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"A majestic literary biography, a truly new, surprisingly fresh portrait. --
Newsday
A New York Times Book Review Editors' Choice
National Book Critics Circle Award finalist
"A biography wholly worthy of the brilliant woman it chronicles. . . . It rediscovers Virginia Woolf afresh."
--The Philadelphia Inquirer
While Virginia Woolf--one of our century's most brilliant and mercurial writers--has had no shortage of biographers, none has seemed as naturally suited to the task as Hermione Lee. Subscribing to Virginia Woolf's own belief in the fluidity and elusiveness of identity, Lee comes at her subject from a multitude of perspectives, producing a richly layered portrait of the writer and the woman that leaves all of her complexities and contradictions intact. Such issues as sexual abuse, mental illness, and suicide are brought into balance with the immensity of her literary achievement, her heroic commitment to her work, her generosity and wit, and her sanity and strength.
It is not often that biography offers the satisfactions of great fiction--but this is clearly what Hermione Lee has achieved. Accessible, intelligent, and deeply pleasurable to read, her Virginia Woolf will undoubtedly take its place as the standard biography for years to come.
"One of the most impressive biographies of the decade: moving, eloquent, powerful as both literary and social history."
--Financial Times
"The most distinguished study of Woolf yet." --The New Republic
- Sales Rank: #185697 in Books
- Brand: Brand: Vintage
- Published on: 1999-10-05
- Released on: 1999-10-05
- Original language: English
- Number of items: 1
- Dimensions: 7.97" h x 1.92" w x 5.21" l, 2.00 pounds
- Binding: Paperback
- 944 pages
- Used Book in Good Condition
Amazon.com Review
"Woolf's story is reformulated by each generation," writes Hermione Lee, a professor of English literature. But her richly human portrait, so respectful of the complexities of her subject's life, seems unlikely to be surpassed. Lee extricates Virginia Woolf (1882-1941) from clichés about madness and modernism to reveal a vigorous artist whose work is politically probing as well as psychologically delicate. She makes brilliant use of the formidable Woolf archives to let the writer speak directly to us, then comments shrewdly on her words' hidden significances. Biographies don't get much better than this.
From Library Journal
Before dismissing this new biography as just another in a long line of familar material, one would do well to stop and take in it. Lee (English, Univ. of York, England) has succeeded in presenting a different side of Woolf somewhat overlooked in previous studies. Aspects of Woolf's personal life like her childhood abuse by her stepbrother and her stormy family life are already well documented (see Louise DeSalvo's Virginia Woolf, Ballantine, 1990, and Panthea Reid's Art and Affection, LJ 9/15/96, respectively); and literary studies abound (see James King's Virginia Woolf, LJ 4/1/95, and Lyndall Gordon's Virginia Woolf, Norton, 1993). By making use of Woolf's extensive correspondence, diaries, and works, Lee strives to present her not as a fragile, eccentric victim, as has been done often, but as a complex, sometimes troubled, yet brilliant artist who overcame much to accomplish what she did. What results is a biography that is part social history, part literary analysis, and overall a fuller picture of Woolf. Lee's eye for detail allows us to get closer than ever to knowing who she was. While the subject may not be new, this biography is well worth a close reading.
-?Ronald Ratliff, Chapman H.S. Lib., Kansas
Copyright 1997 Reed Business Information, Inc.
From The New Yorker
... [a] superb book ... worthy of its subject.... She organizes Woolf's life into essaylike chapters ... thereby juxtaposing sophisticated speculation with meticulous research.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Good study piece
By Jordan Denton
I utilized this piece for my research thesis and discovered a lot about one of my favorite writers: Virginia Woolf.
Hermione Lee does an excellent job at getting down to the nitty gritty in this book, however, it was very "thick" and, at times, very difficult to get through. The piece certainly covers a vast amount of material and, surely, you'll uncover a lot of information regarding the life of Woolf. I wouldn't recommend this book for a simple read but, instead, I'd limit my suggestion of it to only those who are studying Woolf as a subject.
