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Persepolis: The Story of a Childhood
Wise, funny, and heartbreaking, Persepolis is Marjane Satrapi’s memoir of growing up in Iran during the Islamic Revolution. In powerful black-and-white comic strip images, Satrapi tells the story of her life in Tehran from ages six to fourteen, years that saw the overthrow of the Shah’s regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq. The intelligent and outspoken only child of committed Marxists and the great-granddaughter of one of Iran’s last emperors, Marjane bears witness to a childhood uniquely entwined with the history of her country.
Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life. Marjane’s child’s-eye view of dethroned emperors, state-sanctioned whippings, and heroes of the revolution allows us to learn as she does the history of this fascinating country and of her own extraordinary family. Intensely personal, profoundly political, and wholly original, Persepolis is at once a story of growing up and a reminder of the human cost of war and political repression. It shows how we carry on, with laughter and tears, in the face of absurdity. And, finally, it introduces us to an irresistible little girl with whom we cannot help but fall in love.
Persepolis 2: The Story of a Return
Here is the continuation of Marjane Satrapi's fascinating story. In 1984, Marjane flees fundamentalism and the war with Iraq to begin a new life in Vienna. Once there, she faces the trials of adolescence far from her friends and family, and while she soon carves out a place for herself among a group of fellow outsiders, she continues to struggle for a sense of belonging.
Finding that she misses her home more than she can stand, Marjane returns to Iran after graduation. Her difficult homecoming forces her to confront the changes both she and her country have undergone in her absence and her shame at what she perceives as her failure in Austria. Marjane allows her past to weigh heavily on her until she finds some like-minded friends, falls in love, and begins studying art at a university. However, the repression and state-sanctioned chauvinism eventually lead her to question whether she can have a future in Iran.
As funny and poignant as its predecessor, Persepolis 2 is another clear-eyed and searing condemnation of the human cost of fundamentalism. In its depiction of the struggles of growing up—here compounded by Marjane’s status as an outsider both abroad and at home—it is raw, honest, and incredibly illuminating.
- Sales Rank: #552368 in Books
- Brand: Satrapi, Marjane
- Published on: 2005-10-25
- Released on: 2005-10-25
- Format: Box set
- Original language: English
- Number of items: 2
- Dimensions: 9.03" h x 1.21" w x 6.08" l, 1.44 pounds
- Binding: Paperback
- 300 pages
Review
"As Iran enters another important period of change...I think this is particularly good time to pick up Persepolis. Satrapi's deceptively simple, almost whimsical drawings belie the seriousness and rich complexity of her story - but its also very funny too" -- Emma Watson Our Shared Shelf "A revelation...you will remember it for a very long time" -- Mark Haddon "Persepolis is a stylish, clever and moving weapon of mass destruction" -- David Jenkins Sunday Telegraph "The magic of Marjane Satrapi's work is that it can condense a whole country's tragedy into one poignant, funny scene after another" -- Natasha Walter Independent on Sunday "I cannot praise enough Marjane Satrapi's moving account of growing up as a spirited young girl in revolutionary and war-time Iran. Persepolis is disarming and often humorous but ultimately it is shattering" -- Joe Sacco
About the Author
Marjane Satrapi was born in 1969 in Rasht, Iran. She now lives in Paris where she is a regular contributor to magazines and newspapers throughout the world, including the New Yorker and the New York Times. She is the author of several children's books, as well as the critically acclaimed and internationally bestselling memoir Persepolis, which has been translated into twelve languages, and was awarded the first Fernando Bueso Blanco Peace Prize in Spain.
Most helpful customer reviews
108 of 114 people found the following review helpful.
A Powerful Autobiographical Tale in Graphic Novel Form
By Steve Koss
THE COMPLETE PERSEPOLIS brings together in one softbound volume two graphic novels published earlier in English (translated from French): PERSEPOLIS 1 - THE STORY OF A CHILDHOOD, and PERSEPOLIS 2 - THE STORY OF A RETURN. As a single volume, Ms. Satrapi's work reads as a seamless story of an Iranian woman's maturation from a young girl in the Shah's (and Ayatollah Khomeini's) Iran to her high school years in Austria, back to the Iran attacked by Saddam Hussein and then transformed into a fundamentalist Islamic state, and finally back again to Europe as a young adult. The book's title is borrowed from the name of ancient Persia's ceremonial capital, dating back some 2,500 years, although Persepolis is in fact the Greek translation of the original Persian name, Parsa.
