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MotherKind: A Novel, by Jayne Anne Phillips
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A major new novel that depicts the challenges of family life with contemporary force and timeless grace, from the acclaimed author of Machine Dreams and Shelter.
Formerly free-spirited, unattached Kate enters into roles of enormous responsibility: as she takes the first steps into a new marriage complete with her own beloved infant and two lively young stepsons, she becomes caregiver to her ailing mother, the strong woman who has been her guiding star and counterpart across a divide of experience and time. Kate must, in a single year, confront profound loss alongside radiant beginnings.
Jayne Anne Phillips transforms quotidian details into a shimmering whole, giving us Kate and her family in all the complexity their world offers. Phillips’ renowned skill at portraiture combines with her equally nuanced sense of narrative in this heartstrong and delicately layered novel.
- Sales Rank: #1052612 in Books
- Color: Other
- Published on: 2001-03-13
- Released on: 2001-03-13
- Original language: English
- Number of items: 1
- Dimensions: 7.98" h x .64" w x 5.21" l, .53 pounds
- Binding: Paperback
- 304 pages
Amazon.com Review
Although we know from its first page that the protagonist's mother is dying of cancer, Jayne Anne Phillips's rich, involving novel is not a story of loss but of connection. Thirty-year-old Kate, an unmarried poet, has traveled home to tell her mother, Katherine, that she is expecting a child. A few months later, Katherine will be compelled to move into her daughter's chaotic suburban household. The birth of Kate's baby approached and her mother consented to chemotherapy, consented to leaving home, consented to never going home again, where she'd lived all her life. She crossed all those lines in her wheelchair, without a whimper, moving down an airport walkway. In its cage, her little dog made a sound. "Hush," she said. For the balance of MotherKind, the narrative focus shifts between this visit to the country--like time travel to a sepia-toned world of unpolluted streams, flowering meadows, and rural gas stations--and the new life Kate is building with Matt, her unruly stepsons, and newborn Alexander, while Katherine slowly dies upstairs. As Phillips moves back and forth, she emphasizes the continuity of human life, rather than individual endings or beginnings, and functions like thought itself: obsessively returning to a few prized details, puzzling over old mysteries, making occasional random discoveries or unexpected insights, like treasures turned up by a garden hoe. Recalling her sadness and admiration as she watched her mother rolling toward her in the airport wheelchair, Kate is struck by a realization that "all lines of transit came together in a starry radiance too bright to observe," a magical realm where "manly cowboys glanced away from death and rode on through big-skyed plains and sage."
Though her third novel may contain all the emotional ingredients of a made-for-television movie, Phillips avoids tear-jerking through the use of precisely observed details (the plastic medicine spoon for her mother's morphine, the Christmas songs that double as lullabies for little Alexander) and the absence of cliché. She has even side-stepped, at the end, the requisite death-bed scene, knowing that there is almost no way left to write about such moments without recourse to received language and images. MotherKind uncovers the mixed sources of maternal strength in love, habit, and necessity. --Regina Marler
From Publishers Weekly
A meticulous writer, Phillips has produced only four books to date, including the novels Machine Dreams and Shelter, in which she explored the paradoxes of existence from the points of view of youthful characters. This deeply felt, profoundly affecting novel, her best so far, exhibits a maturity of vision both keen and wistful. On a summer day, 30-year-old Kate Tateman flies to her Appalachian hometown to tell her mother, Katherine, that she is pregnant. Always a nonconformist, one who felt most in tune with herself during an itinerant year in Sri Lanka, India and Nepal, Kate is not yet married to the baby's father, Matthew, whose divorce is in progress. During the course of the following 18 months, we watch Kate give birth to a son, Tatie; care for Katherine--who has cancer, and decides to move in with Kate and Matt in Boston so she can live to see the baby--and serve as surrogate mother to Matthew's unruly sons, Sam, eight, and Josh, six, who resent her for destroying their home. The narrative captures the quotidian rhythms of domesticity, the stresses of childraising and of nursing the sick, creating a focused yet universal world. A progression of caregiving women help Kate through these life passages: a helper for newborns, various babysitters and the hospice nurses who arrive when Katherine becomes moribund. Phillips explores the intuitive bond between mothers and daughters with unforced grace. All the characters are articulate and introspective; they ponder the human condition, yet function in the daily sphere, with dialogue so easy and true it seems inevitable. While absorbed in the discomforts of childbearing, Kate ruminates about the continuum of time that sweeps her mother toward "the chasm of death"--even as little Tatie thrives and Sam and Josh gradually become integrated into their father's new household. Kate conjectures "that all lines of transit came together in a starry radiance too bright to observe." Amid the inexorable approach of death, the messy certitude and fecund abundance of human life resonate throughout this compassionate and spiritually nourishing novel. 50,000 first printing.