11 of 11 people found the following review helpful.
A Model Literary Biography
By S. McGee
Literary biography is a tough genre to master, but Hermione Lee has tackled one of the toughest subjects imaginable and emerged triumphant. Even those who have never picked up even an essay or short story by Virginia Woolf feel somehow familiar with her work; Michael Cunningham's The Hours: A Noveland the film based on that has taken her story and turned it into part of pop culture (albeit at a very high level.) That makes the task of producing an unbiased evaluation of Woolf's literary contributions and a balanced view of her life (both subjects of heated debate among her admirers) far more difficult than penning a standard literary biography.
Far from being scared off, Hermione Lee rises to the occasion and delves deeply into every primary source on which she can lay her hands. The result is a triumph. She is able to weave these into a compelling narrative, never allowing the vast mass of detail to distract her or bog down the pace of the book (quite an accomplishment, given the 800-900 or so pages...)Whenever the reader is poised to ask of Lee how she reaches a given conclusion, within a paragraph the answer is presented, deftly and effortlessly.
The result is a highly accomplished biography and one that should serve as a model for any other aspiring literary biographer. The Woolf that emerges is one that stands apart from the existing biographies, all of which have their own flaws (written by a family member, with all the flaws that brings; written to demonstrate that Woolf was first and foremost a victim of sexual abuse, etc.) Lee's Woolf is an independent woman who constructed a life that suited her, however little understood it may have been by those around her. Even her suicide, the darkest days of World War II, make sense in the framework of Lee's narrative, which deals with her previous mental breakdowns, her experiences during the Great War and her fear of being trapped forever in a half-world unable to write.
Even for those not familiar with Woolf's novels or the Bloomsbury Group, this is a very accessible book. Indeed, I'd recommend it to anyone interested in learning more about the entire period in English literature (which saw a dramatic changing of the guard, from the oeuvres of Tennyson, Hardy and Yeats to those of Woolf, Joyce and T.S. Eliot). It can only help the novice reader approach Woolf's own works with greater understanding and confidence.
8 of 8 people found the following review helpful.
Riveting biography
By Pierre C. Ruette
I had steered clear of Mrs. Woolf's work due to a perceived effeteness to her aesthetics and apparent lack of a mitigating human touch in her writing.I hold the same effete bias against classical ballet so I guess that dooms me as an open minded art lover. However, on the positive side I am a proud reprobate Londoner. Grew up in High Holborn during the blitz years, lived in Fitzrovia for another 20 years and proud of Bloomsbury's cultural position as a former literary hot spot, as much for Dickens as the later field of effete Bloomsbury writers and artists.
However, this biography by Miss Lee is a first class literary work in its own right. It creates, on its own terms, a deeper and more rounded image of Virginia Woolf as a woman, as a feminist, and as a driven thinker and writer. Miss Lee's careful reconstruction of the Stephens family ancestry is followed by discussion of Virginia's own unmet paternal needs and a later traumatic physical intrusion from a male relative. That history offers a credible genetic and psychological explanation for both her creativity and depressions. The liberated personal lives her family and circle practised brought no severe judgments from Miss Lee. I admired -- which may just be my naivete -- Miss Lee's calm recital of the various liaisons and the adult camaraderie and bonds that governed their relationships even after passions cooled. It was certainly not the sort of P.G. Wodehouse world that my adolescent imagination fed on about that period.
This book was not at all turgid or too scholarly. My unfamiliarity with Virginia Woolf's works was compensated by Miss Lee's analysis of Virginia's various literary themes and book character explanations. The book moves swiftly touching all the nuances of personality that made up Virginia's private and public world. The book retained the air of the eras through which Virginia lived. The author was very discreet and never intruded on the narrative. Too often biographers are only too willing to contrast an episode just described against a contemporary example of a similar incident,to allow a current reader - with the hindsight of more acquired knowledge and different mores and manners -- to come to satisfying "superior" judgements.
Excellent book. Sorry it had to end and saddened the reason for the end was indeed such a sorry one.
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