The story is strictly autobiographical, rendered as a memoir of childhood and young adulthood. Satrapi begins her story at age ten, the daughter of well-educated and well-off parents who put a premium on their daughter's religious and academic independence. Marjane's parents prod their pre-adolescent daughter toward a liberal education and encourage her to speak out. However, being a rebel against oppression in Iran leads inevitably to trouble and expulsion from school. Her parents recourse is to pack young Marjane off to Austria, isolated and alone in a foreign and far more secular culture. A series of mostly negative experiences leads her back to her homeland and an unsuccessful marriage during the early years of Iran's fundamentalist revolution with its growing religious oppression. When the young adult Marjane and her parents finally realize that her future lies not in Iran but in Europe, she heads off to France where she still lives today.
Ms. Satrapi characterizes herself as the perennial outsider wherever she lives. As a young girl, political and religious events contradict her upbringing and isolate her from the accepted beliefs and behaviors. The author conveys her childhood desperation by repeated depictions of herself talking to an ancient, white-bearded God, even cradled in his arms. She is even more the outsider in Austria, forever fumbling in her discoveries of Western culture only to become enslaved by some of its worst features. Returning to Iran after her high school years, Marjane is too Westernized to be Iranian, yet still too Iranian to feel Western. The author's journey to self-discovery and finding her true home serves as the core of her story, punctuated by her departures and arrivals. In fact, some of the most dramatic scenes in THE COMPLETE PERSEPOLIS take place at airports.
Satrapi's black-and-white cartooning emphasizes contrast over detail. Indeed, her drawings of people are exceedingly simplified, lacking in all except the basic features necessary to portray a character. This simplicity works, as it stands in stark contrast to the complexity of Iran's constantly changing social, political, and religious structures as well as the complexity of the author's own life and the choices she faced. These minimalist renderings, hardly more detailed than Schulz's "Peanuts" characters, create an even greater dissonance when their childlike simplicity clashes with the horrors of war and the Iranian government's seizures and executions of many of its citizens. The reader is so effectively lulled into this seemingly benign, comic book world that Satrapi's occasional dropping of an expletive into her character's thoughts or words has the force of a slap in the face. When young Marjane returns home to see the dead, braceleted arm of one of her neighborhood friends (killed by one of Saddam Hussein's missiles) extending from her wrecked home, the author resorts to the powerful simplicity of a completely black panel captioned, "No scream in the world could have relieved my suffering and my anger."
There is a natural temptation to compare PERSEPOLIS to Art Spiegelman's MAUS I and MAUS II. However, I believe the Maus books are sui generis, allegorical tales whose use of mice and cats puts Spiegelman's books in a class of their own. By contrast, Satrapi's PERSEPOLIS novels are autobiographical volumes rendered in illustrated form to trace an Iranian woman's struggle to find herself while still loving a country from which she feels irretrievably estranged. Satrapi's and Spiegelman's work complement one another and demonstrate the emotional power graphical novels are increasingly finding ways to achieve.
34 of 36 people found the following review helpful.
Persepolis: both hilarious and deeply moving
By E. Anderson
Last weekend I had the joy of seeing the film adaptation of the comic book series PERSEPOLIS by Marjane Satrapi. I loved the film. I knew though that I was missing out some key points of Marjane's life so I decided to check out the complete version of PERSEPOLIS in paperback. Although the book is in the form of a graphic novel, the story is a memoir of Marjane Satrapi's life growing up in Iran as well as outside of Iran. I also got the impression that the story is a love letter to Marjane's late grandmother who was a huge influence on Marjane as a young woman. People can nitpick at the details of life in Iran during and after the reign of the Shah that Marjane has written in the book but lets keep this in perspective that this book is not a tome on Iran but an autobiography told from the personal point of view from the author. She told what life was like in Iran through her young, impressionable eyes.
Like the Oscar-nominated film, PERSEPOLIS is told with a lot of humor, sadness, and often anger. I could not put the book down. I found myself deeply engrossed in Marjane's life as as child as well as an adult. I enjoyed the animation. I liked how fluid the shapes of the characters flowed. If you have seen the film adaptation of PERSEPOLIS, the book version is definitely worth reading. There is quite a bit of information from Marjane's life that just couldn't fit into the time constraints of the film.
34 of 39 people found the following review helpful.
A Phenomenon In More Ways Than One
By Caesar Warrington
As a child Marjane Satrapi lived through the 1979 Iranian Revolution and its aftermath.
Included here are Satrapi's internationally-acclaimed graphic novels, PERSEPOLIS: The STORY Of A CHILDHOOD and PERSEPOLIS 2: The STORY Of A RETURN. Combining clear analysis with a sharp sense of humor, the first volume tells the story of Marjane and her family's experiences during the final years of the Monarchy, its downfall, and the subsequent rise of Khomeini and the Islamic Republic. A more personal volume, PERSEPOLIS 2 follows Marjane's student years in Vienna and her later return to Iran.
Together with Vincent Paronnaud, Satrapi also co-wrote and co-directed the animated film version.
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