapped by guerrillas, who actively joins the revolution; Olaf Olsen, a Norwegian industrialist whose innocent daughter becomes one of the "disappeared"; Aurelio, a jungle Indian versed in magic, and Don Emmanuel, oddball son of a progressive English educator. About halfway through, friendly, charming cats, which grow to the size of pumas, invade the narrative and do magical things that confound even fascist generals. De Bernieres, who taught in Colombia, captures the beauty, hope and desperation of Latin America as few other writers have done.
Copyright 1991 Reed Business Information, Inc.
From Library Journal
This rollicking, disturbing first novel celebrates (or parodies?) the recurrent themes of modern Latin American fiction: politics, corruption, and war; love, sex, and family; nature, religion, and magic. A motley assortment of horrific or hilarious vignettes resolve themselves into an imaginative story set in a troubled, fictional, but familiar South American country. A basically innocent village finds itself the focal point of a clash between a mindlessly brutal military and a nebulous Communist threat. Many trysts and torturings later, the villagers make an exodus to a new Eden, accompanied by sympathetic guerrillas, an Indian guide, and an ever-growing band of large, affectionate cats. As one of the numerous characters points out, "In this country reason does not apply to anything." Recommended for public libraries.
- Janet Ingraham, Worthington P.L., Ohio
Copyright 1992 Reed Business Information, Inc.
Most helpful customer reviews
2 of 2 people found the following review helpful.
a laugh out loud fun read
By J. Case
In his mythical South American country, De Berniers weaves the romantic and the corrupt into an ambitious and easy to read first novel. His characters are wonderful (rude, snobby, corrupt, irreverant, mystical, romantic)--the only problem with the novel is that it tries to do too much and leaves us wanting more. I can't wait to read the next one in the series!
6 of 6 people found the following review helpful.
South America comes to a local bookstore.
By morganyossarian@ukonline.co.uk
Great characters. Magical story. Corruption, greed and salvation. Humans being humans.
This book has everything and I really can't recommend this book highly enough. I found Correlli's Mandolin convoluted and dragged out, although a brilliantly written book. I found this and the other two books in the trilogy to be masterful works full of passion, truth and wit. The theme of magic running throughout is fantastical and fantastic, the characters real and lovable. When a character dies, as they have a habit of doing, you are taken aback and upset, you care about them and is there a higher praise than that?
Anyone who thinks that this book lacks gravitas is mistaken; De Berniere's pen is so light that he is able to fully deal with the political situation in South America without becoming bogged down in moralising or political dogma.
De Berniere deals with life and death and the injustices that surround us as only a gifted writer with a soaring imagination can. I read in other people's reviews that he has borrowed heavily from other works, but seeing as I have never read these works this book is as crisp and fresh to me as "Rock around the clock" must have been when Bill Haley released it.
I did have problems with the list of characters that De Berniere introduces in this book, but I started again when I got to page 50 and wrote out who was who whenever anyone new was introduced. My friend who lives in Spain just reckons it is that I am not used to Spanish names as opposed to poor characterisation that led me to this confusion, and I have to agree.
I read this book on a cliff top overlooking the Atlantic in May during a heat wave and was taken to South America with the heat and dust, the valleys and forests. I even developed a worrying accent in the pubs at night. A hard read, but once you enter it, it is one of the easiest books you will ever read.
I loved it.
Watch out for Hectoro, a character who gets better and better throughout the trilogy.
10 of 10 people found the following review helpful.
A sharp, funny, educating and thought-provoking book.
By A Customer
Perhaps it's not fair to compare a first novel like this with a later, more acclaimed novel from the same author some years later. But as I had just finished "Captain Corelli's Mandolin" before starting "The war of Don Emmanuel's nether parts", I cannot help relating the two. 'Don Emmanuel' is a dazzling patchwork, seemingly encompassing all aspects of every Latin-American country you can think of. De Bernieres makes it abundantly clear he comes prepared for the topics he wants to tackle; there is evidence of meticulous research throughout the book. As such, each chapter is brilliant in its own right, though there seems to be a certain desire to show off, perhaps understandably so in a debut novel. Some of the threads are overdone, and some are inflated to the point of becoming ridiculous. Personally I could have done without the many scenes of excessive violence and torture. "Corelli" also has its grim share of atrocities, but these are not being exaggerated, and they are a logical and even inevitable part of the story. Besides restraint, what "Don Emmanuel" lacks is coherence. The wild and woolly sequence of brilliant chapters somehow does not quite add up to a story. At least I could not figure out where the book was trying to go to. This is not being helped by the insufficient development of the main characters. Whereas in "Corelli" one can readily identify with Pelagia, the doctor, and the captain, it's not quite clear who are the main persons here. Having said all this, "Don Emmanuel" is still a hugely enjoyable book, sharp, funny, educating and thought-provoking. Though not for the faint-hearted or those with a romantic disposition.
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