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> Ebook Free Doctor Faustus: The Life of the German Composer Adrian Leverkuhn As Told

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Doctor Faustus: The Life of the German Composer Adrian Leverkuhn As Told

Doctor Faustus: The Life of the German Composer Adrian Leverkuhn As Told



Doctor Faustus: The Life of the German Composer Adrian Leverkuhn As Told

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Doctor Faustus: The Life of the German Composer Adrian Leverkuhn As Told

"John E. Woods is revising our impression of Thomas Mann, masterpiece by masterpiece."  --The New Yorker

"Doctor Faustus is Mann's deepest artistic gesture. . . . Finely translated by John E. Woods." --The New Republic

Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul--and the ability to love his fellow man.

Leverkühn's life story is a brilliant allegory of the rise of the Third Reich, of Germany's renunciation of its own humanity and its embrace of ambition and nihilism. It is also Mann's most profound meditation on the German genius--both national and individual--and the terrible responsibilities of the truly great artist.

  • Sales Rank: #66014 in Books
  • Published on: 1999-07-27
  • Released on: 1999-07-27
  • Original language: German
  • Number of items: 1
  • Dimensions: 8.00" h x .90" w x 5.20" l,
  • Binding: Paperback
  • 544 pages

From the Inside Flap
"John E. Woods is revising our impression of Thomas Mann, masterpiece by masterpiece." --The New Yorker
"Doctor Faustus is Mann's deepest artistic gesture. . . . Finely translated by John E. Woods." --The New Republic
Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkuhn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul--and the ability to love his fellow man.
Leverkuhn's life story is a brilliant allegory of the rise of the Third Reich, of Germany's renunciation of its own humanity and its embrace of ambition and nihilism. It is also Mann's most profound meditation on the German genius--both national and individual--and the terrible responsibilities of the truly great artist.

About the Author
Thomas Mann was born in 1875 in Germany. He was only twenty-five when his first novel, Buddenbrooks, was published. In 1924 The Magic Mountain was published, and, five years later, Mann was awarded the Nobel Prize for Literature. Following the rise of the Nazis to power, he left Germany for good in 1933 to live in Switzerland and then in California, where he wrote Doctor Faustus (first published in the United States in 1948). Thomas Mann died in 1955.


From the Hardcover edition.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Will give ebooks a bad name
By Amazon Customer
Bad formatting beyond belief. Random typefaces, colors, broken and missing text. Should not be offered for sale.

0 of 0 people found the following review helpful.
Mann's ambitious retelling of the Faust legend
By Louis L. Cornell
Thomas Mann poured his considerable knowledge of music into this biography of fictional German composer Adrian Leverkuhn, whose musical career spans the first thirty years of the 20th century. The result is one of literature's most ambitious attempts to portray the art of music in words. At the same time, this is a self-portrait of the narrator. Writing from the perspective of 1944, like Mann himself he is a representative of an older, humanistic Germany, who looks on appalled as the Red Army marches ever closer to the German border. Hating the Nazi regime, he struggles with the fact of the national catastrophe that looms ever closer. The result is perhaps Mann's most complex novel, ironies within ironies, all contained in the story of an artist who makes a pact with the Devil (or does he? or does he imagine that he did?) in order to achieve transcendence in his art. The language is thick, the narrative moves slowly, sometimes at a snail's pace, but the complexity of the story offers rich rewards. Not for the faint of heart.

6 of 6 people found the following review helpful.
One Star
By Amazon Customer
Incredibly bad formatting.

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