Copyright 2000 Reed Business Information, Inc.
From Library Journal
In this latest from Phillips (Black Tickets), Kate finds that she's part of the "sandwich generation"Dshe is caring for both her terminally ill mother, Katherine, and her newborn son, Alexander. Matt, the father of Kate's son, is going through a divorce while trying to raise his own rambunctious sons, Sam and Jonah. Kate and Matt have bought a house in Boston and installed this large, unruly lot. Kate has decided not to marry Matt until the spring when the weather is nicer and his divorce is finalized for sure. In the course of a year, we watch as Kate deals with the slow decline of her mother, always a friend and mentor, while trying to cope with being a new mom and stepmom when all she really wants to do is sleep. Phillips's slowly paced text incorporates flashbacks that illustrate Kate and Katherine's relationship. While covering issues such as divorce, friendship, and home care of the terminally ill, this novel really explores the bond between a mother and child and how strong that bond is until death. It's well done, but with tighter plotting it could have been more effective. For most public library collections.
-DRobin Nesbitt, Columbus Metropolitan Lib., OH
Copyright 2000 Reed Business Information, Inc.
Most helpful customer reviews
15 of 19 people found the following review helpful.
Disappointing Novel from Long-Awaited Return of Phillips
By A Customer
I finished "Motherkind" just the other night, and I must say, rarely have I experienced such disappointment in a novel. Phillips, the author of the highly acclaimed story collections, "Black Tickets," and "Fast Lanes," and two previous novels, can be a brilliant wriiter. Yet this novel saddened me--not because of the subject matter, which centers on the juggling of a new baby, husband, stepsons, and the death of the protagonist's mother--but because the narrative flow was so often diluted by overly sentimental, maudlin scenes and expository, didactic dialogue, most of which would have succeeded better as narrative. Perhaps having read interviews with Phillips discussing the death of her mother influenced my reading, but I could not help feeling what a dangerous thread of thinly-veiled autobiography Phillips was treading. As a writer, I give her kudos for her courage in tackling a subject so close to her own life and for her lyrical poetic language, yet the novel reinforced my feelings about her earlier novels: as a writer, Phillips is simply better suited to the short form. There are lovely passages, yet the novel as a whole feels hollow, somehow, as if Phillips were never quite able to penetrate the protective membrane in which she has encased it. Sadly, this is not work of a writer--as one would expect it to be--at the height of her powers.
2 of 3 people found the following review helpful.
A MEDITATION ON DEATH AND BIRTH AND LIVING
By Larry L. Looney
I didn't find this novel to be the easiest thing to read that I've picked up in the last few months -- but, that being said, I felt that the beauty of the language compelled me to finish it, once I had begun.
Jayne Anne Phillips has taken on a monumental task in writing this book. She has reduced the events and emotions of life-changing events -- the birth of a child, the agony and ecstasy of breastfeeding, and the at-home hospice care of a dying mother -- into words, onto the printed page. Her observations and meditations of these events are illuminating and moving. The seemingly everyday events in the lives of her characters take on a luminosity usually only bestowed by painters on their subjects. Things we take for granted -- a walk down the street to the market, a confidence shared with a friend, the touch of a mother's hand -- all take on an importance that is magnified. This magnification is not a falsification -- it is an opportunity for us to realize the importance of small things, an importance too often overlooked in our busy lives. This novel, then, becomes a study in priorities.
I had a hard time getting past the first 100 pages or so -- and I think, in retrospect, I can attribute this to the author's pursuit of the 'mundane' details in everyday living. When I finally accustomed myself to the style she employed, I was able to relax more, take my time, and relish her creation.
As far as other works I've read by Phillips, I must say that I enjoyed her novel SHELTER a bit more -- but her talent is genuine and accomplished, and I look forward to reading other works.
Lastly, I have to say that this is a book that should be read by more male readers -- its subject (mother-daughter relations and the birth/breastfeeding experience) might tend to cause it to be classified as 'women's fiction', but that would be doing it a disservice. It would also cause it to be passed over by men who could use the lessons it teaches in order to allow them to better relate to their female counterparts. Understanding and empathy can go a long way in strengthening a relationship -- and we could all use a little more understanding, especially between the sexes.
7 of 8 people found the following review helpful.
The Comfort of Generations
By Harley
MotherKind is cathartic. The book is full of humor and insight, and best of all, basic human decency. The relationships between mother, daughter, grandmother, lovers, fathers, friends are familiar and believable, carefully described and absolutely convincing. The resolution of each conflict is so satisfying that MotherKind's conclusion has the comforting resolution of a Bach fugue. Masterful. Thank you, Ms. Phillips!
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