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A Raisin in the Sun, by Lorraine Hansberry
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"Never before, the entire history of the American theater, has so much of the truth of black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959.
Indeed Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America--and changed American theater forever. The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun."
"The events of every passing year add resonance to A Raisin in the Sun," said The New York Times. "It is as if history is conspiring to make the play a classic." This Modern Library edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff.
- Sales Rank: #2641987 in Books
- Published on: 2002-05-07
- Released on: 2002-05-07
- Original language: English
- Number of items: 1
- Dimensions: .67" h x 5.56" w x 8.10" l,
- Binding: Hardcover
- 160 pages
Review
“A beautiful, lovable play. It is affectionately human, funny and touching. . . . A work of theatrical magic in which the usual barrier between audience and stage disappears.”
John Chapman, New York News
“An honest, intelligible, and moving experience.”
Walter Kerr, New York Herald Tribune
“Miss Hansberry has etched her characters with understanding, and told her story with dramatic impact. She has a keen sense of humor, an ear for accurate speech and compassion for people.”
Robert Coleman, New York Mirror
“A Raisin in the Sun has vigor as well as veracity.”
Brooks Atkinson, New York Times
“It is honest drama, catching up real people. . . . It will make you proud of human beings.”
Frank Aston, New York World-Telegram & Sun
“A wonderfully emotional evening.”
John McClain, New York Journal American
From the Inside Flap
"Never before, the entire history of the American theater, has so much of the truth of black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959.
Indeed Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America--and changed American theater forever. The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun."
"The events of every passing year add resonance to A Raisin in the Sun," said The New York Times. "It is as if history is conspiring to make the play a classic." This Modern Library edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff.
From the Back Cover
“A beautiful, lovable play. It is affectionately human, funny and touching. . . . A work of theatrical magic in which the usual barrier between audience and stage disappears.”
John Chapman, New York News
“An honest, intelligible, and moving experience.”
Walter Kerr, New York Herald Tribune
“Miss Hansberry has etched her characters with understanding, and told her story with dramatic impact. She has a keen sense of humor, an ear for accurate speech and compassion for people.”
Robert Coleman, New York Mirror
“A Raisin in the Sun has vigor as well as veracity.”
Brooks Atkinson, New York Times
“It is honest drama, catching up real people. . . . It will make you proud of human beings.”
Frank Aston, New York World-Telegram & Sun
“A wonderfully emotional evening.”
John McClain, New York Journal American
Most helpful customer reviews
0 of 0 people found the following review helpful.
Pioneering African American Drama
By James Ellsworth
I come to this play with the thought that ever since the first slave came to the American Colonies there has always been a Civil Rights struggle. This play is part of its voice, covering perhaps ideas current just after World War II and into the middle 1950's. It is a play full of dreams of empowerment and self-realization for members of one family and for members of all African-American families. It came to the theater prior to the famous "I have a dream" speech given by Dr. Martin Luther King. It is deservedly a milestone in modern American theater. In the space of three acts it's dialog and characterization provides a nuanced and textured look into the race relations I grew up with--even as a 'white boy.' Without taking anything away from this work's power, I believe that the work also reflects the Irish Struggle in pre-Independence, British Colonial times, as expressed by Sean O'Casey in JUNEAU AND THE PAYCOCK. Every culture and time has its special touchstones but for me, O' Casey showed the way and so I give this four rather than five stars. It doesn't help any that I have only seen the contemporary movie versions of the play: they seem to have been hampered by the theatrical conventions of the time. And much that would have seemed so fresh in the mid-fifties provided the basis for works that developed from the Civil Rights era and showcased even stronger African-American characters. This author and the original cast were the pioneers.
82 of 92 people found the following review helpful.
A Great Book
By A Customer
Recently, in my eighth grade English class, we read To Kill a Mockingbird, by Harper Lee. During our study of the 1930's in Alabama we were assigned to read another book by an African American author. I chose A Raisin the Sun because my mom recommended it. Lorraine Hansberry's A Raisin in the Sun written in 1959 is an intriguing, must read play. This play shows the strength of an African-American family's values and ability to stick together. They face many hard things that shock the reader and the audience including an accidental pregnancy. They battle against harsh prejudice and a system that attempts to keep them from having good opportunities to improve their life. Hansberry does a good job of intertwining family hardships with the individuality of each character. She develops each character personally and carries on his or her traits through out the entire book. The attitude she takes towards the great struggles of a Chicago family, Walter, Ruth, Mama, Beneatha and Travis Younger is convincing because of her tone and description. She shows that life for an African American person at this time is difficult and full of obstacles more challenging than the ones that white people faced. Although A Raisin in the Sun takes place 29 years after To Kill a Mockingbird, African American people are still treated with no respect and are limited in their rights. Both stories constantly demolish African-American families' dreams. Hansberry illustrates through her tone that the family life is rough and the Youngers' are eager for a big change. This action in the plot causes excitement and suspense. As a reader I constantly want the Younger family to over come their challenges and do well in the future. In the same way, In To Kill A Mockingbird I was always hoping that Tom Robinson would be freed. Although there are similarities in the way black people are treated in both books, Lorraine Hansberry as a black author develops her black characters more thoroughly than Harper Lee. Lorraine Hansberry leaves her white characters to roles that are minor. I like this play because it is realistic and shows how strong a family bond is no matter what comes between them. She really showed how the Youngers' were struggling financially but still managed to succeeded all of the obstacles in their way.
1 of 1 people found the following review helpful.
Great, fast, easy read
By Beverly Porras
Incredible book to analyze. If you know anything about Lorraine Hansberry, you will see great resemblance in her personal life growing up within this book. Although difficult to swallow in certain aspects, this book gives great insight of life for many African Americans during the 1940-1960's
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